If your interested in how many people viewed Christian Marclay’s The Clock exhibition at the Centre Pompidou (6,996 for its three day run) in 2011 then The Art Newspaper‘s yearly round up of the top exhibitions makes great reading. This year the list breaks out Architecture and Design exhibitions and New York’s MoMA is the clear winner.
Richard Meier Retrospective
The Museo de Arte Carrillo Gil
Revolución 1608, San Angel, Álvaro Obregón
Through August 26
The Museo de Arte Carrillo Gil will present a retrospective of the Richard Meier’s most emblematic works. The exhibition includes artifacts from throughout Meier’s career, including models, original sketches, renderings, and photographs. Iconic projects such as the Smith House, The Getty Center, and the High Museum of Art will be exhibited. Read More
New York’s Design Week 2012 might be over, but the abundance of furniture displayed in private lofts, showrooms, and on the vast floor of the Javits Center at the International Contemporary Furniture Fair (ICFF) is still fresh in our minds. Between handing out hundreds of copies of the newspaper at our booth, AN‘s editors combed the floor at ICFF and selected an array of products that caught our eyes from chairs, to rugs, to lighting and more.
Last week at Audi’s HQ in Ingolstadt, Germany, architect Junya Ishigami of Tokyo succinctly summed up the problem the car company aims to tackle: there is “a gap between people’s speed and the city’s speed,” Ishigami said. In other words, people’s habits evolve quickly to suit a 21st-century lifestyle, but the infrastructure of the cities they live in is constantly playing catch up. And Audi, whose primary product is by nature infrastructure-bound, wants get ahead of the curve.
Ishigami was one of six architects presenting research as part of the first phase of Audi’s 2012 Urban Future Award, a bi-annual program first started in 2010. The 2012 firms were selected for their track records of researching the urban environment and their relationships to one of six metropolitan areas: CRIT (Mumbai); Höweler + Yoon Architecture (the Boston-Washington corridor); NODE Architecture & Urbanism (Pearl River Delta); Superpool (Istanbul) and Urban Think Tank (São Paulo); and Junya Ishigami + Associates (Tokyo). The brief: to “create visions for individual mobility in the future.” Audi defined the future as ca. 2030, when it’s predicted that 70 percent of the world population will live in cities with eight million or more inhabitants.
Hadrian’s Villa—the real one, the 2nd century site of pilgrimages by architects, classicists, and any human interested in the origins of culture—has been selected as the site of a new garbage dump by a Berlusconi-appointed sanitation minister. That stinks!
The twelfth Serpentine Gallery Pavilion in London is nothing without the first eleven. The collaborators responsible for the wonderfully intricate Beijing National Stadium (aka the Bird’s Nest) in 2008—Swiss architects Herzog & de Meuron and Chinese artist Ai Weiwei—have designed a temporary pavilion inspired by the archaeology of previous structures by Peter Zumthor, Jean Nouvel, and Zaha Hadid, among others.
The American Academy in Rome announced the winners of the 116th annual Rome Prize Competition. Drawn from a variety of disciplines including musical composition, literature and design, fellowships have been awarded to 30 Italy-bound scholars. Randall Mason and Elizabeth Kaiser Schulte have been awarded the Historical Preservation and Conservation fellowships; Pablo Castro Estévez and William O’Brien Jr. for Architecture, and Ross Benjamin Altheimer and Karen M’Closkey for Landscape Architecture. Recipients of the 2012-2013 Rome Prizes are provided with a fellowship that includes a stipend, a study or studio, and room and board for a period of six months to two years in Rome, Italy.