Yoshiko Sato, an architect and educator who was committed to repairing the world through design, died on Sunday in New York City after a battle with cancer. Sato was born in Tokyo to parents who studied engineering and design, which sparked her interest in science and the arts. Following a tour of Europe to study art and design, the Tokyo native settled in New York in the early 1980s and continued her education at Parsons School of Design. Her professors Billie Tsien, Robert MacAnulty, and Laurie Hawkinson quickly recognized her talent and encouraged Sato to move toward architecture. She transferred to the Cooper Union where she continued her studies under John Hejduk, Toshiko Mori, Tod Williams, and Peter Eisenman, graduating in 1989. In 1996, she received a Masters in Architecture from the Harvard Graduate School of Design where she explored architecture and urban design under Raphael Moneo and received honors for her thesis on rebuilding Kobe, Japan after a devastating earthquake in 1995.
Sato’s professional career in New York bridged architecture, art, and design across a broad range of scales. She operated the Morris Sato Studio with her husband and design partner Michael Morris, exploring the ethereal nature of design as represented in the award-winning retrospective exhibit Shiro Kuramata, 1934-1991 and in her installation LightShowers. She won further accolades for her personal and comprehensive exploration in a pair of houses recently completed on Shelter Island.
Returning to education, Sato was appointed to Columbia’s GSAPP in 1999 where she directed the Japan Lab in Architecture. Her passion for both sustainability and exploration into outer space were clear in her work, including a collaboration with GSAPP and NASA to create Space Habitation Modules.
Sato is survived by her husband, mother, and sister Noriko Oguri of Yokohama, Japan. The staff at The Architect’s Newspaper sends our condolences to her family, friends, and colleagues. Those who wish to honor the memory of Yoshiko Sato may donate to the Japanese Red Cross Society. Condolences may be sent to Morris Sato Studio, 219 East 12th Street, 1st Fl., New York, New York 10003 or firstname.lastname@example.org.
Herzog & de Meuron and Ai Wei Wei are getting the band back together for a brief collaboration for the famed Serpentine Gallery 2012 Pavilion. Now in its twelfth iteration, the Serpentine has commissioned temporary structures by some of the world’s leading architects, including Toyo Ito, Peter Zumthor, and Zaha Hadid. The Swiss architects and the Chinese artist/designer have previously collaborated on the so-called Bird’s Nest Olympic staduim in Beijing. While that project emphasized both strength and fagility with a soaring tangle of intersecting structure, their proposal for the Serpentine will explore the subterranean history and ecology of the site. Read More
Eight up-and-coming architecture firms from across North America have been distinguished as Emerging Voices by the Architectural League. The prestigious award is bestowed annually on a group of firms that have established a distinct design voice in their work and have “the potential to influence the disciplines of architecture, landscape design, and urbanism.” This year’s winners are INABA, 5468796 architecture, SCAPE Landscape Architecture, Studio NMinusOne, Oyler Wu Collaborative, SsD, Arquitectura 911sc, and Atelier TAG. A jury comprised of Henry Cobb, Geoff Manaugh, Paul Lewis, Jamie Maslyn Larson, Annabelle Selldorf, Claire Weisz, and Dan Wood selected the firms based on a review of their portfolios. Past Emerging Voices have included many of today’s top-name architects including Morphosis, Enrique Norten, Deborah Berke, Michael Maltzan, SHoP Architects, Jeanne Gang, and Steven Holl.
Each year, the winning firms present their work at a lecture series presented by the League in New York. Beginning on March 2, will take place at the Rose Auditorium in the new Morphosis-designed building at The Cooper Union. Also watch for an upcoming issue of The Architect’s Newspaper where we feature a profile of each Emerging Voices winner.
SOM Chicago has won a competition to design a mixed-use tower in the new Chinese city of Suzhou. Located along a lake front, the tower includes a distinctive void carved out the upper portion of the tower, splitting the floorplates in half to better serve hotel uses. Offices will fill the lower, larger floorplates. “We’ve been doing these kinds of mixed-use towers since Hancock,” said Ross Wimer, a partner at SOM Chicago. “Instead of tapering the tower, we’ve carved away a slot to bring fresh air and light into the building.”
Just a stone’s throw from the British Museum, Renzo Piano‘s Central Saint Giles complex seems to have been overshadowed by the excitement around his Shard of Glass rising in the Southwark section of London. But as the Shard pierces the skyline, the year old St. Giles has begun to find its own footing. Last month, the 500,000 square foot complex brought a bit of bossa nova to this West End outpost. Cabana, a restaurant designed by Alex Michaelis of Michaelis Boyd, plays well with Piano’s citrus colored facades and brings a dash Brazilian spice to the quiet courtyard.
Are you on KPF’s holiday mailing list? If so, think twice before you toss their annual card into the recycling bin. You’re now the owner of a limited edition print by an artist who is represented by one of London’s poshest galleries, the Belgravia, and whose work was featured this fall in a one-man show in Hong Kong. The signature is in the bottom right corner: Kohn ’11.
It’s no mystery that Bjarke Ingels is a fan of mountains, but building craggy edifices hasn’t been enough for the Danish leader of BIG. Now Bjarke has unveiled his firm’s latest plans to incorporate “rooftop-skiing.” He previously proposed the Hafjell Mountain Hotel in Norway in 2007 and more recently an imperiled Waste-to-Energy Plant in Denmark that appears to have stalled. The Danish firm’s latest competition-winner is a 500,000-square-foot resort called Koutalaki Ski Village in the Lapland region of Finland, consisting of four landscaped buildings that double as ski slopes.
The Museum of Modern Art has confirmed that the Portuguese architect, curator, and writer Pedro Gadanho will join MoMA’s Department of Architecture and Design as a curator of contemporary architecture.
According to MoMA’s release: “In his new role, Mr. Gadanho will be responsible for a broad portfolio that reinforces the Museum’s commitment, since 1932, to contemporary architecture. In addition to building the Museum’s holdings of contemporary architecture, he will oversee the annual Young Architects Program (YAP), co-organized with MoMA PS1, and the two-year-old YAP International Program in conjunction with the MAXXI in Rome and Constructo in Santiago, Chile; organize further exhibitions in the Museum’s “Issues in Contemporary Architecture” series; and develop larger scale exhibitions of contemporary architecture, including exhibitions that explore relationships between architecture and other contemporary art practices.”
This surreal construct is one of the many public art projects by South Korean artist Choi Jeong-Hwa, whose love of found objects and anti-institutional approach to art is known internationally (he once hung strings of sparkling garbage around Seoul Olympic Stadium). The 10-story tall installation called Doors is comprised of 1,000 reused, brightly colored doors transformed into a rustic and visually indulgent object evoking a pixelated and painterly effect from afar, perhaps reminiscent of an abstract Klimt painting. Alternatively, the installation can also be read less glamorously as a mirror to Seoul’s increasingly ad-dominated cityscape where Doors resembles a jarring collection of ads to the point of irony. (Via Colossal.)
Guy Horton, a frequent contributor to AN, here adds his thoughts on the still-steaming controversy over MVRDV’s twin towers.
MVRDV’s design for what they call The Cloud, a twin high-rise with a connecting “cloud” above the waistline, has resulted in an blitz of negative criticism. Americans who have never heard of the Dutch firm are now phoning and emailing threats and condemnation non-stop—some are personal threats aimed at individuals. They have even been called “Al Qaeda lovers.”