Spotted on a Chinese Twitter account and now making its way around various online social networks, behold Zaha Hadid as an up-and-coming young architect working at OMA and her boss, with a full head of hair, Rem Koolhaas likely taken sometime in the 1970s. Hadid split from OMA in 1979 to start her own firm. As an added bonus, check out another photo of Zaha Hadid as a child in front of the Trevi Fountain in Rome after the jump.
Update! A reader sent in proof that the above photo, of unknown Chinese provenance, is a forgery. While showing both Zaha and Rem, the two were stitched together digitally. Take a look at the Zaha Hadid above photographed solo after the jump.
The architecture scene in Italy operates around groups and individuals tied to various cities and regions. In the late 1960s Florence was the liveliest and most compelling venue for architecture with groups like Superstudio, Archizoom, UFO all coalescing around the city’s university. But Venice, with its IAUV academy and stellar faculty that included Manfredo Tafuri and Aldo Rossi, was also a center until a few year ago. Milan too with its dynamic post war economy and lively design tradition was and is still a place for creation of new architectural ideas. Rome on the on the other hand, though it was the home of Bruno Zevi and Paolo Portoghesi and their lively publication programs, was never a place one thought of as central to the debate on the future of architecture.
From Alvar Aalto to Zaha Hadid, architect Andrea Stinga and visual artist Frederico Gonzalez have rounded up 26 of the world’s most famous architects and an example of their work for their new animation, “ABC of Architects.” Each building pops into view, dancing to the video’s catchy tune. A few of our favorites include Louis Kahn’s National Parliament of Bangladesh, Oscar Niemeyer’s National Congress of Brazil in Brasília, and Joseph Maria Olbrich’s Secession Building in Vienna. Take a look above!
Yale University is under fire from its own faculty for a new collaboration with the National University of Singapore (NUS). Pelli Clarke Pelli is designing the campus of what will be a four-year liberal arts college based in Singapore. A recent Reuters article reported that the project has “stirred sharp criticism from faculty and human-rights advocates who say it is impossible to build an elite college dedicated to free inquiry in an authoritarian nation with heavy restrictions on public speech and assembly.”
Degrees issued by the Singapore-based college, called Yale-NUS, won’t be Yale degrees and technically it’s not considered a Yale branch campus. Yet is Yale guilty of selling out its values—the school’s motto is lux et veritas, “light and truth”—to extend its brand? As Reuters reported, “Christopher Miller, a professor of French and African American studies, has dubbed the venture ‘Frankenyale.'” The faculty began to voice their objections last spring, but may have been too slow on the draw—the new campus is well under construction and set to open this summer.
Rem Koolhaas has been named director of the 2014 Venice Biennale, the 14th edition of the architecture exhibition. Koolhaas, a leading thinker and persistent provocateur in the discipline, succeeds David Chipperfield. “The Architecture Exhibitions of the Biennale have gradually grown in importance internationally,” said Biennale President Paolo Baratta in a statement. “Rem Koolhaas, one of the most significant personalities among the architects of our time—who has based all his work on intense research, now renowned celebrity—has accepted to engage himself in yet another research and, why not, rethinking.”
Chipperfield’s exhibition, called Common Ground, which sought to identify continuities across cultures, time periods, and architectural approaches, divided critics. Koolhaas will take a different approach: “We want to take a fresh look at the fundamental elements of architecture—used by any architect, anywhere, anytime—to see if we can discover something new about architecture.”
In 2010, AN wrote about an identity theft scandal involving some high profile British architects and Chinese impostors leaving some observers at the time to wonder if starchitects like Norman Foster or Zaha Hadid might be next. It now appears the archi-pirates have indeed set their eyes on Hadid’s curvaceous designs, setting of a construction race to see whether the copy-cat can outbuild the original and an international debate about intellectual property. Spiegel reported that Hadid’s Wangjing SOHO tower complex, proposed in 2011 for Beijing and now under construction, has been copied and rebranded as the Meiquan 22nd Century in Chongqing. When placed side by side (above), it’s tough not to see the distinct resemblance.
Check your rearview mirrors, Audi. The Japan-based luxury car company Lexus recently announced the launch of a new design award that calls for proposals on the theme of “Motion”: ”Our daily lives are continuously filled with motion. The motion of things, the motion of people. Moving people’s hearts. Shifting consciousness…” You get the idea. And it’s one that may ring a bell—the theme of this year’s Audi Urban Design Award was “Mobility.”
In an intriguing twist, architect Junya Ishigami of Tokyo, one of the 2012 Audi award finalists who dropped out of that competition before the October judging, has now reappeared as a “mentor” to the Lexus award. There’s the requisite big-name panel of judges (Antonelli, Ito, and more), and a five million yen (about $60,000) prize for each of ten winners. Imitation is the sincerest form of flattery, Audi.
Alex Moulton, 92, died on December 9th at his home in Bath, England. His New York Times obituary on December 20th didn’t mention that he designed an object loved by the entire architecture profession. Moulton an automotive engineer and entrepreneur designed, built, and manufactured the Moulton foldable, collapsable mini bicycle. The bicycle was made famous-at least to architect’s by Reyner Banham who commuted daily on his Moulton F-frame and famously used a photographed on his mini for his books dust jacket.
Don your thinking cap and put pen to paper in one of these architecture and design competitions drawn from AN’s online competitions listing. We’ve selected five of the most interesting competitions for you here, but be sure to browse the full listing here. If you’d like your competition to be included in the listing, please submit it here.
Transparent Shelter Competition: Deadline: 01.20.2013
The Nordic Centre of Glass is challenging designers to create a glass bus stop design to prove the material is both visually appealing and practical. Entrants will base their designs on an actual bus stop in Holbaek, Denmark that offers little shelter from the elements.
Street Seats Design Challenge: Deadline: 02.01.2013
Design Museum Boston’s competition is calling for international designers to create a bench or “street seat” to inspire socially and environmentally responsible design for South Boston’s Fort Point Channel in the growing Innovation District. The entries will be displayed publicly in an outdoor design exhibit held from April through October 2013.
Historic Park In BJØRVIKA, OSLO: Deadline: 01.04.2013
An open ideas competition organized by a free association of young planners called ByFabrikken. Submissions are accepted in various mediums and entrants can choose to plan the entire park area in Oslo or a designated section. The ten best proposals will be presented in an exhibition and the top three winners will earn a small cash prize as well as tickets to a music festival at the park site.
Boulder Civic Area Ideas Competition: Deadline: 01.11.2013
The City of Boulder is asking student and professional designers to redesign Boulder Civic Area to meet the community’s social and environmental needs. The winning proposal will be published in Urban Land magazine and receive up to $15,000 in cash and prizes.
Nikola’s Belvedere: Deadline: 01.15.2013
As part of the Archstoyanie Festival, Nikola-Lenivets Project has announced the Nikola’s Belvedere competition in search of a design for an observation deck/belvedere for Versailles Park. The winning design will link the park’s art objects, a rotunda and arch, offer a panoramic view, and will be awarded 100,000 rubles and funding for construction.
For five months a year Bangladesh endures a monsoon season, suffering from two floods yearly leaving millions of citizens living in river basins stranded without basic necessities. But a non-profit organization founded by an architect based in northern Bangladesh, Shidhulai Swanirvar Sangstha, has decided to build flood resistant schools that come to the homes of students. Health care facilities and homes are also being built to float by the non-profit.
Architect, teacher, and critic Alan Colquhoun has died aged 91. Alan Colquhoun, 1921-2012, emeritus professor of architecture at Princeton University passed way yesterday in his Primrose Hill home in London. Colquhoun was a rigorous critic, writer, and intellectual and influenced several generations of students at Princeton and through his writings which include: The Oxford History of Modern Architecture, the seminal Essays in Architectural Criticism, and Modernity and the Classical Tradition. The Dutch journal; OASE recently published an edition devoted to his writings and teachings. AN will publish a full obituary in our next print edition.
“If Zaha is in Paris, ask her to text me and make an appointment.” So read the text message from Karl Lagerfeld to Naomi Campbell. La Campbell was having a sit-down with Zaha Hadid, who happens to be designing the supermodel’s new house outside Moscow. But this wasn’t a meeting to review floor plans—it was an on-the-record chat (including incoming texts) for the German edition of Interview magazine. The conversation ranged from the subject of Hadid’s new book (on the Russian Suprematist movement, one of her foundational influences) to 3-D printers.
Funnily enough, Campbell covers a lot more ground than architecture writer Aaron Betsky manages in his recent and rather fluffy profile of Hadid for Glamour magazine, which named the architect as one of its Women of the Year. Here, Betsky cites Mame rather than Malevich as an early influence: “My house was like Auntie Mame’s, with my mother redecorating every season,” said Hadid.