With the official grand opening of the Venice Biennale set for Wednesday, August 29, following a two-day preview, it’s time to start planning your visit with the only comprehensive guide to the Who, What, and Where of the Biennale. Download your own copy to keep on hand or look for the guide to be printed in the first issue of Guida alla Biennale di Architettura, a partnership between The Architect’s Newspaper and Il Giornale Dell’Architettura.
Before the 2012 Venice Biennale opens on August 29, Zaha Hadid Architects has released its own preview of the firm’s pavilion to be displayed at the Giardini and the Arsenale in Venice. The pavilion will be one of 66 projects in the 13th International Architecture Exhibition at the Biennale, entitled Common Ground.
Coincidentally, this video of legendary art critic Robert Hughes’s 1980s television series The Shock of the New was passed around the AN offices yesterday morning. We were saddened to hear of Hughes death at the age of 74 later that day. This television series and his role as chief art critic for Time magazine made him a fixture of the cultural world, and his opinionated, sometimes combative, no holds barred attitudes on art and architecture made him a lively and engaging writer and commentator. In describing Damien Hirst’s The Virgin Mother then on display at the Lever House in Manhattan, Hughes said, “Isn’t it a miracle what so much money and so little ability can produce. Just extraordinary.” And there you have it.
On any typical day, the pedestrianized Rua Luís de Camões in the small Portuguese town of Águeda is a charming place to experience the city, but this July, a cultural festival called AgitÁgueda (Stir Agueda) rolled out the green carpet, suspended hundreds of colorful umbrellas overhead, and invited residents to see the city in a whole new light.
In the middle of a lightly populated island in the middle of a French reservoir—the Ile de Vassivière—an eerie green glow rises from the crest of a hill at dusk, indicating that you’ve found OTRO, a phosphorescent skate park of sinuous bowls and tunnels. Designed by artist Koo Jeong-A, L’Escaut Architectures, and skateboard consultants Brusk and Barricade, the project is described as “skateable artwork” and located near a large chateau housing the International Center of Art and Landscape, a light house designed by Aldo Rossi, and a humanoid piece of land art only visible from high above.
They’re being phased out in Europe and in many other countries around the world (but not in the U.S.), but there’s no denying that the soft, yellow glow from incandescent light bulbs—especially the low-Wattage Edison original that’s a staple in any Brooklyn-chic bar or restaurant—hasn’t been matched by fluorescent or LED alternatives. Until now. Lancaster, PA-based artist Luke Anderson partneres with a ceramicist and a glass blower to create a larger-than-life modern version of the Edison bulb called Alva—the famous inventor’s middle name—built with modern LED technology but with the nostalgic glow of the original.