In architecturally crowded Hong Kong, plazas are a rare breath of open air. The luxurious Causeway Bay district, whose retail rental rates surpassed New York City’s Fifth Avenue in 2012, is home to one of these sparse open spaces, Sunning Plaza. I.M. Pei’s 27-story edifice faces a large public courtyard, a hardscape relief within the densely built area devoted to commercial shops and restaurants.
But, such a luxury is always in threat of expansion. Artinfo reported that developer Hysan will soon be converting the space into additional commercial stores and offices. Pei’s 1982 building is to be demolished by the end of this year and the plaza is going with it.
From high-end hotels interiors to deluxe dollhouses and state-of-the-art superyachts, Queen of the Curve, Zaha Hadid, has been expanding her signature sinuous style to all corners of the design map. The latest unexpected design to emerge from the architect’s versatile office comes in the form of a limited-edition wine bottle for Austrian winemaker Leo Hillinger.
For the 999-bottle edition of the winery’s 2009 vintage red, Icon Hill, Hadid created a curvaceous form derived from the profile of liquid droplets. A concave indentation along one side of the bottle’s surface matches the curvature of the bottle’s opposite side, so if you happen to be the proud owner of more than one of these bottles, you can create an interlocking conga-line of high-design wine. At the base of the bottle, the architect has designed a small dimple to assist in correct pouring and the collection of sediments. The bottle’s geometries were created using NURB-based CAD software, from which cast iron molds were produced to form the glass.
Today MoMA announced the newest exhibition in its “Issues in Contemporary Architecture Series,” Uneven Growth: Tactical Urbanisms for Expanding Megacities. Six teams will examine how tactical urbanism can be used to address challenges in six global megacities: New York, Hong Kong, Istanbul, Lagos, Mumbai, and Rio de Janeiro. Like the previous exhibitions in the series–Rising Currents and Foreclosed–Uneven Growth will commence with a series of public workshops, beginning on October 26 at MoMA PS 1. The final projects will be exhibited at MoMA in November 2014. Each team is comprised of a local firm from each study city paired with an international firm. The six teams are: Situ Studio of New York with Cohabitation Strategies from Rotterdam; Rua Architectos of Rio with MAS Urban Design from Zurich; URBZ of Mumbai with Pop Lab from Boston; NLE Architects of Lagos with Intelligencias Colectivas of Madrid; MAP Office of Hong Kong with Network Architecture Lab from New York; and Superpool of Istanbul with Atelier d’Architecture Autogenérée from Paris. Read More
Situated on the fringes of Tokyo’s dense urban fabric, House K—designed by Hiroyuki Shinozaki Architects—provides an innovative take on the traditional duplex home. The architects were posed with the challenge of creating a joint-living arrangement for two families on a very narrow piece of land. While the structure may look small and narrow from the outside, the thoughtful design demonstrates that a building’s allocated footprint need not be a limiting factor in achieving a feeling of wide, open spaces.
London-based Weston Williamson won first prize in an international competition to design the Brasilia Athletics Stadium, an innovative skeletal structure inspired by the wings of a bird in flight. The huge, feather-like formations that create the structure’s undulating roof canopy will be constructed from lightweight concrete and steel connections. This feather-like roof will be in a constant state of flux, as the individual sections respond to environmental fluctuations, such as wind and sunlight.
Despite the economic freeze gripping much of Italy, more than 100,000 attendees—50 percent of whom came from outside the country—converged on Bologna for the 2013 edition of Cersaie, the world’s largest ceramic tile fair. In addition to daily educational sessions and a keynote from Pritzker Prize winner Rafael Moneo, 900 product exhibitors filled the halls with the newest iterations of stone and tile looks on porcelain and ceramic. Textile-influenced surfaces were particularly prevalent, as were recreations of hand-crafted, custom-made tiles thanks to more affordable production methods.
Though nearly every company exhibiting at Cersaie 2013 boasted some kind of wood look, Cerim’s (above) stood out for its realistic color and graining, and authentically placed embossing. Available in five tones on three differently sized planks, the collection also comes in two finishes for indoor and outdoor flooring applications.
Placed within Tokyo’s Daikanayama district, architect Arthur Casas has designed a flagship store to appear completely as an opaque box. As fashion trends change, so does the store’s appearance. The exterior walls boast a bold graphic design that will surely be swapped out for the next season’s trends.
Germans have taken on a unique approach to hospitality. This past August, hotelier Michael Schloesser introduced an innovative type of lodging two miles from the city center of Bonn. By converting an old storage facility into an indoor campground, Schloesser has created what he calls the world’s first camping trailer hotel: BaseCamp Bonn Young Hostel. Inside the warehouse, numerous trailers, vintage vans, sleeping cars and motorhomes are arranged to create a typical campground setup.
Children are the focus of twenty new designs by some of the United Kingdom’s top architects. A Dolls’ House, launched by UK property redevelopment firm Cathedral Group, invited architects like Zaha Hadid, David Adjaye, and Alford Hall Monaghan Morris to scale down their architectural feats to a miniature size, each creating a dollhouse of innovative design for auction at Bonhams next month.
Next Tuesday, the nearly 850-foot-tall Shenzhen Stock Exchange Building will be inaugurated as the new head of capitalist trading in Hong Kong. OMA, Rem Koolhaas’ architectural firm, was commissioned to design and construct the soaring structure in 2006. After nearly $500 million in expenditures, according to reports by the Wall Street Journal blog, the square-form skyscraper with a surprising floating base, is complete.