Placed within Tokyo’s Daikanayama district, architect Arthur Casas has designed a flagship store to appear completely as an opaque box. As fashion trends change, so does the store’s appearance. The exterior walls boast a bold graphic design that will surely be swapped out for the next season’s trends.
Germans have taken on a unique approach to hospitality. This past August, hotelier Michael Schloesser introduced an innovative type of lodging two miles from the city center of Bonn. By converting an old storage facility into an indoor campground, Schloesser has created what he calls the world’s first camping trailer hotel: BaseCamp Bonn Young Hostel. Inside the warehouse, numerous trailers, vintage vans, sleeping cars and motorhomes are arranged to create a typical campground setup.
Children are the focus of twenty new designs by some of the United Kingdom’s top architects. A Dolls’ House, launched by UK property redevelopment firm Cathedral Group, invited architects like Zaha Hadid, David Adjaye, and Alford Hall Monaghan Morris to scale down their architectural feats to a miniature size, each creating a dollhouse of innovative design for auction at Bonhams next month.
Next Tuesday, the nearly 850-foot-tall Shenzhen Stock Exchange Building will be inaugurated as the new head of capitalist trading in Hong Kong. OMA, Rem Koolhaas’ architectural firm, was commissioned to design and construct the soaring structure in 2006. After nearly $500 million in expenditures, according to reports by the Wall Street Journal blog, the square-form skyscraper with a surprising floating base, is complete.
The Guardian got up close and personal with Zaha Hadid in a recent, no-holds-barred interview where the Pritzker prize-winning architect gave her two cents on London’s “conservative” architecture climate and railed against rectangular buildings, revealing a nugget of wisdom that perhaps has eluded most designers: “The world is not a rectangle.” Beyond her dislike for conventional corner-oriented design, she also told the reporter that, at her firm, “we don’t make nice little buildings.”
While quadrilaterals and “nice” architecture are out of the question, apparently designing in Syria isn’t. That is, unless it is an un-luxurious prison. “Well, I wouldn’t mind building in Syria,” Hadid told the paper. “I’m an Arab and if it helps people, if it’s an opera house or a parliament building, something for the masses, I would do it. But if someone asks me to build a prison, I wouldn’t do it. I wouldn’t build a prison, irrespective of where it is, even if it was very luxurious.” What population living in a war-ravaged country doesn’t need a first-rate opera house?
Plans have been revealed for the reconstruction of London’s famed Crystal Palace and its surrounding 180-acre public park after London’s Mayor Boris Johnson, accepted an $800 million investment promise from Shanghai-based investors ZhongRong Group. Constructed in 1851 for the Great Exhibition in Hyde Park, a fire ravaged Joseph Paxton’s glass and cast iron structural innovation in 1936. Since then, the area has been mostly abandoned with even the sizable public green space around it largely unused except for temporary events. At the launch event last week, ZhongRong Group announced its funding plans and independent engineering firm, ARUP, revealed their renovation renderings and park design plans.
The Arab state of Qatar is in full swing with its plans to host the FIFA World Games 2022. Selected in 2010, it is the first time in the history of FIFA that a Middle Eastern Country has been chosen to host the tournament.
Three existing stadiums will be expanded and nine new ultra-modern stadiums will be built, including one designed by Zaha Hadid Architects. The stadiums will reach capacities from approximately 45,000 seats for the group matches, to more than 85,000 seats for the finals. The design vision involves keeping all the stadiums within a one hour drive from the FIFA headquarters, allowing fans to attend more than one game a day.
Highrise buildings are the most commonly built form of the last century. So says A Short History of the Highrise, an interactive documentary that is a co-production of the National Film Board of Canada (NFB) and the New York Times Op-Docs which has its premiere at the 2013 New York Film Festival and will launch on the website on October 5. It explores the 2,500-year global history of vertical living in four short films: Mud, Concrete, and Glass, which draws on the Times photo archives. The fourth, Home, is comprised of images submitted by the public. The films can be stopped at any time by swiping, pinching, pulling and tapping to dig deeper into the stories, see the backs of photos, and play games. Questions like who gets to live on the top floor and why (in Roman times, upper floors were the least desirable) are asked in rhyme: “Were these vertical experiments there for elites? Or to warehouse the poor away from the streets?” We climb the Tower of Babel, the Hakka round houses of Fujian province, and medieval Yemenese Manhattan-like mud towers before arriving at New York’s luxury-serviced Osborne, London Terrace, and Dakota built simultaneously to the multi-story tenements of the Lower East Side. All are shown in still images cleverly animated: buildings grow up, skaters glide, women wink, lights turn on, and the text is read by well-known Canadian musicians Feist and Cold Specks, as well as the series director, writer and editor Katerina Cizek. The result is a delightful, visually stunning exploration that is seemingly simple, but actually stretches both the conventional documentary form and how we depict space. Read More
A few years ago, 12th-century-built Astley Castle was no more than a fire-ravaged, crumbling medieval structure in the English countryside.
Now, since its clever restoration by Witherford Watson Mann Architects in 2012, the Landmark Trust-sponsored residence in Warwickshire has been deemed “building of the year” as the winner of the most prestigious architectural prize in the United Kingdom, the Royal Institute of British Architects’ 2013 Stirling Prize. With its fortified ruins artfully incorporated into contemporary construction as a luxury vacation home, RIBA President Stephen Hodder praised the Astley Castle restoration as “an exceptional example of how modern architecture can revive an ancient monument.”
However, this year RIBA was unable to secure a sponsor to provide the £20,000 given to winners of the past, BD Online reported. This is the first year that the Stirling Prize comes with no cash value.