On May 30, Schmidt Hammer Lassen Architects, the East China Architecture and Design Institute (ECADI), and the Shanghai Expo Construction Development Company announced the start of construction for a new 164,000-square-foot mixed-use development on the 2010 Shanghai Expo site. The project, known as Green Valley, will transform the former industrial dockyard into a commercial district of shops, restaurants, and offices. The design features two main buildings positioned on either side of a central courtyard. Each incorporates hanging gardens in glass-enclosed atria that will be visible from the street.
Depending on your tendencies toward miracles and/or conspiracies, you may have done a double-take if you saw J.C. Penney’s photographs of its Michael Graves-designed Stainless Steel Teapot. An online opinion that the kettle’s profile evoked Adolf Hitler saluting caught fire… and the now-backordered kettle will be available again on August 28.
In increasingly violent episodes, protesters clashed with police this week in a park located in one of Istanbul’s busiest commercial hubs. A crowd began to occupy the Taksim Gezi Park on Monday in an attempt to protect the public space and its trees from bulldozers that had begun to clear the site for construction of a shopping mall. On Thursday morning, police used tear gas on the crowd and set afire their tents. But crowds only increased during the next 24 hours, and an early morning teargas raid on Friday resulted in over 100 injuries, some serious, according to the Istanbul Medical Chamber.
In the early 1900’s the Royal Albert Docks, located to the east of the city of London, served as London’s most prominent source of international trade and commerce. Now the 130-year-old docks, which over the years have been closed to commercial traffic and only used for watersports, will be transformed into London’s third booming financial district. Terry Farrell & Partners have been commissioned to carry out the complex master plan of the 35-acre site.
Sean Kelly Gallery
Through June 22
There is a renewed interest in the west of Soviet modern architecture from the Cold War and its strong and determined sculptural form. Much of the work was barely known in the west—at least in this country—and has come as a revelation to scholars and critics. A recent exhibition Soviet Modernism 1955-1991 at the Architekturzentrum in Vienna and a fascinating exhibit Cold War Cool Digital at Pratt Institute featured Soviet designed pre-fabricated and globally distributed Cold War Era housing systems. Both of these exhibits featured the ambitious and determined socialist realism that one would expect from work of this period, but now an exhibition, Irreversible, at the Sean Kelly Gallery by the Havana- and Madrid-based group Los Carpinteros features work that expresses what it felt like to be the receiver of these Soviet-inspired architectural and sculptural forms and their realist messages.
At the beginning of the 19th century, the city of Edmonton was considered one of Canada’s most important rail hubs. For over two decades the trains that once made Edmonton a prominent center of economic activity have ceased to run along those tracks, and the historic freight yard has remained vacant.
Over the years a prominent old overpass connecting 97th Street to Edmonton’s downtown rail yards has morphed into a poorly finished, unattractive concrete pedestrian walkway and bicycle path. This weekend designers Chelsea Boos, Carmen Douville, and Erin Ross, will begin working on a project to revitalize the historic landmark. According to the Edmonton Journal the artists, with the help of a group of volunteers, will bring the bridge back to life by planting 25 circular raised beds filled with vibrant flowers, indigenous plants, and edible crops from which visitors can actually pick fruit from.
Indian officials have proposed that high-rises be built on the site of Edwin Lutyens-designed bungalows dating from the 1920s and 1930s, threatening Delhi’s colonial era architecture, according to the Guardian. Lutyens’ Delhi, a 3,000-acre zone containing the Mughal Garden at Rashtrapati Bhavan, has endured monsoons, riots, and acid rain, but now many of the area’s government buildings, parks, and homes have met a new menace: a scheme to loosen planning limitations to permit construction of high-rise structures.
Patrizia Moroso, art director at Moroso, recently chatted with AN about her impressions of ICFF, working with Patricia Urquiola, and the design house’s plans for New York Design Week.
What are your impressions of ICFF?
It is something very important for the U.S. and for New York. For me, around the fair and outside the pavilions, there’s a lot organized in town. The fair is growing. For example, Milan [Furniture Fair] has become so important these years. In Milano, we have something like 3,000 events around design week but this means that people are excited. Now, New York is becoming something like this. You have so much happening around it. The interest and the dialogue between the institutions and the companies and firms can carry on in and around the fair.
The small tourist hotspot of Belize, with its pristine Caribbean coastlines, lush rainforest, and ancient Mayan ruins, suffered a dramatic loss recently when one 2,300-year-old ruin was razed. The 100-foot-tall Nohmul Mayan Pyramid was bulldozed to create gravel fill for a road-building project, its hand-cut limestone construction visible as excavators tore into the structure. According to CNN, authorities in Belize will be conducting an investigation and, even though the ruin was on a privately owned sugar-cane field, criminal charges are likely.
AN had boots on the ground at the 2013 Milan Furniture Fair, taking the air and parsing the differences. This year saw an abundance of collaborations between furniture designers and architects. What follows is the second half of our greatest hits, everything from modular shelving and sleek hardware to design-forward consoles and practical seating. View even more architect-designed furniture from Milan in the first section of our roundup here.
In conjunction with its collaboration with Konstantin Grcic on the mobile interiors of the new Parrish Art Museum, Emeco released the Parrish Collection of modular indoor–outdoor chairs and tables. Chairs are available with three recycled aluminum frame designs that can be combined into four seat options, including one made of locally sourced wood from Lancaster, Pennsylvania.
AN had boots on the ground at the 2013 Milan Furniture Fair, taking the air and parsing the differences. This year saw an abundance of collaborations between furniture designers and architects. What follows is the first half of our greatest hits, everything from modular shelving and sleek hardware to design-forward consoles and practical seating. View even more architect-designed furniture from Milan in the second section of our roundup here.
Multidisciplinary design office Claesson Koivisto Rune was inspired by American artist Ellsworth Kelly when they created the Kelly seating collection for Tacchini. The line features three pieces—Kelly E, H, and L—with cushions that reference the bold colors and irregular shapes common in the artist’s sculptures atop delicate frames coated in matching paint.