Slideshow> Proposals unveiled for Guggenheim’s planned Helsinki campus

One of the submissions for the the Guggenheim's Helsinki campus. (Courtesy Malcolm Reading Consultants / The Guggenheim Foundation)

One of the submissions for the the Guggenheim’s Helsinki campus. (Courtesy Malcolm Reading Consultants / The Guggenheim Foundation)

As AN recently reported, the Guggenheim Foundation has unveiled more than 1700 proposals for its planned campus in Helsinki. All of these submissions have been kept anonymous and made available to the public through an online gallery which displays two renderings and a brief description for each plan. Given the amount of proposals the Guggenheim received, the gallery can be a little—let’s say—hard on the eyes. If you’re not up for scrolling through all of it, we picked out some interesting renderings that stood out to us. Yes, we undoubtedly missed some good ones in the process—there are 1,700 after all.

View the slideshow after the jump.

KANVA’s Edison Residence Animates History

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The facade of KANVA's Edison Residence combines references to the site's history with an exploration of new technology. (Marc Cramer/v2com)

The facade of KANVA’s Edison Residence combines references to the site’s history with an exploration of new technology. (Marc Cramer/v2com)

Photoengraved concrete connects past and present in Montreal student housing.

Though the site on which KANVA‘s Edison Residence was recently constructed stood vacant for at least 50 years, its emptiness belied a more complicated history. Located on University Street just north of McGill University’s Milton gates, the student apartment building lies within one of Montreal‘s oldest neighborhoods. Photographs dating to the mid-19th century show a stone house on the lot, but by 1960 the building “had disappeared; it was erased,” said founding partner Rami Bebawi. Excavation revealed that the original house had burned to the ground. Prompted by the site’s history, as well as an interest in exploring cutting-edge concrete technology, the architects delivered a unique solution to the challenge of combining old and new: a photoengraved concrete facade featuring stills from Thomas Edison’s 1901 film of Montreal firefighters.

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RIBA awards Liverpool’s Everyman Theatre the prestigious Stirling Prize

Everyman Theatre (Courtesy Philip Vile)

Everyman Theatre (Courtesy Philip Vile)

The Everyman Theatre in Liverpool, England—a cultural institution with a democratic spirit and a history of producing thespian talent—has topped the competition including Zaha Hadid and won the much sought-after 2014 Stirling Prize from the Royal Institute of British Architects (RIBA). The new building, designed by Haworth Tompkins, a London-based firm boasting of more than a dozen theater projects, replaces Everyman’s former home in the shell of Hope Hall, a 19th century dissenter’s chapel.

Continue reading after the jump.

Congolese dance company, Studios Kabako, wins 2014 Curry Stone Design Prize

Art, Awards, Design, International, Newsletter
Tuesday, October 21, 2014
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A Studios Kabako performance. (Courtesy Curry Stone Foundation)

A Studios Kabako performance. (Courtesy Curry Stone Foundation)

Studios Kabako, a Congolese theater and performance group, has won the Curry Stone Foundation’s 7th annual Design Prize, which honors designers who use their craft for social good. The arts group was founded in 2001 by choreographer and director Faustin Linyekula, and uses theater, dance, and music to help communities imagine a life beyond hardship and violence.

Continue reading after the jump.

Shanghai talks: How to avoid homogenous skylines

Shanghai sunrise, before the construction of the Shanghai Tower. (Jose Maria Cuellar via flickr)

Shanghai sunrise, before the construction of the Shanghai Tower. (Jose Maria Cuellar via flickr)

In September, The Council on Tall Buildings and Urban Habitat invited me to serve as the special media correspondent for their Shanghai symposium, entitled “Future Cities: Towards Sustainable Vertical Urbanism.”

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Rem Koolhaas’ Biennale: Or how the Tempest Swept Venice

Architecture, International, Review
Wednesday, October 15, 2014
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[Editor's Note: The Venice Architecture Biennale is still on through November 23 and it's still proving to be controversial. Professor Peter Lang shares his thoughts on Rem Koolhaas' event here.]

A Tale about the Magician Koolhaas who plays Prospero, lives on an island in the Venetian Laguna, and brings a Tempest to the Venice Biennale.

Miranda:
O wonder!
How many goodly creatures are there here!
How beauteous mankind is! O brave new world,
That has such people in’t.
—William Shakespeare, The Tempest, Act V, Scene I, ll. 203–206[5]
(Aldous Huxley quoted this line from the Tempest for the title of his dystopian novel Brave New World published in 1931)

In choosing to take a different perspective on the 14th edition of the Architecture Biennale in Venice directed by Rem Koolhaas, I decided to skip the standard blow-by-blow critique, and instead confront what I believe is the greatest enigma behind this controversial event. Up till now, the majority of critics taking a look at this year’s exhibition find fault with Koolhaas’ method, not so much with his madness. But the key to the exhibition is not in its studied aloofness, but in its insubordination—Koolhaas is determined to shake up the Biennale institution by any means possible.

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Eavesdrop> Take a secret peek inside the secret Guggenheim’s Helsinki competition room

Eavesdroplet, International
Monday, October 13, 2014
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The secret Guggenheim Helsinki competition room. (Courtesy Tipster)

As we’ve mentioned before, the biggest competition in town is not in the United States. Virtually every design firm in California and everywhere else has entered the competition for the Guggenheim Helsinki. Proposals were due on September 10, and Eavesdrop received a secret picture of the storeroom where they are being kept. Let’s just say it is FULL. There appears to be several hundred submissions. Only six of the proposals will advance to stage two of the competition, a list that will be announced later this fall. The winning entry will eventually be chosen next June. So stay tuned, there’s plenty of Guggenheim madness left! (And why doesn’t the Guggenheim open a branch in Los Angeles already?!)

Video> Knight Architects create folding fan-like bridge in London

The Merchant Square Footbridge. (Edmund Sumner via Knight Architects)

The Merchant Square Footbridge. (Edmund Sumner via Knight Architects)

The UK-based firm Knight Architects has created a pedestrian bridge in London that opens and closes like a Japanese folding fan. The Merchant Square Footbridge is comprised of five steel beams that sequentially open with the help of hydraulic jacks. The structure spans about 65 feet across the Grand Union Canal in the new mixed-use Merchant Square development in Paddington.

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Red Deer Lights Up Burning Man

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As visitors climb on and around Luz 2.0, integrated sensors trigger an interactive lighting display. (Dustin Wong Photography)

As visitors climb on and around Luz 2.0, integrated sensors trigger an interactive lighting display. (Dustin Wong Photography)

Prismatic pyramid evokes desert mirage by day, Aurora Borealis by night.

Given that their pyramidal acrylic installation at this summer’s Burning Man was inspired in part by Pink Floyd‘s Dark Side of the Moon album cover, it seems safe to say that the architects at Red Deer “get” the festival’s vibe. “We try to get very intimate with our sites, so it was interesting to approach one that we hadn’t been able to visit,” said founding director Ciarán O’Brien. “Some of the primal forces we could see at play there were the heat of the desert and the way people interact with structures. Specifically, for us it was about light in all its forms.” The UK firm worked closely with the structural engineers at Structure Mode to design a transparent six-meter-tall structure comprising interlocking equilateral triangles, while New York Institute of Technology professor Charles Matz contributed an integrated light display based on the Aurora Borealis. “All kinds of imagery came to mind that held to the desert landscape,” said O’Brien. “By day, the concept evoked a mirage; by night, a kaleidoscope. One is ephemeral, a non-place; the other is specific, a beacon.” Read More

MVRDV’s enormous arched food hall and housing complex opens in Rotterdam

Markthal Rotterdam. (Courtesy facebook.com/MarkthalRotterdam)

Markthal Rotterdam. (Courtesy facebook.com/MarkthalRotterdam)

When the plan for Markthal Rotterdam first appeared, it seemed like one of those interesting, but never going to actually happen type of projects. There was no way that MVRDV’s sprawling food hall set underneath a 130-foot-tall arching roof that itself contains 228 apartments would ever be realized. Well, it turns out there was a way, and Rotterdam figured it out.

Continue reading after the jump.

Eavesdrop> MVRDV Booted from Moscow Project, But Maybe So What?

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MVRDV’s proposal repurposed the original factory building. (Courtesy MVRDV)

The Architect’s Journal reported, somewhat melodramatically, that a “row” has broken about between MVRDV and the British firm LDA over the redevelopment of the Hammer and Sickle Factory in Moscow. MVRDV’s competition winning scheme, which respected the existing historic factory buildings, has been dumped in favor of LDA’s swoopier Shanghai/Dubai/Where-am-I scheme. Hurt feelings aside, MVRDV might have dodged a dictatorial bullet. Russia isn’t exactly the most stable or desirable or reputation-burnishing place to work these days.

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ASLA announces winners of its 2014 Professional Awards and Student Awards

Woodland Rain Gardens. (Courtesy Chipper Hatter Architectural Photography)

Woodland Rain Gardens. (Courtesy Chipper Hatter Architectural Photography)

The American Society of Landscape Architects (ASLA) has announced this year’s winners of its Professional and Student Awards, which honor “top public, commercial, residential, institutional, planning, communications and research projects from across the U.S. and around the world.” Each of the winning projects will be featured in the October issue of Landscape Architecture Magazine and be officially presented by ASLA at its annual meeting and expo in Denver on November 24th. In total, 34 professional awards were selected out of 600 entries.

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