Indian officials have proposed that high-rises be built on the site of Edwin Lutyens-designed bungalows dating from the 1920s and 1930s, threatening Delhi’s colonial era architecture, according to the Guardian. Lutyens’ Delhi, a 3,000-acre zone containing the Mughal Garden at Rashtrapati Bhavan, has endured monsoons, riots, and acid rain, but now many of the area’s government buildings, parks, and homes have met a new menace: a scheme to loosen planning limitations to permit construction of high-rise structures.
Patrizia Moroso, art director at Moroso, recently chatted with AN about her impressions of ICFF, working with Patricia Urquiola, and the design house’s plans for New York Design Week.
What are your impressions of ICFF?
It is something very important for the U.S. and for New York. For me, around the fair and outside the pavilions, there’s a lot organized in town. The fair is growing. For example, Milan [Furniture Fair] has become so important these years. In Milano, we have something like 3,000 events around design week but this means that people are excited. Now, New York is becoming something like this. You have so much happening around it. The interest and the dialogue between the institutions and the companies and firms can carry on in and around the fair.
The small tourist hotspot of Belize, with its pristine Caribbean coastlines, lush rainforest, and ancient Mayan ruins, suffered a dramatic loss recently when one 2,300-year-old ruin was razed. The 100-foot-tall Nohmul Mayan Pyramid was bulldozed to create gravel fill for a road-building project, its hand-cut limestone construction visible as excavators tore into the structure. According to CNN, authorities in Belize will be conducting an investigation and, even though the ruin was on a privately owned sugar-cane field, criminal charges are likely.
AN had boots on the ground at the 2013 Milan Furniture Fair, taking the air and parsing the differences. This year saw an abundance of collaborations between furniture designers and architects. What follows is the second half of our greatest hits, everything from modular shelving and sleek hardware to design-forward consoles and practical seating. View even more architect-designed furniture from Milan in the first section of our roundup here.
In conjunction with its collaboration with Konstantin Grcic on the mobile interiors of the new Parrish Art Museum, Emeco released the Parrish Collection of modular indoor–outdoor chairs and tables. Chairs are available with three recycled aluminum frame designs that can be combined into four seat options, including one made of locally sourced wood from Lancaster, Pennsylvania.
AN had boots on the ground at the 2013 Milan Furniture Fair, taking the air and parsing the differences. This year saw an abundance of collaborations between furniture designers and architects. What follows is the first half of our greatest hits, everything from modular shelving and sleek hardware to design-forward consoles and practical seating. View even more architect-designed furniture from Milan in the second section of our roundup here.
Multidisciplinary design office Claesson Koivisto Rune was inspired by American artist Ellsworth Kelly when they created the Kelly seating collection for Tacchini. The line features three pieces—Kelly E, H, and L—with cushions that reference the bold colors and irregular shapes common in the artist’s sculptures atop delicate frames coated in matching paint.
The Department of State’s Bureau of Overseas Buildings Operations (OBO) announced yesterday its shortlist of design firms to rehabilitate the Walter Gropius-designed US Embassy building in Greece, known as the Athens Chancery. The four firms were selected out of an applicant pool of 56 submissions, and include: Ann Beha Architects, DesignLab Architects, Machado Silvetti / Baker, and Mark Cavagnero Associates.
Starting Memorial Day, Chicago’s Millennium Park will host the U.S. debut of a bright array of public design projects, many of which appeared at the 2012 Venice Biennale. Spontaneous Interventions: Design Actions for the Common Good will feature 84 works, including more than a dozen for Chicago and several that also appeared in Venice.
The exhibit, The Vienna Model: Housing for the 21st Century City, currently on view at the Austrian Cultural Forum, is meant to provoke a discussion with housing advocates in this country. The Forum will host weekly tours of the exhibit by a variety of housing experts from various academic and professional fields. This Wednesday, the tour will be led by Srdjan Weiss, a Serbian-born architect and theorist based in New York City, with broad knowledge of the subject of housing in this country and Eastern Europe. The tour will be based on Weiss’ parallel living experience and expertise in housing design from former socialist countries of Eastern Europe and Yugoslavia.
In the 1800s, a French mathematician named Jules Lissajous began using parametric equations, beams of light, mirrors, and vibrating tuning forks to investigate harmonic motion creating what is known as the Lissajous curve. More than a century later at NYU’s Interactive Telecommunications Program, students Manuela Donoso and Luisa Pereira began using the Lissajous’ curve to further explore ways to visually represent musical harmony, using 3D printing technology to produce harmonic sculptures. Last fall, the pair also started using speakers, mirrors, and lasers to create devices and software that make prints and sculptures. They call their project The Harmonic Series. But they aren’t the only ones 3D printing music these days. Richard Dahlstrand of Sweden hacked a Lulzbot 3D printer to play and print classical pieces of music.
Mobile M+: INFLATION!
Tues – Thurs: 12pm to 7pm
Fri – Sun: 11am to 8pm
During Art Basel Hong Kong: May 23 to 26, 10am to 8pm
Venue: West Kowloon Cultural District Promenade
The basic bouncy-house concept has officially been brought to an entirely new level. Turner Prize-winning British artist Jeremy Deller created Sacrilege, an interactive work on which visitors may bounce to their hearts’ content. As a co-commission between the Glasgow International Festival of Visual Art and the Mayor of London, the work is a full-size inflatable replica of the world-famous monument Stonehenge. Sacrilege initially appeared in Glasgow to tour as part of the London 2012 Festival and was unveiled last week at Hong Kong’s Mobile M+: Inflation!.
London-based Farshid Moussavi Architecture has won a competition to design a residential tower in Montpellier, France. The so-called “Lot 2″ project will be the first of 12 new buildings in the Jardins de la Lironde brownfield development in the city’s Port Marianne district, with construction set to begin in 2014.