“Minimal Relaxation” Has Maximum Impact at MoCA Shanghai

Fabrikator
Friday, November 2, 2012
.
Brought to you with support from:
Fabrikator
Fabrikator
"Minimal Relaxation" at MoCA Shanghai.

“Minimal Relaxation” at MoCA Shanghai.

Reimagining traditional Chinese gardens with parametric geometry

For MoCA Shanghai’s exhibition MoCA Mock-ups: The Architecture of Spatial Art, USC American Academy of China (AAC) Summer Studio 2012 spent six weeks designing, fabricating and constructing “Minimal Relaxation,” a parametric canopy and undulating, LED-lit landscape that creates prime skyline viewing locations on the museum’s rooftop terrace. Inspired by Frei Otto, an architect and structural engineer famous for his complex canopy structures, “Minimal Relaxation” extends his body of design research into physical and digital form-finding processes for minimal surface structure through “dynamic relaxation techniques.”

Continue reading after the jump.

‘Cosmic Quilt’ Makes Waves In Interactive Architecture

Fabrikator
Friday, October 26, 2012
.
Brought to you with support from:
Fabrikator
Fabrikator
CosmicQuilt1

Cosmic Quilt (The Principals)

Experimental systems and new materials break ground in an untapped field of architecture

Earlier this month, Brooklyn-based design practice The Principals installed Wave Dilfert, an interactive “light-sensitive barrel vault” created for The Feast, a social innovation conference that took place this year in Essex Street Market. With their unique trifecta of talents, the founders of The Principals—Christopher Williams, a metal fabricator, Charles Constantine, an industrial designer, and Drew Seskuras, an architect—seem poised to lead the pack of interactive environmental architects. Interactive design is a quickly growing field thanks to events like do-it-yourself festival Maker Faire and the proliferation of open-source electronics prototyping platforms like Arduino. But before The Principals dominate the design-build world, we wanted to revisit the installation that caught everyone’s eye at NY Design Week: Cosmic Quilt. Read More

Datagrove weaves a tangled electronic web at ZERO1’s Art + Technology Biennial

Fabrikator
Friday, October 19, 2012
.
Brought to you with support from:
Fabrikator
Fabrikator
Datagrove installation at ZERO1's Art + Technology Biennial in San Jose, CA. (Future Cities Lab)

Datagrove installation at ZERO1’s Art + Technology Biennial in San Jose, CA. (Future Cities Lab)

Use of cell phones is strongly encouraged for tech devotees flocking to Silicon Valley’s ‘social media whispering wall’

As its name implies, Datagrove is literally a grove of data or a “social media ‘whispering wall,'” if you will, that aggregates locally trending Twitter feeds and parrots them out of speakers and LCD displays woven into the digital branches of the installation. Nonprofit art/technology network ZERO1 commissioned the installation from San Francisco–based experimental design company Future Cities Lab for its Art + Technology Biennial in San Jose, CA, now on view through December 8, 2012. The theme of this year’s Biennial is “Seeking Silicon Valley,” which seems like a particularly appropriate place to plunder data normally hidden away in smartphones and amplify it for all to hear using custom sensors, text-to-speech modules, LEDs, and LCDs capable of responding directly to people in the immediate vicinity.

Continue reading after the jump.

Last Weekend To See London Design Festival’s Parametric KREOD Pavilion

Fabrikator
Friday, October 12, 2012
.
Brought to you with support from:
Fabrikator
Fabrikator

KREOD

An easy to build structure brings advanced parametric design together with Kebony’s revolutionary EcoTimber

For the next 48 hours the busy plaza located in London’s Greenwich Peninsula by the O2 Arena (where the Olympic gymnastics were held this summer) will house the modular, geometrically sophisticated pavilion KREOD. Developed by Chun Qing Li of Pavilion Architecture, KREOD is a sturdy, secure, and weatherproof structure built as an exhibition space for London Design Festival. The three interchangeable pods that make up its body can be arranged in a variety of configurations for a number of purposes, from a temporary pavilion to an outdoor bike shed to free standing meeting pods or dining areas. Read More

Filed Under: 

The Enigmatic Egg-Shaped Cube at The Festival of Lively Architecture

Fabrikator
Friday, October 5, 2012
.
Brought to you with support from:
Fabrikator
Fabrikator

A materially simple yet structurally complex pavilion welcomed visitors to an international architectural competition that took over Montpelier’s 16th-century French hotels.

For the seventh annual Festival des Architectures Vives, or the Festival of Lively Architecture, held this year in Montpelier, France, design studio Atelier Vecteur (AV) was asked to create a pavilion to welcome visitors to the city-wide outdoor installation competition. This year 11 international architecture teams were each assigned a courtyard in one of Montpelier’s many historic hotels. Dating back to the 16th-century, these quiet, private spaces act like refuges from the city streets. They also offered the competing teams a unique venue for their site-specific installations as well as a challenge to come up with the best use of the interior outdoor space. AV was assigned the 18th-century Hôtel Saint-Côme, a former center for medical study and practice funded by Louis XV’s surgeon, who used it until it closed in 1792 during the French Revolution.

Continue reading after the jump.

Filed Under: 

Temporary Dwelling Units Offer ‘Shade & Shelter’ From the Sandstorm

Fabrikator
Friday, September 28, 2012
.
Brought to you with support from:
Fabrikator
Fabrikator

An intelligent, temporary dwelling that automatically responds to weather

For his thesis project at Shenkar College of Design, located in Ramat Gan just outside Tel Aviv in Israel, industrial design student Ohad Lustgarten created a six foot-tall prototype of Shade & Shelter, a lightweight, low cost dwelling unit designed to provide protection from the elements. Though Lustgarten had desert environments in mind when he designed the unit’s flexible folding slats to shield against sandstorms, sun and cold, Shade & Shelter could work equally well for campers along a hiking trail. Read More

Filed Under: 

Fluid Walls Show Off Concrete’s Seductive Side

Fabrikator
Friday, September 21, 2012
.
Brought to you with support from:
Fabrikator
Fabrikator
Selvika

National Tourist Route Rv 889 Havøysund in northern Norway by Reiulf Ramstad Architects

Two new projects prove that concrete’s rigidity is no longer set in stone

From Peter Eisenman’s Berlin Holocaust Memorial to Paul Rudolph’s Art and Architecture building, concrete has been used with finesse in minimalist and brutalist structures and, as such, is mostly thought of as cold or aggressive. Two recent projects in Portugal and Norway are set to change our hard-edged opinion of concrete and show that it can be as fluid as a ribbon waving in the wind. Casa Xieira II, a private home in Leiria, Portugal, designed by A2 + Arquitectos, and the National Tourist Route Rv 889 Havøysund in northern Norway by Reiulf Ramstad Architects both feature winding concrete wrappers that stand out in sharp contrast to their surroundings, a factor that only becomes more important when your primary building material is as stark as concrete. Read More

Filed Under: ,

E/B Office Transforms 300 IKEA Chairs Into Soaring Pavilion

Fabrikator
Friday, September 14, 2012
.
Brought to you with support from:
Fabrikator
Fabrikator

Reimagining the chair as an architectural material

With their focus on “environmental acuity and a critical digital ethic,” Brian Bush and Yong Ju Lee of E/B Office describe themselves as “digital architects” who design “real projects that are virtually indistinguishable from their digital visions.” Their most recent vision included 300 of IKEA’s pine wood Ivar chairs arching through the air across the wide lawn at Freedom Park in Atlanta, where SEAT was installed earlier this summer for Flux Projects, a public art organization. Bush and Lee hope that SEAT will encourage people to reconsider the chair as more than just a passive, everyday object, but as an architectural structure in and of itself. Indeed, sitting amongst a swooping pavilion built entirely out of chairs, it would be difficult not to.

No doubt you’ve seen the Ivar chair before, or something like it. Popular for its low price ($24.99) and ability to be painted any color, Ivar is so basic it’s the kind of chair that should pop right up when you do a Google Image search for “chair” (it doesn’t, though IKEA’s Poang does). Because they came from IKEA, all 300 were assembled by hand by Bush, Lee and a team of 15. The chairs were unaltered except for the seat, which was removed from most to make them easier to connect. After Bush and Lee made a 3D model in Rhino with the help of a structural engineer, they launched right into building the full-scale version onsite.  Read More

La Voûte de LeFevre, a study in stereotomy

Fabrikator
Friday, September 7, 2012
.
Brought to you with support from:
Fabrikator
Fabrikator

LaVoutedeLeFevre

New modeling software enables experimental volumetric design

In a revolt against the realm of the 3D renderings they feel contemporary architects are confined to working within, Matter Design‘s principals Brandon Clifford and Wes McGee founded a studio grounded in digital design that addresses the realities of materials, loads and physicality. Clifford in particular mourns the loss of our “ability to work with volume,” so much so that he spent his year as the 2011-12 LeFevre Emerging Practitioner Fellow at Ohio State University Knowlton School of Architecture researching volume in building with a special focus on stereotomy, the art of precisely carving solids. It was this research that led him to design La Voûte de LeFevre, a vaulted wooden structure that soars thanks to weight and mass, not in spite of it.

Continue reading after the jump.

The Lowline’s Underground Light Canopy

Fabrikator
Friday, August 31, 2012
.
Brought to you with support from:
Fabrikator
Fabrikator ad_small

Lowline Canopy

A 600-panel tessellation spreads sunlight underground

By now you know about the Lowline, the ambitious project to turn the 1.5 acre abandoned trolley terminal under Delancey Street in New York City into a public park. In just two weeks the project’s founders, Dan Barasch and architect James Ramsey, will unveil a preview of the remote skylight system designed to transmit sunlight into the Delancey Underground in a life-size, fully functional installation currently being built into the Essex Street Market. Ramsey designed the remote skylights with a network of fiber optic cables that channel light gathered by a solar collection dish down below ground where it’s dispersed. To make the most of the available sunlight, Ramsey enlisted the help of industrial designer Edward Jacobs, the former head of design at Confederate Motors, the high-end motorcycle company, who Ramsey describes as “a visionary and pretty much the most talented guy I’ve ever met.”

To disperse the sunlight as far as possible, Jacobs developed a tessellated canopy system made up of 600 ⅛ inch-thick hexagonal and triangular panels laser cut from clear anodized aluminum and bent in a hydraulic press. In an effort to maximize the sunlight’s reach, the tessellated curvature is so specialized that no two panels are exactly alike. To get the shape and size of each panel just right, Jacobs worked with the engineering group Arup on materials testing and light readings, noting that 3D rendering only goes so far because “the ideas of light perception amount and reflectance can be quite counter intuitive.” The panels, which are fabricated by Milgo Bufkin in Brooklyn, are labeled according to their position in the overall structure and screwed together with fold-over tabs on each side. The canopy is then attached to a four-cable truss system Jacobs developed so the entire 1,350-pound unit can be easily raised and lowered for maintenance. A few cables will also be attached to the outer edges of the canopy to eliminate any possibility of sag between the structural rib span, completing a system that Jacobs describes as “a combination of cable slings, clevises, electrical winches and safety hooks.” Read More

BLOOM, The Olympic Design-Build Game

Fabrikator
Friday, August 24, 2012
.
Brought to you with support from:
Fabrikator
Fabrikator ad_small

BLOOM

A 100 percent PET plastic garden grows in London

If you were fortunate enough to visit the London Olympics this summer and happened to walk through Victoria Park or the main quad at University College London (UCL) on your way to the games, then you experienced BLOOM, a big, bright, architectural garden created by complete strangers who gathered over the course of the two weeks to piece together 60,000 plastic game pieces, all dyed official Olympic hot pink. Designed by Alisa Andrasek and Jose Sanchez, two architecture professors from UCL’s Bartlett School of Architecture, BLOOM was selected by the Greater London Authority for a series of events and installations mounted in two locations during the games with a third location in Trafalgar Square to follow for the upcoming Paralympics.

Andrasek and Sanchez had been developing the idea for an open-ended, crowdsourced game that would encourage interaction between people in a large public space when the opportunity to be involved with the Olympics arose. The timing was perfect. Here was a moment in the city’s history when locals and tourists alike would be in the same location to celebrate athletics, and Andrasek and Sanchez hoped to capitalize on that spirit of camaraderie. The game starts with the pink game pieces, called cells. Each 16 inch-long cell is made of 100% PET plastic and has three points of entry, or notches used to connect the pieces together. Once Andrasek and Sanchez created a design for the cells, they were injection molded at Atomplast, a Chilean plastics fabricator that Andrasek and Sanchez had worked with previously. The cells are flexible, durable and can be bent and twisted into different configurations without warping or breaking. There were also several structural steel components on hand for using with the cells to build benches, tables, forts and other larger formations. Read More

Fabricate It Yourself With Computer Augmented Craft

Fabrikator
Friday, August 17, 2012
.
Brought to you with support from:
Fabrikator
Fabrikator ad_small

Computer Augmented Craft

Machine collaborates on your design as you make it

 Earlier this summer Design Hub Limburg mounted “The Machine,” an exhibition that anticipates what the Netherlands-based design collective is calling the designers’ industrial revolution, a movement that sees more and more designers developing and building machines specially suited to their particular needs, like the Computer Augmented Craft project (CAC) by German designer Christian Fiebig. He was commissioned by Design Hub Limburg to create an interactive machine with a digital interface that makes suggestions to the designer during the fabrication process. Using custom-made sensors, the computer tracks the making process and instantly generates formal possibilities based on the designer’s chosen parameters, bridging hi-tech with traditional craftsmanship.

Fiebig enlisted the help of product and interaction designer David Menting and his company, Nut & Bolt, to devise a system of sensors specifically for spot welding strips of metal. First, Menting used an off-the-shelf CNY70 reflective infrared sensor to detect the position of the metal strips and created an adapted pair of digital calipers to measure the length. A custom-made circular infrared sensor was then created to measure the angle at which two different strips meet. The values read by the sensors are registered by an Arduino, a microcontroller chip that enables a computer to communicate input and output components, in this case the sensors. The Arduino checks whether the infrared sensor can detect the light from a ring of LEDs on the workstation at a rate of approximately a thousand times per second. If not, it knows the light is being blocked by a strip of metal, which it measures the length and angle of, and then sends that information to the computer.

Read More

Filed Under: , ,

Page 7 of 14« First...56789...Last »

Advertise on The Architect's Newspaper.

Submit your competitions for online listing.

Submit your events to AN's online calendar.

Archives

Categories

Copyright © 2014 | The Architect's Newspaper, LLC | AN Blog Admin Log in. The Architect's Newspaper LLC, 21 Murray Street 5th Floor | New York, New York 10007 | tel. 212.966.0630
Creative Commons License