Molo′s Nebuta House Ribbon Screen
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Steel takes on a paper-like appearance at Aomori’s new cultural center, creating a dynamic backdrop for life on the Japanese city’s waterfront.
Nearly a decade ago, Vancouver-based design and production studio Molo Design won an international competition for its design of a housing and community project in Aomori, Japan. As firm founders Stephanie Forsythe and Todd MacAllen worked with the City of Aomori in the years following the competition, the design evolved into that of a cultural center celebrating the city’s yearly Nebuta festival, during which huge mythical creatures made of wood, wire, paper, and lights are paraded through the streets. Though millions attend the festival every August, the cultural center would provide an opportunity for more visitors to witness their creation throughout the year.
Beckley Las Vegas Display Tree: Flatcut
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The tree is installed at Beckley Boutique in the Cosmopolitan Resort and Casino, Las Vegas (Flatcut)
Unraveling strands of steel pipe create a clothing display and focal point for the tony boutique.
Flatcut, a design and fabrication firm with a studio in Brooklyn and a 100,000-square-foot facility in Passaic, New Jersey, has more than 100 machines to its name. Though it has the capabilities to mass-produce 20,000 custom furniture pieces and 50,000-square-foot facades, the firm also creates small, site-specific installations for museums and retail stores. Most recently the Beckley Boutique, a celebrity hot spot and shopping destination on Melrose Avenue, hired Flatcut to design an eye-catching design feature at its new Las Vegas outpost in the Cosmopolitan Resort and Casino.
Doban Architecture′s Academic Center: Think Fabricate
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A custom-built environment allows faculty and students to work collaboratively at a new academic center in the Bronx.
Doban Architecture has a longstanding history with Monroe College. In 2009, the Brooklyn-based firm founded by Susan Doban completed a modular pod design for the Bronx school’s loft-style dormitories at 565 Main Street, a building for which they had also worked on an award-winning facade restoration. Last fall, the firm completed a renovation of the school’s 2,360-square-foot academic center with a scheme that allows students and faculty to interact in a collaborative environment. Neither of these projects would have been possible without Think Fabricate, the firm’s sister company. Co-founded by Doban and Jason Gorsline in November 2009, the design studio handles design projects across a range of disciplines—furniture, product, graphic, and industrial—in addition to operating its own fabrication shop in a shared East Williamsburg workspace.
Epiphyte Lab′s Hsu House Mass Wall
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A south-facing heat sink mass wall stores heat and diffuses light, creating an all-seasons solarium for an energy efficient home in Upstate New York.
Dana Cupkova and Kevin Pratt, founders of Ithaca-based design and research practice Epiphyte Lab, met the client for which they built Hsu House in one of Cupkova’s classes at Cornell where she teaches design and fabrication strategies for ecologically adaptive construction systems. The client, a medical doctor, was in the class with the goal of designing his own energy efficient home in Danby, New York, but after an initial consultation, asked Cupkova and Pratt to design it instead.
EOA′s Spring Street Loft: Amuneal
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Sliding blackened steel walls create functional space in an art collector’s loft.
When Philadelphia-based Amuneal Manufacturing Corp. won a bid to fabricate a set of large movable residential walls designed by New York-based Elmslie Osler Architect (EOA), they had a lot of experience to draw on. As experts in the field of magnetic shielding, they work routinely for aerospace and scientific research industries, while the company’s custom fabrication branch handles everything from retail fixtures to large-scale public art installations. For EOA’s project, a gut renovation of a 2,200-square-foot Soho loft, Amuneal began with the architects’ drawings of large sliding doors needed to reveal or conceal parts of the apartment.
Su11′s K-Residence: Associated Fabrication
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A combination banquette and shelving system gives a young family a new way to live in a 620-square-foot apartment.
Corian has become a darling of the digital fabrication set, its reputation as a dowdy countertop material giving way to explorations of the acrylic as a shape-shifting wonder with practical applications, from healthcare environments to art installations. For a couple that had nearly outgrown a 620-square-foot Murray Hill apartment, Corian served handily in the form of a new banquette and shelving unit that allowed the family to grow into the space, rather than move out of it. The project’s designer, su11 architecture + design, hired Brooklyn-based Associated Fabrication to create its vision of a functional sculpture that morphs from bench to windowsill to storage space.
SEPTA Station Benches: Veyko
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Bent stainless steel benches in Philly’s SEPTA station are designed to stand the ultimate urban test.
A subway bench never proves itself on the first day. That was one of the things that interested the designers at Veyko, a Philadelphia-based metal fabrication shop, when they set out to compete for a federally-funded Art In Transit commission to design benches for Philadelphia’s 8th Street SEPTA station.
Irving Convention Center Facade: RMJM with Zahner
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A new convention center in Texas is wrapped in a skin of delicate copper circles that appear to float in midair.
Located halfway between sister cities Dallas and Fort Worth, the Las Colinas master-planned community is an ideal place for the newly opened Irving Convention Center. It is also a natural setting for the copper facade that architect RMJM Hillier designed for the 275,000-square-foot, $133 million project. Fabricated by architectural metal and glass innovator A. Zahner Company, its angular walls rise from the ground like a sun-baked geological formation.
Out of Memory: Patrick Tighe Architecture with Machineous
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A site-specific installation at the SCI-Arc Gallery transforms a musical composition by Ken Ueno into a digitally realized built environment.
A robot, a composer, and an architect walk into a gallery. It could be the start of a corny joke, but instead it’s the captivating formula for Patrick Tighe’s new exhibition at the SCI-Arc Gallery. The composer is Ken Ueno, recipient of the Rome and Berlin Prizes, and the robot belongs to Machineous, the Los Angeles-based fabricator hired to realize Tighe’s architectural representation of Ueno’s music.
reOrder: An Architectural Environment by Situ Studio
02.11.2011 |
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reOrder: An Architectural Environment by Situ Studio Jennifer K. Gorsche Just months after Ennead completed its renovation of Brooklyn Museum’s Great Hall, originally designed in 1897 by McKim, Mead & White, Situ Studio will transform the 10,000-square-foot colonnaded space with a site-specific installation set to open March 4. Entitled reOrder: An Architectural Environment by Situ Studio, the work will transform the hall’s 16 classical columns with nearly 2,200 yards of Sunbrella Canvas-Natural fabric, which is to be folded and stretched over suspended bent-steel tubing and plywood rings with diameters ranging from 5 to 20 feet. Beneath the fabric shapes, Situ will install benches and tables fabricated with LG Hausys HI-MACS solid surfacing, creating the rounded benches with a controlled heat process called thermoforming. |
A temporary installation creates new interactive space at Brooklyn Museum
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