Lord Norman Foster’s pickle-shaped 30 St. Mary Axe building in London, widely known as “the gherkin,” has been featured in an advertisement for a UK chemist that sells erectile dysfunction pills at £6 a pop. The print ad for Lloyds Pharmacy features the interrogative headline “Lost the perk-in your gherkin,” illustrated with a photo-shopped image of a drooping 30 St Mary Axe. The ad goes on to exhort readers not to “let a hard day stop a hard night.”
Speaking of zombies, two of Downtown LA’s most long-stalled projects appear to be rising from the dead. The mixed-use project revolving around Julia Morgan’s beautiful Herald Examiner Building on Broadway is apparently finally getting underway, now developed by Forest City, and no longer designed by Morphosis. The designer has yet to be revealed.
Gossip about new projects is back! First we hear that Steven Ehrlich and Fred Fisher are teaming up for a major renovation of the Otis campus, on Los Angeles‘ West Side. Next we hear a shortlist is close to being named for Metro’s West Side expansion subway line. We’re all waiting with bated breath to see the renderings of LA firm Johnston Marklee’s addition to The Menil in Houston, which is now set to be unveiled this month. And then there’s the expansion of the Museum of Contemporary Art San Diego’s La Jolla campus. A shortlist has indeed been chosen, but museum spokesperson Leah Straub told AN, “We don’t want to damage anyone’s reputation should they not be selected.” Wow, who knew being on a shortlist could be damaging?
According to a very confidential source, engineers currently working on the Waller Creek tunnel believe that Austin sits on top of some of the most optimal conditions for tunneling in the entire U.S. These number-crunching problem solvers claimed that a subway tunnel beneath the Texas State Capital’s downtown would cost 1/10th of the amount it would in most places in the country. However, the brainiacs also said that there are those in high places who do not want that knowledge spread around (read TxDOT) because the construction of more freeways is making certain people a great deal of money.
“New York City?!? Get a rope.” That sums up the feelings of some North Texans upon learning the origin and reading the prejudices of the Dallas Morning News’ new architecture critic, Mark Lamster. The Brooklyn-based scribbler—who also happens to be a professor in the architecture school of the University of Texas at Arlington—recently tweeted a love letter he received from one such offended reader. “You’re a carpetbagger reporter with no knowledge of—or sensitivity to—Dallas, our suburbs, or our incorporated cities and towns,” it said. To which Lamster replied, “Thanks!”
California Republicans (yes, there are a few, we think), your leader has arrived. After a multiyear battle, Mitt Romney has finally gotten permission to tear down their existing beachfront house and build an 11,000-square-foot mansion in La Jolla. Although it was approved in 2008 by the California Coastal Commission, neighbors were able to stymie the project—questioning whether it exceeded square footage allowances—until commissioners upheld their approval. According to the Los Angeles Times, the home is more than four times larger than the median house in the area. (As is this house by Zaha Hadid also planned for La Jolla.) It’s proof that Mitt truly loves the earth. And exploiting resources on top of it.
There is little, if anything, Kanye West can’t do. That is, of course, according to Kanye. The rapper-meets-fashion designer has already declared himself the “Steve [Jobs] of the Internet” and now he has set his eyes on architecture. Perhaps next, he’ll hail himself the “Franklin Lloyd Wright of design.” In an interview this fall with BBC Radio 1 (watch after the jump), West said that he was interested in trying his hand at architecture and product design.
Art fairs serve three groups of clientele: the rich, who buy the art, curators and museum folks, and the poor—students, freelance writers, party-crashers. You can probably guess that Eavesdrop is in the latter, not the former, so imagine the disappointment when champagne was going for $19 per glass on opening night of Expo Chicago.
Seriously, what happened to the days of all-you-can-drink Grolsch or Basil Haydens way back in Art Chicago’s past? The sticker shock should be from the gallery price lists, not the bar.
While standing in line, Eavesdrop was flattered to be recognized by James Geier of 555 International, who hinted at a slew of new projects and fall openings. Hopefully those openings will allow the 99 percent to imbibe.
The art fair’s environment, layout and scheme, was designed by Studio Gang, although we can’t say that we were able to discern a noticeable imprint.