Eavesdrop> Your Work is Worth the Price of Admission (and so Much More)

Architecture, Art, East, Eavesdroplet
Tuesday, June 10, 2014
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Construction of the new Whitney Museum in February 2014. (Timothy Schenck)

Construction of the new Whitney Museum in February 2014. (Timothy Schenck)

Major museums are really expensive these days, and boy do we like to complain about it (actually we get into most museums for free with a press pass, but we still love to complain about it)! Well gather ‘round dear readers, because we’ve got a bit of nice news for once. The new Renzo Piano–designed Whitney Museum is offering free admission for a year to all the men and women who are building their new Meatpacking location. It’s a nice counter to all the bad news about labor conditions at major cultural and educational institutions in the Middle East (we’re looking at you, NYU).

Eavesdrop> “Tourism” Now Pronounced “Voyeurism” in London

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Peeping into a neighbor’s room through a glass reflection. (Courtesy Financial Times)

Peeping Toms, bust out the kazoos. Your field day has arrived—and it comes equipped with party favors. The Shard, designed by Italian architect Renzo Piano, is London’s tallest skyscraper and, as of last week, home to a new luxury hotel. The rooms include breathtaking views of the city—and, thanks to a design flaw, unscrupulous views of unsuspecting neighbors.

Glass panels on the Shard’s exterior bestow the building with a crystalline front and its namesake. But at night, the city’s lights turn the glass into mirrors that fully reflect guest bedrooms into each other. Complementary binoculars (“for the view,” ahem) don’t help matters. Nor do puns about the naked eye. Masking a blush? Rest easy—susceptible rooms include shades for extra privacy.

Eavesdrop> Block Party: Chicago Design Museum Finds New Home in Downtown Chicago Mall

Eavesdroplet, Midwest
Monday, June 2, 2014
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block-thirty-seven-chicago

Just last month Eaves dropped in on the Chicago Design Museum for the launch of its Kickstarter campaign, which sought funding for the institution’s first summer exhibition in a new permanent space. Well, that space has been revealed, and it’s every Chicagoan’s favorite downtown boondoggle. No, not the Spire. Or the Post Office. Never mind—it’s Block Thirty Seven! That’s right, it turns out the largely vacant downtown mall has 5,000 square feet free for ChiDM (and probably a lot more). A good chance to remind yourself that the building’s still there, looming above the Red Line-Blue Line transfer.

Permanent Vacation, Anyone? Illinois & Connecticut Residents Would Prefer a Move

Eavesdroplet, Midwest, National
Wednesday, May 28, 2014
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gallup-moving-poll

Gallup pollsters recently asked Americans if they had the opportunity to move, “would you like to move to another state, or would you rather remain in your current state?” Well, Illinois and Connecticut earned the dubious distinction of having the nation’s most restless residents. About half of the surveyed residents in Illinois wanted to bounce, but don’t expect an influx of moving boxes. We’ll probably just ride it out and complain. Case in point: another Gallup poll found 25 percent of Illinoisans surveyed said their state is “the worst possible place to live in”—second only in self-loathing to Rhode Island.

Eavesdrop> The Long Game Well-Played: SHoP Hires an Editorial Director

East, Eavesdroplet, Media, Shft+Alt+Del
Wednesday, May 28, 2014
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Philip Nobel.

Philip Nobel.

Architecture critic and one-time eavesdropper Philip Nobel has a fancy new title: Editorial Director for SHoP Architects. Though he has long been known for throwing critical barbs, Nobel has always been cozy with the firm, having contributed an introduction to their monograph, Out of Practice, and a written glowing profile of Vishaan Chakrabarti for Metropolis (the piece had the oh-so subtle title, “Vishaansanity”). You might say it was a very long audition that clearly paid off in the end.

Superdesk Strikes Back: Clive Wilkinson’s Undulating Design Tickles the New Yorker

Architecture, East, Eavesdroplet
Wednesday, May 21, 2014
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(Courtesy New Yorker; The Barbarian Group)

(Courtesy New Yorker; The Barbarian Group)

It’s hard enough for west coast firms to make it into architecture publications, but Clive Wilkinson has made it into the vaunted pages of the New Yorker. In the “Talk of the Town,” writer Nick Paumgarten describes Wilkinson’s thousand-foot-long, resin-topped “superdesk,” which he designed for New York ad agency Barbarian Group in Chelsea, as “swerving around the giant loft space like a mega slot-car track.” Barbarian calls the desk “4,400 square feet of undulating, unbroken awesomeness to keep people and ideas flowing.” In fact the desk even played a major role in a recent company party, and Paumgarten wondered if the desk itself might be taking on human characteristics: “One got a sense, after a while, that the superdesk might be capable of consciousness, that it was observing the humans as they heedlessly laughed and flirted and left glasses of wine on its carapace, and that it might be developing longings and resentments, or plotting its revenge.”

Chris Cross: Where in the World is Chris Genik?

Eavesdroplet, West
Monday, May 19, 2014
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Chris Genik. (Montage by AN)

Chris Genik. (Montage by AN)

Since architect Chris Genik left Daly Genik (now called Kevin Daly Architects) and became dean at the NewSchool of Architecture and Design in San Diego in 2010, we have lost touch with him. He’s no longer the dean, and we haven’t heard a peep about what he’s up to. If you know of his whereabouts please contact eavesdrop immediately. And speaking of Chrises, we hear that our friend Christopher Mount, who curated MOCA’s New Sculpturalism exhibition before things with Jeffrey Deitch went haywire, is opening up a gallery inside the Pacific Design Center dedicated to architectural prints and related art.

Port Authority Makes it Rain on Man from Spain: Calatrava Paid for Uncommissioned Work

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The new Goethals Bridge, not designed by Santiago Calatrava. (Courtesy Port Authority)

According to a report in the Bergen Record, the Port Authority of New York & New Jersey gave Santiago Calatrava, the renowned Spanish architect whose lust for gold is as vigorous as that of his conquistador forebears, $500,000 for two bridge designs that will not be built and to which Calatrava will retain the copyrights. Sound shady? Anyone who has had the opportunity to use the Port Authority Bus Terminal will not be surprised to find out that it is.

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Tisk-Tisk: Lamster Lambasts Dallas Architects

Ah ah ah! (Montage by AN)

Ah ah ah! (Montage by AN)

Mark Lamster, Dallas Morning News architecture critic and responsible citizen, chastised the Dallas community for its poor attendance at an April 9 James Carpenter lecture. The 2004 MacArthur Fellow, who was speaking at the Dallas Center for Architecture about his newest installation at the Cotton Bowl, shed light on his genius to a paltry audience of 10. Ten, that is, if Carpenter included himself in the head count.

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Millennium Park Turns Ten! Here Are Ten Amazing Photos of Chicago’s Jewel Through the Years

(Katie Spence / Flickr)

(Katie Spence / Flickr)

Happy birthday, Millennium Park! Yes, the Chicago park named for the chronological milestone now 14 years in the rearview mirror is turning 10—it went famously over-schedule and over-budget but we love it nonetheless. Last year 4.75 million people visited Chicago’s front yard, taking in free concerts and events, and probably taking at least as many selfies with Anish Kapoor’s Cloud Gate and the flowing titanium locks of Frank Gehry‘s Pritzker Pavilion in the background.

In honor of the anniversary, the Chicago Department of Cultural Affairs and Special Events is kicking off a series of shows and exhibitions that includes new work from Crown Fountain designer Jaume Plensa. Hey, Jaume! Email us if you need another face for your 40-foot LED projection!

Here at AN, we’re celebrating with ten of our favorite photographs of the park taken over the past decade and more. Take a look below.

Ten amazing photos of Millennium Park after the jump!

Floating Farnsworth: Mies van der Rohe’s Iconic Illinois House Could Get Flood Protection

Flooding at the Farnsworth House in mid-April 2014. (Courtesy Farnsworth House)

Flooding at the Farnsworth House in mid-April 2014. (Courtesy Farnsworth House)

Ludwig Mies van der Rohe’s archetypal modernist home, the Farnsworth House, is drowning. The banks of the Fox River served as an idyllic setting for the building’s white steel and glass when it landed in Plano, Illinois. But lately the Fox has gone rabid, spilling over its banks three times in the past 18 years. So what to do? Preservationists are looking at installing hydraulic jacks to lift the house during floods, to the tune of about $3 million. Call it the Three Million Dollar Modernist. Ironically Mies put the house on stilts to prevent such flooding; I guess you can’t outwit a wily Fox.

Eavesdrop> Is Zoltan Pali Out at the Academy Museum?

Eavesdroplet, West
Thursday, May 8, 2014
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02b-academy-museum-losangeles-renzo-piano-archpaper02a-academy-museum-losangeles-renzo-piano-archpaper

 

In sad but spectacular gossip news, we’ve been informed that Culver City firm SPF:a has been removed from the Academy of Motion Pictures Arts and Sciences’ new museum project in Los Angeles. SPF:a principal Zoltan Pali had been working with Renzo Piano on the project since 2012.

Continue reading after the jump.

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