The opening of “The Architecture of Indifference” last Thursday at Ralph Pucci’s Gallery 9 brought together the worlds of fashion and design in the manner that only this showroom can. The event launched a new line of mannequins from the company called “Guy,” with sultry poses suggesting last call at a bar in Buenos Aires. Any doubt as to Pucci’s inspiration for this collection was put to rest by the a tango performed by Walter Perez and Leonardo Sardella, who ambidextrously shifted roles in dancing backwards. The diversion almost threatened to distract from the fiber-based designs of Dana Barnes, but, of course, that’s nearly impossible to do.
Its not everyday that construction and office workers stop to photograph a sidewalk scaffolding shed, but that’s just what they were doing today on Broadway in Lower Manhattan. Yesterday, the mayor unveiled the new Urban Umbrella shed designed by Angencie Group. The new design, the result of a competition sponsored by the AIANY and the Department of Buildings, was fabricated by the Brooklyn based Caliper Studio.
Inspiration and Transformation
Yale School of Architecture Gallery
Through January 2012
The first show to present the work of Gwathmey Siegel and Associates, Inspiration and Transformation at the Yale School of Architecture explores the connection between architecture and art over eight firm projects. Those selected are a diverse group, represented by a range of mediums that include sketches, blueprints, models, photographs (of the de Menil House, above), and drawings, and personal documents. But the emphasis falls on the firm’s institutional work: the renovations and additions to Yale School of Architecture’s Paul Rudolph Hall; the Guggenheim Museum annex and renovation, the renovation of Whig Hall at Princeton, and the Busch Reisinger addition to the Fogg Museum at Harvard University. Also on display are pieces of Gwathmey’s personal archive, Europe travel sketchbooks, and student work at Yale.
The Center for Architecture seems to be on a lively arts kick of late. After presenting Architect, the chamber opera about Louis Kahn just a couple of weeks ago, last Friday the Center staged a reading of Glass House, a new play by Bob Morris and produced by the Center’s Cynthia Kracauer. The show employs a premise that sounds like the start of an ethnic joke: an Arab and his Jewish wife move next door to a WASP and his black wife in an exclusive Connecticut enclave…
The city of St. Petersburg, Florida has chosen a blockbuster group made up of Michael Maltzan Architecture, BIG (Bjarke Ingels Design) and West 8 Urban Design and Landscape Architecture as the three finalists to redesign its famous pier. Taking a leap of faith, in 2010 the city voted to demolish the current iteration, a 1970’s inverted pyramid structure and 1980’s “festival market” that St. Petersburg’s web site refers to as “the most visible landmark in the history of the city.” But the pier’s market has fallen on hard times and the city was ready to redefine both the pier itself and the city at large. As their proposals show, any one of these three architects will give St. Pete a sculptural design that will become a new landmark, to say the least. The winner will be chosen in late January.
DDG Partner’s latest project uses a material often found under foot and gives it a hard-earned respect long deserved. New York State bluestone clads the entirety of 41 Bond’s facade, a condo with four full floor units, a ground floor townhouse, a duplex, and a penthouse duplex. Over the past few months usual Bond Street soundscape of tires rumbling over cobblestone has been interrupted by the clangs of the quarry, as masons fit the stone into place. All of the stone carving was done on site. DDG’s CEO Joseph McMillan, Jr. and chief creative officer Peter Guthrie give AN a tour…
From the twisting titanium forms of Frank Gehry’s Miss Brooklyn to a prefabricated tower of 17 unique modules, the proposed designs for Atlantic Yards run the gamut of the architectural spectrum. On November 17, Forest City Ratner and SHoP Architects confirmed rumors that the 22-acre project will house a collection of the world’s tallest prefabricated buildings, beginning with the 32-story B2 tower nestled alongside the Barclay’s Center on Flatbush Avenue and Dean Street.
The lower level of the New York Historical Society was lively last Friday morning at the ribbon cutting for the new DiMenna Children’s History Museum and the Barbara K. Lipman Children’s History Library. Young New Yorkers were trying out a number of new, interactive activities in the vibrant 4,000 square-foot vaulted space.
The Center for Architecture is known for programming variety, but last Thursday night’s premier of Architect: a chamber opera was a first. Granted, the film premier benefiting the CFA Foundation wasn’t live opera, but it was the first time the public got to hear the piece by Lewis Spratlan. The Pulitzer Prize winning composer’s music was paired with electroacoustical music by John Downey and Jenny Kallick, whose process involved “sound sampling” spaces designed by Kahn, such as the Salk Institute in La Jolla, California. Spratlan’s music was then electronically “placed” within the various spaces.