Giants Madness at 21 Murray

East
Tuesday, February 7, 2012
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Outside our window here at 21 Murray.

Giants madness outside our window here at 21 Murray.

We here at The Architect’s Newspaper always appreciate unfettered access when it comes our way, but today we’re unwitting holders of the hottest ticket in town. This morning you couldn’t get any where near City Hall without a business card that says you work nearby. Turns out we landed front row seats to the ticker tape parade and City Hall ceremony celebrating the NY Giants Superbowl victory. Now, how do we relate this to urban planning and architecture…

Limited access, police limit access to City Hall at Murray and Church.

Limited access: police check ID at Murray and Church Sts.

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Book Launch> Four Conversations

East
Monday, February 6, 2012
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Last Friday's book launch for AN's Bill Menking and Aaron Levy's Four Conversations on the Architecture of Discourse (Stoelker/AN).

The crowd listened at last Friday's book launch for AN's William Menking and Aaron Levy's Four Conversations on the Architecture of Discourse at the Van Alen Bookstore (Stoelker/AN).

Last Friday night, AN‘s William Menking and Aaron Levy launched their new book Four Conversations on the Architecture of Discourse at the Van Alen Bookstore in Chelsea. The book’s publisher, Thomas Weaver of the Architectural Association in London, and the Van Alen’s Olympia Kazi we on hand to help frame the evening’s discourse on discourse.

The new book springs from an earlier effort called Architecture on Display: the History of the Venice Biennale of Architecture, aka “the white book.” In true manifesto fashion, the group sidestepped the official Biennale promo machine by publishing the white book outside of the established Biennale channels and then blanketed the 2010 festival with more than 600 copies.  That book transcribed interviews with former Biennale directors and recovered an important history of the forum. From that quick and dirty approach emerged a longer term plot for the “black book” of Four Conversations, which focused architectural display and its relationship to the public.

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On View> Jan Staller: Heavy Duty Landscapes

East
Monday, February 6, 2012
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Pilings, Flushing, Queens. (Jan Staller)

Pilings, Flushing, Queens. (Jan Staller)

Jan Staller: Heavy Duty Landscapes
ISE Cultural Foundation
555 Broadway
Through March 2

Jan Staller: Heavy Duty Landscapes, an exhibition curated by Marc Freidus, at the ISE Cultural Foundation, features sixteen large format photographs selected from series completed by Staller during the past seven years. Roadsides, recycling plants, and construction sites like the one featured in Pilings, Flushing, Queens (above) are the types of overlooked landscapes Staller addresses in his work. Through his lens we see the unexpected beauty of harsh, chaotic industrial sites and objects softened by their natural surroundings, as in Tank Car In Snow, Port Reading, New Jersey (below).

Tank Car in Snow, Port Reading, New Jersey. (Jan Staller)

Tank Car in Snow, Port Reading, New Jersey. (Jan Staller)

BIG Heart Gets a Second Chance in Times Square

East
Monday, February 6, 2012
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(Courtesy BIG / Times Square Alliance)

(Courtesy BIG / Times Square Alliance)

Last year, BIG (Bjarke Ingels Group) got their heart broken by the Times Square Alliance, which chose a hula-hoop happy design by Freecell Studio for its annual Times Square Valentine’s installation. Now a spokesperson from the Alliance admits that they always “loved” BIG’s design and were willing to give it a second chance.  This year, the Alliance didn’t go online looking for love. Instead, they went back to a former flirtation, and chose BIG’s entry from last year, shunning the possibility of outside suitors.

BIG calls its 10-foot high glowing heart sculpture “BIG♥NYC.” The design affair was something of a ménage à quatre, with Flatcut (the fabricator),  Local Projects (the interaction designers), and Zumtobel (the lighting designers) pitching in on the effort. Four-hundred LED-lit acrylic tubes wrap a cube that bounds a suspended heart. Not surprisingly, when touched the heart grows brighter.

Slideshow> WTC Update: Compare and Contrast, Then and Now

East
Friday, February 3, 2012
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One World Trade in January of last year (left) and today.

One World Trade in January of last year (left) and today.

It’s been one year since we began walking the circumference of the World Trade Center site and taking photos of the progress. A lot can happen in a year. The city and state are in a tussle over the Memorial Museum  bringing construction there to a halt.  Larry Silverstein has threatened to cap Tower Three at at seven stories instead of 80 if he doesn’t get a lead tenant by the end of the year.  Pat Foye, the new head of the Port Authority has called the PA’s Trade Center focus a “mission drift” and ordered a special committee to audit the years overseen by his predecessor, Chris Ward.  And now The New York Post reports that the underground loading dock for One World Trade won’t be completed by the time the first tenants move in.

News from the last couple of months has been so bad that we thought we’d sift through some of our old photos to focus on the work that was completed over the past year.  And while One World Trade continues its march upward (it’s nearing the 1,776 feet), other projects on or near the site are almost complete or are on schedule to be finished in the next couple of years. Brookfield‘s renovations of the World Financial Center have begun. Work at Fulton Street Transit Station by Grimshaw continues to chug forward. CUNY’s Fiterman Hall by Pei Cobb Freed was recently capped.  And a new visitors center for the memorial opened on West Street.

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NYC Gears Up for Bike Share…but Where?

East
Thursday, February 2, 2012
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AIANY's Rick Bell and ArchNewsNow's Kristen Richards check out the new bikes.

AIANY's Rick Bell and ArchNewsNow's Kristen Richards check out the new bikes. (Stoelker/AN)

To hell with what Pennsylvania groundhog Punxsutawney Phil says about there being six more weeks of winter; if you want a true harbinger of spring, head over the Center for Architecture for a last chance to check out the “Two Wheel Transit” show mounted by the DEP for their bike share program that going to be launched in the spring. The show teases out some of the details of the plan that will add rentable public bikes to the New York City’s transit options.  The exhibit closes this Saturday, but if you don’t make it over in time, you can go to one of the community bike share workshops that begin on Monday. The first meeting will be held at 25 Carmine Street. The workshops will give New Yorkers a chance to comment on where to put the 600 bike stations.

Continue reading after the jump.

Profile> John D. Cerone & Hashim Sulieman of SHoP Construction

East
Wednesday, February 1, 2012
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John D. Cerone (left) and Hashim Sulieman (right).

John D. Cerone (left) and Hashim Sulieman (right).

On Feburary 17, John D. Cerone and Hashim Sulieman of SHoP Construction will lead Computational Design & 4D Sequencing, a workshop focusing on parametric modeling as part of DAY 2 of COLLABORATION, a conference on facades and fabrication sponsored by The Architect’s Newspaper.

John is a Virtual Design & Construction Coordinator and a member of the Advanced Technology Group at SHoP Construction; specializing in Building Information Modeling (BIM), he has helped SHoP develop its technology and process, and served as an Adjunct Professor at the Parsons New School for Design teaching BIM and digital representation. John received his Bachelor of Arts degree from the School of Architecture at Miami University in Oxford, Ohio (2002), and his Master of Architecture degree from the Graduate School of Architecture, Planning and Preservation at Columbia University (2008).

Hashim is a Virtual Design and Construction Manager at SHoP Construction and a member of the Advanced Technology Group. His work at SHoP has focused on implementation of parametric models, BIM, and direct-to-fabrication technology. Hashim has worked at SOM as a Digital Design Specialist and as an Adjunct Assistant Professor at Columbia University’s Graduate School of Architecture, Planning, and Preservation’s C-BIP project.

SHoP Construction is behind the under-construction Barclay’s Center and Atlantic Yards development site in Brooklyn. The stadium is clad in an undulating steel and glass enclosure made up of 12,000 unique steel latticework panels; to facilitate installation, the firm developed a 4D construction sequencing model of the structure and facade that allows the project team to make informed decisions in real-time as the panels are installed.

The first session of their COLLABORATION workshop will focus on parametric modeling that allows design variability and tests the limits of form, and the second session will be a step-by-step guide to 4D construction sequence modeling. Software used will include Catia/Digital Project, Rhinoceros, Navisworks® Manage, Microsoft project, and Microsoft Excel. Register here.

BREAKING: Henry Urbach Appointed Executive Director of Philip Johnson Glass House

East
Wednesday, February 1, 2012
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Henry Urbach, the new director of the Philip Johnson Glass House.

Henry Urbach, the new director of the Philip Johnson Glass House.

The Architect’s Newspaper has learned that curator and gallerist Henry Urbach will become the new executive director of the Philip Johnson Glass House in New Canaan, Connecticut, a National Trust for Historic Preservation property. Urbach succeeds interim director Rena Zurofsky, who took the reins following the departure of executive director Christy MacLear in the fall of 2010. Read More

Gimme Shelter: Orlando-area bus stops get theme park treatment

East
Tuesday, January 31, 2012
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An artsy bus stop in Orlando. (Courtesy Entech Creative)

An artsy bus stop in Orlando. (Photo: Raymond Martinot)

A series of sculptural bus stops will be installed throughout Orlando as part of an effort to bring art into the community. Entech Creative, a production engineering company, teamed up with Walter Geiger, of Walt Geiger Studios, to design and produce the “Cascade” series of shelter structures. Each bus stop has four to five uniquely shaped panels ranging from 15 to 16 feet high. Their form is suggestive of a waterfall, undulating to provide commuters with shade and shelter.

Continue reading after the jump.

Video> Take a Fly-By Tour of Renzo Piano’s New Whitney Museum

East, Newsletter
Monday, January 30, 2012
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Ever since Renzo Piano‘s design for the new Whitney Museum was unveiled back in 2008, we’ve been obsessed with just about anything we could find about the new boat of a museum perched along the High Line on Manhattan’s west side. AN alum Matt Chaban at the Observer spotted this snazzy fly-by video tracing the museum’s progress from its founding in 1931 to its move into its iconic Breuer outpost and finally to its future Meatpacking District home. If you need even more of a Renzo fix, be sure to check out his recently completed addition to the Gardner Museum in Boston and his planned Opera-House-slash-Library in Greece.

On View> Layered SPURA: Spurring Conversations Through Visual Urbanism

East
Monday, January 30, 2012
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(Courtesy Parsons)

(Courtesy Parsons)

Layered SPURA: Spurring Conversations Through Visual Urbanism
Sheila C. Johnson Design Center
Parsons The New School
66 Fifth Ave.
Through February 25

The Seward Park Urban Renewal Area (SPURA) that occupies 14 square blocks on the Lower East Side has remained one of the largest underdeveloped city-owned parcels of land for more than 40 years. Very few of the originally-planned buildings came to pass, and vast parking lots created by slum-clearance on the south side of Delancey Street symbolize a hotly contested renewal plan. Gabrielle Bendiner-Viani and students of the New School’s City Studio have spent three years investigating the complex issues surrounding the site, and in an exhibition highlighting their research and artwork they propose to instigate a new grassroots conversation rather than a top-down planning vision.

Studio a+i Takes First Place for AIDS Memorial

East, Newsletter
Monday, January 30, 2012
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Brooklyn's A+I Studio's winning entry: "Infinite Forest"

Brooklyn's studio a+i winning entry: Infinite Forest.

Brooklyn’s studio a+i walked away with first place for their design, Infinite Forest, in a competition to envision an AIDS Memorial at Triangle Park in Manhattan’s West Village. The memorial is intended to sit on the site of a small garden and garage directly across the street from the former St. Vincent’s Hospital, considered by many to be ground zero of the AIDS epidemic. The announcement comes just one week after the plans for the former hospital site by Rudin Management were approved by City Planning. For the memorial, three walls would bind the park with mirrors on the interior and slate on the exterior. The mirrors would reflect a grove of white birch trees. Park entrances are at three corners of the triangle. The space between the mirror and slate walls also act as light wells and entrances for a museum intended to go beneath the park. There are no markers with names or dates for the 100,000-plus New Yorkers who died of AIDS; instead, visitors are encouraged to write on the slate walls with chalk, “creating an ever-changing mural which is refreshed with every rain.”

The Infinite Forest design team included Mateo Paiva, Lily Lim, John Thurtle, Insook Kim, and Esteban Erlich, with a rendering by Guillaume Paturel.  The competition, which received more than 475 entries, was a collaboration between the Queer History Alliance,  Architizer.com, and Architectural RecordView the plan after the jump

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