Chelsea Market Expansion: Take 2

East
Thursday, December 15, 2011
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The latest Chelsea Market expansion proposal as seen from the West Side Highway.

The latest Chelsea Market expansion proposal as seen from the West Side Highway.

After a tumultuous first round, Jamestown Properties presented new plans for Chelsea Market by STUDIOS Architecture. Initial proposals took a beating in the local press and at community board meetings, sending the developer and architect back to regroup and redesign. Jamestown exec Michael Phillips told Chelsea Now that the team went on something of a listening tour with interested parties before finalizing the latest proposal. STUDIOS principal David Burns told AN that the “community feed back helped shape the design and we’re the better for it.”
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On View> Mobilier National at Demisch Danant

East
Thursday, December 15, 2011
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President's Desk by Henri Lesêtre, 1968. (Courtesy Demisch Danant)

President's Desk by Henri Lesêtre, 1968. (Courtesy Demisch Danant)

MOBILIER NATIONAL
Demisch Danant
542 West 22nd St.
Through February 11, 2012

Dating back to the 17th century, Mobilier National is the institution specifically dedicated to decorating the French Republic’s official palaces and residences, at home and abroad. For the first time in America, Demisch Danant presents more than 20 rare commissions realized in the 1960s by the Atelier de Recherche et Création (ARC), a program launched by Mobilier National to promote a distinctly French contemporary style in decorative arts and design. With research and design development subsidized, these pieces were meant to be commercially produced in limited quantities. Many of the ARC creations have become icons of modernity, including Pierre Paulin’s famous designs for President Georges Pompidou’s private apartments at the Palais de l’Elysée and the President’s Desk (1968) by Henri Lesêtre (above).

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Slideshow> WTC Memorial at Night

East, Newsletter
Wednesday, December 14, 2011
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Sonohetta's entrance to the Memorial Museum overlooks the North Pool.

Snøhetta's entrance to the Memorial Museum overlooks the North Pool.

Last Friday, AN went to the 9/11 Memorial, without a press pass, an official tour guide, or a hard hat. We went as a neighbor and experienced the place as any other visitor might. First, we attempted to get our ticket online. After checking the availability on Tuesday, we dithered, and by Wednesday online tickets were gone. But at the temporary exhibition space on Liberty Street, and a manager told us that a $20 ticket to the museum would get us into the memorial without reservations.

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New York’s Green Zone Goes For Code

East
Tuesday, December 13, 2011
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A large solar array planned for the Brooklyn Army Terminal. (Courtesy NYCEDC)

A large solar array planned for the Brooklyn Army Terminal. (Courtesy NYCEDC)

City Planning hasn’t missed a beat since celebrating the 50th anniversary of the 1961 Zoning Amendment with a conference in November that brought together zoning czars from academia, business, and government to discuss challenges ahead for planning in New York City. On Monday, Amanda Burden of the City Planning Commission (CPC) announced a new Zone Green initiative making it easier —at least zoning-wise—for sustainable upgrades of residential and commercial buildings across the city.

Continue reading after the jump.

The Ralph Pucci Tango

East
Monday, December 12, 2011
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The fiber art of Dana Barnes included fiber molded tires and inner tubes.

The fiber art of Dana Barnes included fiber molded tires and inner tubes. (Stoelker/AN)

The opening of “The Architecture of Indifference” last Thursday at Ralph Pucci’s Gallery 9 brought together the worlds of fashion and design in the manner that only this showroom can. The event launched a new line of mannequins from the company called “Guy,” with sultry poses suggesting last call at a bar in Buenos Aires. Any doubt as to Pucci’s inspiration for this collection was put to rest by the a tango performed by Walter Perez and Leonardo Sardella, who ambidextrously shifted roles in dancing backwards. The diversion almost threatened to distract from the fiber-based designs of Dana Barnes, but, of course, that’s nearly impossible to do.

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Umbrella Shed Makes Broadway Debut

East
Friday, December 9, 2011
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As seen from sidewalk approach the new umbrella shed allows for clear sight lines down Broadway.

As seen from sidewalk approach, the new umbrella shed allows for clear sight lines down Broadway. (Stoelker/AN)

Its not everyday that construction and office workers stop to photograph a sidewalk scaffolding shed, but that’s just what they were doing today on Broadway in Lower Manhattan. Yesterday, the mayor unveiled the new Urban Umbrella shed designed by Angencie Group. The new design, the result of a competition sponsored by the AIANY and the Department of Buildings, was fabricated by the Brooklyn based Caliper Studio.

More pics after the jump

Slideshow> Apple Takes Bite of Grand Central

East, Newsletter
Wednesday, December 7, 2011
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Apple moves into the Lexington Avenue balcony overlooking Grand Central (Stoelker/AN).

Apple staff await customers on the balcony overlooking Grand Central (Stoelker/AN).

This morning Apple held a press preview of their new Grand Central store, which is set to open this Friday. The first impression of this glassless emporium, an anomaly for the company, is the respectful handling of the hallowed space. The store fills the space vacated by Metrazur restaurant, which wrapped around the Lexington Avenue side balcony. Apple’s showroom takes up half of the northern balcony as well. For Mac fans, the cleaned lined furnishings will be familiar, as are the various stations spread throughout the 23,000-square-foot space. The Genius Bar is still there, as are the iPad and iPod stations, laptops, accessories, and a professional yet casual staff of more than 300. Apple, aided by Bohlin Cywinski Jackson, took sight lines into consideration, as the only real hint that the store is there from the concourse are small strips of table lighting, and, of course, the company’s ubiquitous apple which hangs from a grand arch centered on the balcony. It could be argued that logo competes a bit with the world famous clock at the center of the terminal. But otherwise, the interventions appear considerate and reversible.

View the sideshow after the jump

On View> Gwathmey Siegel at the Yale School of Architecture

East
Wednesday, December 7, 2011
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deMenil Residence, west façade, 1983. (Norman McGrath)

deMenil Residence, west façade, 1983. (Norman McGrath)

Gwathmey Siegel:
Inspiration and Transformation
Yale School of Architecture Gallery
New Haven
Through January 2012

The first show to present the work of Gwathmey Siegel and Associates, Inspiration and Transformation at the Yale School of Architecture explores the connection between architecture and art over eight firm projects. Those selected are a diverse group, represented by a range of mediums that include sketches, blueprints, models, photographs (of the de Menil House, above), and drawings, and personal documents. But the emphasis falls on the firm’s institutional work: the renovations and additions to Yale School of Architecture’s Paul Rudolph Hall; the Guggenheim Museum annex and renovation, the renovation of Whig Hall at Princeton, and the Busch Reisinger addition to the Fogg Museum at Harvard University. Also on display are pieces of Gwathmey’s personal archive, Europe travel sketchbooks, and student work at Yale.

Click through for a Gwathmey Siegel slideshow.

Glass House: New Play Explores Fascistic Modernism

East
Tuesday, December 6, 2011
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Philip Johnson's Glass House at New Canaan inspired the play. (Courtesy. Ezra Stoller/ ESTO)

The Center for Architecture seems to be on a lively arts kick of late. After presenting Architect, the chamber opera about Louis Kahn just a couple of weeks ago, last Friday the Center staged a reading of Glass House, a new play by Bob Morris and produced by the Center’s Cynthia Kracauer. The show employs a premise that sounds like the start of an ethnic joke: an Arab and his Jewish wife move next door to a WASP and his black wife in an exclusive Connecticut enclave…

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Maltzan, BIG, and West 8 Shortlisted in St. Pete

East, West
Friday, December 2, 2011
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Michael Maltzan's Proposal.

Maltzan's "Lens" would become the active center of St. Petersburg as well as transforming its image. (courtesy City of St. Petersburg)

The city of St. Petersburg, Florida has chosen a blockbuster group made up of Michael Maltzan Architecture, BIG (Bjarke Ingels Design) and West 8 Urban Design and Landscape Architecture as the three finalists to redesign its famous pier. Taking a leap of faith, in 2010 the city voted to demolish the current iteration, a 1970’s inverted pyramid structure and 1980’s “festival market” that St. Petersburg’s web site refers to as “the most visible landmark in the history of the city.” But the pier’s market has fallen on hard times and the city was ready to redefine both the pier itself and the city at large. As their proposals show, any one of these three architects will give St. Pete a sculptural design that will become a new landmark, to say the least. The winner will be chosen in late January.

Check out all the proposals after the jump.

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Activists Press On for AIDS Memorial at Triangle Park

East, Newsletter
Thursday, December 1, 2011
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A view looking east through the Triangle Park plan by M. Paul Friedberg (courtesy Westside Healthcare Coalition)

A view looking east through the Triangle Park plan by M. Paul Friedberg and Partners. (courtesy Westside Healthcare Coalition)

On the eve of World AIDS Day, dozens crammed into the City Planning building in downtown Manhattan where the Rudin Organization presented plans for the former St. Vincent’s Hospital site at a Universal Land Use Review Procedure (ULURP) hearing.  The commission is set to vote on the plan on January 24, but over the last few months yet another issue has emerged at the long contested site. Activists from the Queer History Alliance continue to press for an AIDS Memorial to be placed at a proposed park across the street from the former hospital, which was considered ground zero during the height of the AIDS crisis.

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Video> DDG’s Bluestone Clad 41 Bond

East
Wednesday, November 30, 2011
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Masons carved 41 Bond's bluestone in the backyard; nothing was prefabbed.

Masons carved 41 Bond's bluestone in the backyard; nothing was prefabbed.

DDG Partner’s latest project uses a material often found under foot and gives it a hard-earned respect long deserved. New York State bluestone clads the entirety of 41 Bond’s facade, a condo with four full floor units, a ground floor townhouse, a duplex, and a penthouse duplex. Over the past few months usual Bond Street soundscape of tires rumbling over cobblestone has been interrupted by the clangs of the quarry, as masons fit the stone into place. All of the stone carving was done on site. DDG’s CEO Joseph McMillan, Jr. and chief creative officer Peter Guthrie give AN a tour…

Watch the video after the jump

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