Lyonel Feininger: At the Edge of the World
Whitney Museum of American Art
945 Madison Ave. at 75th St.
New York, NY 10021
“The ultimate aim of all artistic activity is the building! Let us desire, conceive, and create the new building of the future together. . . [and it] will one day rise towards the heavens from the hands of a million workers as the crystalline symbol of a new and coming faith,” Walter Gropius boldly declared in his 1919 “Bauhaus Manifesto,” laying the foundations for a new architecture and a modern approach to design. Seeking to reunite the artist and artisan together, the founders of the Bauhaus looked to medieval guilds as a model for a new design school that would combine the arts and design under one roof.
To illustrate the manifesto, Gropius selected a woodcut by American-born German artist Lyonel Feininger, titled, “Cathedral,” an abstracted depiction of a late Gothic church. This collaboration marked Lyonel Feininger’s first involvement with the Bauhaus—he would be later hired to teach printmaking—that would continue until the school was closed under pressure from the Nazis in 1933.
It’s almost time to face the mid-August blues, that moment when the back-to-school copy books hit the drug store shelves. Well, there’s still time to cram in a few summer day trips. One item at the top of the list should be a visit the recently landmarked Childs Restaurant building, better known as the headquarters for Coney Island USA. There, the freak shows still reign and Zoe Beloff’s small show on toy theater dioramas has an extended its run till mid-September.
In collaboration with New York-based common room architects, students at Barnard + Columbia Undergraduate Architecture (b+c a) designed a temporary installation to transform student space at the school’s Altschul Atrium.
The Altschul building, a modernist structure built in 1969, sits on the northwest corner of Barnard’s campus facing east towards the Weiss/Manfredi-designed Diana Center, which opened in January 2011. The new center houses undergraduate architecture, studio art, and art history departments and has brought increased movement to the center of campus, including students looking for space to sit, read and socialize between class. This addition to the campus has also brought attention to the unused atrium space at Altschul, which houses faculty offices and labs. The the idea behind the atrium installation is to encourage a more interactive relationship with the Altschul space as well as with other neighboring buildings on campus. Students and faculty of b+c a have envisioned an installation that accommodates multi-use programming and one that focuses on the importance of flexibility and function.
Talk to Me
Museum of Modern Art
11 West 53rd St.
Through November 7
Talk to Me explores the subject of communication between people and their environment, highlighting the role of the designer in imagining and establishing these connections. Through a diverse selection of objects and conceptual work, the exhibition examines designs that engage users, including information systems, visualization design, communication devices, and interfaces, like the QR code mowed into a field in Bernhard Hopfengärtner’s project Hello World!, above.
Lauretta Vinciarelli, an artist, architect, and professor, whose water color paintings were deeply rooted in architecture, died Thursday in New York City. In the forward to her book Not Architecture: But Evidence That It Exists Brooke Hodge wrote of how “Vinciarelli’s work shows, indeed, how inextricably bound together art and architecture are for her and should be for more of us.” Her art crossed borders architectural form and space with an interest in light. “The paintings are of spaces I know that look nothing like what I paint,” Vinciarelli told Hodge.
Beginning tomorrow, August 6 in New York City, grab your bike or jogging shoes and run out into traffic. Summer Streets, the program that shuts down a portion of the city’s thoroughfares to anything with a motor, is back for three weekends in August and the event is not to be missed. Described by Transportation Alternatives as “a cyclist’s dream, a pedestrian fantasy and most definitely New York City’s greatest car-free event,” there’s no exaggeration in saying you’ll never experience the city’s public spaces like strolling down the middle of Park Avenue without the dangers, sounds, or smells of the city’s notorious traffic.
Summer Streets will be barring autos from seven miles of Manhattan roads on August 6th, 13th, and 20th from 7:00a.m. until 1:00p.m., so wake up early and tell your friends!
OLIN has completed a renovation of the gardens at Philadelphia’s Rodin Museum, which houses the largest collection of Auguste Rodin’s sculptures and objects outside of Paris. The renovation is a piece of a larger refurbishment of Benjamin Franklin Parkway, which is also being overseen by OLIN, as a part of the Philadelphia Museum of Art’s Master Plan. Read More
Amidst the flurry of activity surrounding the World Trade Center another monument is nearing completion, though this one is not exactly brand new. By the end of this week restorers of the Montgomery Monument at Trinity’s St. Paul’s Chapel will be securing the last arrow tip and guttae to the nation’s first monument.
After a protracted land use review with vitriolic community meetings that disquieted even battle-hardened presenters, the Landmarks Preservation Commission finally approved plans by the Rudin development family and North Shore Long Island Jewish Medical to renovate the St. Vincent’s O’Toole building in Manhattan’s West Village. As of Tuesday, the former Maritime Union headquarters is set to become a comprehensive health care facility with emergency services.