Pritzkers Take the Stage

Herzog & de Meuron have designed the sets for the Met's latest production of Atilla, which premiers tonight. (Ken Howard/Courtesy Metropolitan Opera)
Jacques Herzog and Pierre de Meuron, like many of their starchitect brethren, have not had an easy time of late in New York, from the stalling of 56 Leonard to the continuing reconfiguration of the Parrish Art Museum. (Yes, we know everybody’s having a hard time of late, but that’s a different story.) Well, the Basel-based architects just got their big break, as they say in the theater: a debut at the Met. No, they are not the latest hot shot firm to proffer an addition to the ever-transforming complex. Better yet, they’ve designed the set for a new production of Verdi’s Atilla, which premiers tonight. We’re not exactly sure what to make of the ghostly scenery that somehow floats above the chorus, from a forest picnic of sorts to post-apocalyptic-looking ruins (hopefully not the remnants of some failed project). Yet even in this unusual setting, the designer’s unusual forms shine. Fashion doing about as well as architecture these days, does it come as a surprise that Miuccia Prada has lent her talents to the costumes? With any luck, Herzog & de Meuron will take over the Oscars next year. Read More
Advertising Jiujitsu
If you’re an architecture geek like us, you love playing Spot the Building while watching TV or at the movies. (The International, otherwise mediocre, is one of our favorites for this very reason.) That’s why this Cadillac commercial caught us so off guard when we saw it the other day. At first, we knew we recognized the “museum” at the start, even though it wasn’t actually one. In fact, it wasn’t even one building. Read More
No Green in Green?

The solar panels are just the start of this green-house in Harlem. (Courtesy Warburg Realty)
Is it really possible to make your house too green? California may not think so, but a Harlem brownstone is finding that to be the case. Last week, Curbed spotted 151 West 122nd Street, which the realtors declare to be the “greenest house in Manhattan.” While there are a few others that might argue for that throne, this one holds the title by apparently being the first standalone townhouse in the borough to achieve a LEED rating, Silver to be exact, courtesy a Better Homes and Gardens makeover. But all that green cred is not translating into green credit, as the building’s price has fallen from $4.05 million some 17 months ago to $2.79 million. At least one critic, gadabout blogger Harlem Bespoke, has complained that the problem is the project has forgone its charm for slick environmentalism—there’s no brownstone left in this brownstone!. Could this be the case, as ArchNewsNow turned up more green backlash today? Or is it simply the fact that no one is willing to spend this kind of money, no matter how nice a house, in Harlem?
Concrete Verdict Set in Stone
The citywide concrete crackdown continued yesterday as jurors delivered a guilty verdict against Testwell Laboratories and its owner, V. Reddy Kancharla, who were accused of falsifying concrete test reports for a range of high-profile projects including Yankee Stadium and the Freedom Tower. The question of whether Kancharla and his company committed the more serious charge of enterprise corruption, which carries a possible prison sentence of 25 years, is still being examined by the jury, according to the Times. Read More
Salsa in the Square
Things have gotten pretty wild in Times Square, what with the permanent plazas, aquariums, and ice sculptures on the horizon—that last one is going up tonight—so what about a good old fashioned billboard? Well, not exactly old fashioned. In January, Cuban-born street artist Sofia Maldonado took up residency in Times Square’s BLANK SL8 space, where she began work on a clutch of murals that will be installed in the square come march, bringing a bit of graffiti grit back to the area. Our friends at LOOSEWORLD swung by and put together this video of Sofia at work, and there’s another on the way, so stay tuned.
Times Square Fish Tale

A Toronto-based developer may build a 600,000-gallon aquarium in the base of the FXFowle-designed 11 Times Square. (Courtesy FXFowle)
Did you have a nice time watching Phantom of the Opera? Did you buy all that you could carry from The Disney Store? Have fun strolling down the soon-to-be-redesigned Broadway plazas? Why not pop around the corner and check out a peep show? I’m not talking naked ladies here, I’m talking real live sharks! This isn’t a joke. In the very near future this may be an option. The Wall Street Journal reported yesterday that Jerry Shefsky—a Toronto-based developer—is near to closing a deal with SJP Properties to put a 600,000-gallon aquarium in the base of the company’s brand spanking new 11 Times Square office tower. In addition to the aforementioned sharks, the $100 million project would include tanks featuring rays, penguins, otters, and drier attractions such as a pirate museum. This could even serve as a model for other financially troubled projects in the city. Perhaps turn Stuytown into a zoo? Not that it isn’t one already.
A Castle Near the Sand

The Shore Theater was calendared today, the first step in the landmarks process. (vanz/Flickr)
With snowpocalypse about to descend on the city, summer feels a long way away. But there is cause for sun-soaked celebration today, as the Landmarks Preservation commission calendared the Shore Theater, the first step in the public review process to make the building an official city landmark. The calendaring is actually the first fruits to bear from the Bloomberg administration’s 13th hour deal with developer Joe Sitt. It will be months before amusements return to a saved Coney Island, but a major negotiating point for the community—and the amusement community in particular—was more landmarks in Coney to protect the area’s historic buildings from the flood of development the city’s rezoning hopes to create. So far, there are no other buildings in the docket besides the 1920s theater-and-hotel building, though, which could be cause for concern—especially after the area’s oldest building recently suffered water damage. Still, after decades of deterioration, any progress is good. In other landmarks news… Read More
The Art of Taking a Walk

Fitch and Cotner's urban poetics.
In 1685, a young Japanese poet recorded his thoughts in the first of many travel journals, The Records of a Weather-Exposed Skeleton. This now famous haiku master, Matsuo Bashō, believed that one attains spiritual serenity by embracing the world of nature. Now, more than three centuries later, two Gotham flaneurs have updated Bashō’s meandering form, exchanging 17th-century Japan for 21st-century Manhattan. The result is Jon Cotner and Andy Fitch’s new book Ten Walks/Two Talks, a series of 60-minute, 60-sentence walks around Manhattan, interspersed with a pair of dialogues. No ordinary tour guide, the book is an associative journey where scents, noises, people, and buildings are meticulously described through the eyes of intensely attentive explorers. Read More
BigUps for BigApps

(Courtesy NYC.gov)
Last fall, the Bloomberg administration launched NYC BigApps, a competition to design web and phone apps using a massive cache of city data. Dozens of developers entered, including the designer of this very blog, and we’re to report that the mayor announced tonight that her team’s Big Apple Ed came in third place overall. Granted a site all about school data may not be that useful to our readers—unless you’ve got kids in the city school system, of course—but the BigApps site is worth checking out because there are plenty of cool apps dealing with buildings, parks, and even one that lets you build a “walkability shed,” determining how walkable various neighborhoods in the city are based on individual criteria. Other personal favorites include a landmarks app, a bike rack app, and one called BldgBeat. Any strike your fancy?
New and Not So New

On a day when the MTA announced that its budget shortfall may now surpass $400 million as last year’s payroll tax is bringing in even less revenue than expected, Mayor Michael Bloomberg began his day underground. He and MTA chief Jay Walder were touring a new station underway at 34th Street and 11th Avenue, the terminus of the underway 7-Train extension. At least during boom times, the project was seen as a boon to residential development on the Far West Side. Now, with construction limited and the MTA in desperate need of money, transit advocates like the Straphanger’s Campaign and the City Council continue to call for tapping capital funds—namely stimulus set-asides—to help cover the gap. And if two recent projects are any indication, maybe that’s not a bad idea. Read More
Coronary Blockage

A giant ice heart by Moorhead & Moorhead will be installed in Times Square next Thursday. (Courtesy Moorhead & Moorhead)
With Valentines Day barely a week away, the Times Square Alliance is eschewing flowers and candy yet again. Instead, they’re sending New Yorkers a giant designer valentine for the second year in a row, as Moorhead & Moorhead will stage an installation adjacent the TKTS Booth beginning next Thursday. For the inaugural effort, Gage/Clemenceau created a laser-cut heart as flashy as the surrounding billboards. This year’s entry is rather more demur, as Granger Moorhead explained. “We looked at last year’s entry, ‘Two Tons of Love,’ and, well, at the end of the day you’re just left with two tons of stuff, not to knock that project,” Moorhead said. “We didn’t want to do something that would be there at the end. We wanted something more ephemeral.” Read More
Freedom At 200 Feet

Construction on One World Trade Center, formerly known as the Freedom Tower, has reached 200 feet above street level.
The Port Authority announced today that steel erection for One World Trade Center has reached the 20th floor, or 200 feet above street level. For this particular project, that means that 8,000 tons of structural steel have been installed by DCM Erectors—700 tons more than all the steel in the Eiffel Tower. Currently, ironworkers are installing 16 giant steel nodes, some as big as 175 tons, which will act as joints between the framing of the podium and the rest of the tower. From here on out construction should move much faster, and completion is expected in 2013. The first 20 floors required very complex framing, whereas the remainder of the erection will be standard office floors. You can view more images of the construction at the Port Authority’s Flickr page.
Advertise on The Architect's Newspaper.
Archives
Categories
Architecture
Design
East Coast
Midwest
National
Planning
Shft+Alt+Del
Sustainability
Transportation
West Coast









