There are perhaps three–maybe four–design hubs in New York City. These hubs are places with high concentrations of architects and allied designers who are attracted by relatively large, light-filled spaces and the camaraderie of like-minded designers next door. These hubs are know mostly in the “cool” borough of Brooklyn (The Brooklyn Navy Yard, Dumbo and Red Hook), but the originally and still most “designer” dense is near Hudson Square, on Varick Street between Houston to Canal. Last month The Architect’s Newspaper collaborated with Open House New York (ohny.org) and had a hugely successful Saturday afternoon in Dumbo where over 35 architects opened there offices to the public.
Now we are doing second Open Studio on Varick Street, and the public will have the opportunity to visit some of the most high profile and active architects offices in the city. The event will take place on Saturday, March 31, 2012 from 1:00p.m. to 5:00p.m., and you can make a reservation to attend the day at OHNY’s website. The day will conclude with a drinks event at a local spot for all those participating in Open Studios.
Come by and say hello.
Superfly Presents, the co-founder and producer of mega-festivals Bonnaroo and Outside Lands, is bringing its park-packing swagger to New York City this summer. The Great GoogaMooga, described as “an amusement park of food and drink,” will occupy the Nethermead region of Brooklyn’s Prospect Park on May 19th and 20th.
The famed pastoral lower meadow of the park will be transformed into “the ultimate sensory experience” by a collaborative design effort led by David Rockwell of the Rockwell Group. The design weaves together to over 75 food vendors, 35 brewers, 30 winemakers and 20 live musicians debut festival. General admission is required but tickets are required and available as of March 15. The event intends to leverage the synergy of two of New York City’s most high-energy features: food and music.
City of Mirages: Baghdad, 1952–1982
Through May 5
Change: Baghdad, 2000–Present
Through June 23
Center for Architecture
536 LaGuardia Place
Two complimentary exhibits at the Center for Architecture capture an aspirational past and equally ambitious present in the Middle East. City of Mirages: Baghdad, 1952–1982 shows a flourishing cosmopolitan city that—whatever the regime—commissioned an impressive array of international design talent for much of the last century resulting in an architecture combing modernist ideas with interpretations of the local climate and culture. Through models and drawings, including Walter Gropius and Hisham A. Munir’s campus building (top) at the University of Baghdad, rather than photographs in order to emphasize the optimistic intentions of the period, City of Miracles sheds light on a significant but rarely seen corner of global modernism. CHANGE: Architecture and Engineering in the Middle East, 2000–Present surveys 123 contemporary works from 20 countries in the wider Middle East, including Asymptote and Dewan Architects’ Yas Marina Hotel in Abu Dhabi (above), gathered through an open call for submissions. The impact of rapid growth and instant globalization is evident through supertalls, man-made islands as well as UNESCO monument sites under siege.
When the construction blockades at Lincoln Center renovation finally came down down last year, the flowing crowds and fountain crowding returned. The first impression theater-goers get of the Diller Scofido + Renfro renovation are the flashing from LED lights embedded into the steps facing Columbus Avenue. The lights function as an underfoot marquee with titles of various productions flashing and scrolling across the steps, announcing venues and lighting the path. But last Tuesday night the lights seemed to be on the fritz. Elsewhere, the Hugh Hardy 130 seat theater addition atop the Vivian Beaumont Theater is nearing completion…
With the prodding of City Council Speaker Christine Quinn, the Rudin Management Company agreed to hand over the the last smidgen of property at Triangle Park for use in an AIDS memorial. The park sits across the street from St. Vincent’s Hospital where so many AIDS patients were cared for and died. After months, indeed years, of wrangling, the gateway park to the West Village will move forward largely as originally planned, with M. Paul Friedberg incorporating components of the memorial by AIDS Memorial Competition winner studio a+i into the park design. The 1,600 square foot memorial will sit at the park’s westernmost edge, replacing a triangular building that stored oxygen tanks for the now defunct hospital.
The series of clean-lined circles carved into the earth at the top of Inwood Hill Park began appearing about a year ago. With fresh rainfall, they’d be gone. Their disappearance seemed almost as important as their appearance, calling attention to areas of the forest that park-goers might otherwise overlook. The circles appeared in snowfall, then melted away. The creator is Young Jee. Over the past year, Jee’s circles have become more elaborate, with textures made from wood chips, pine, and pebbles. Last Sunday, outlines of sticks were used and circles morphed into curvacious striations. Full vistas came into view.