This week Rizzoli releases Julius Shulman Los Angeles: The Birth of a Modern Metropolis co-authored by AN’s own West Coast editor Sam Lubell and Doug Woods. The book features the seven decades’ worth of images (many never published), not only of Shulman’s iconic photographs of mid-century houses by Neutra and Eames but also of his lesser known explorations of the streetscapes and surroundings of the city he most adored, Los Angeles. The publisher is marking the occasion with events in Los Angeles (April 15) and New York City (April 21).
TONIGHT in Los Angeles!
7:00 p.m., Friday, April 15 :
Meet the authors, who will discuss the book as part of a panel (among the featured speakers is Judy McKee, Shulman’s only child and the executor of his estate) and book signing.
Location: Julius Shulman Institute at Woodbury University, 7500 Glenoaks Boulevard, Burbank , CA
NEXT WEEK in New York!
5:30 p.m. Thursday, April 21:
Book signing with author Sam Lubell.
Location: Rizzoli Bookstore, 31 West 57th St., New York
Please visit AN’s diary for more info.
[ Editor's Note: Jake Gorst, documentary filmmaker and grandson of Andrew Geller has submitted this guest post relating preservation efforts to save the architect's archive. ]
Efforts are currently underway to catalog and preserve architect Andrew Geller’s architectural archive, which consists of hundreds of drawings, thousands of photographs and pieces of correspondence, and several scale models. To preserve this archive, a film on Geller’s work and the preservation process is currently under production. The archive will ultimately end up at an academic facility for future generations to study.
It’s been few months since Morris Adjmi presented plans for his twisted tower at 837 Washington to the Landmarks Preservation Commission. He returned on Tuesday with a scaled-down version of the original design. The architect brought two 3-D models to better illustrate the before and after versions. The body of the exoskeletal steel structure still pivots clockwise atop a 1938 art moderne market building, but now it does so at a reduced height of 84 feet, instead of 113. Still, lopping off two of the seven stories from the original design may not be enough to satisfy commissioners who seem to be scratching their heads over how to address the major mood changes in Gansevoort Market Historic District, which sits within the ever expanding design glow of the High Line.
With architectural discourse today so focused on the impact of digital design, it is hard to remember that 20 years ago all architects talked about was postmodernism. The discussion began with the publication of Robert Venturi’s Complexity and Contradiction in Architecture and Aldo Rossi’s The Architecture of the City but became more focused and intense with the opening of an exhibition devoted to the theme.
Monday night the Storefront for Art and Architecture threw a benefit party at the new home of the Paul Taylor Dance Company on the lower Lower East Side. Arguably the city’s most experimental architecture venue, Storefront can count some of the city’s major architecture names as supporters, or at least as party goers, including Steven Holl, Brad Cloepfil, Marion Weiss and Michael Manfredi, and Bjarke Ingels. Read More
Join Julie Iovine, executive editor at The Architect’s Newspaper, tomorrow (Tuesday) evening for a compelling discussion with architect Rafael Viñoly at the Museum of the City of New York at 6:30pm. The topic for the night, “What Comes After Postmodern Architecture?”, will tackle the state of New York City architecture.
The recent building boom in New York City has radically altered the look and feel of the city and added considerably to the list of starchitects currently reshaping New York’s iconic skyline. It has also helped redefine boundaries of the eclectic pluralism of postmodern architecture. How do we label the current architectural style of the last decade? Is there a post-postmodern?
Reservations required. Call 917-492-3395 or purchase tickets online through MCNY. Tickets: $12 for non-members, $8 for seniors & students, $6 for museum members.
The first panel of this week’s conference at Columbia’s GSAPP, “Permanent Change: Plastics in Architecture and Engineering,” got down to business a few minutes late on Thursday morning. After a brief welcome, Dean Mark Wigley ceded the floor to Michael Bell, the first speaker in the line-up for “The Emergence of Polymers: Natural Material–Industrial Material.” But the pace picked up as Bell and subsequent presenters took listeners on an intense romp through the role of plastics in architectural history, providing background for the nine panels to follow through Friday evening.