With the prodding of City Council Speaker Christine Quinn, the Rudin Management Company agreed to hand over the the last smidgen of property at Triangle Park for use in an AIDS memorial. The park sits across the street from St. Vincent’s Hospital where so many AIDS patients were cared for and died. After months, indeed years, of wrangling, the gateway park to the West Village will move forward largely as originally planned, with M. Paul Friedberg incorporating components of the memorial by AIDS Memorial Competition winner studio a+i into the park design. The 1,600 square foot memorial will sit at the park’s westernmost edge, replacing a triangular building that stored oxygen tanks for the now defunct hospital.
The series of clean-lined circles carved into the earth at the top of Inwood Hill Park began appearing about a year ago. With fresh rainfall, they’d be gone. Their disappearance seemed almost as important as their appearance, calling attention to areas of the forest that park-goers might otherwise overlook. The circles appeared in snowfall, then melted away. The creator is Young Jee. Over the past year, Jee’s circles have become more elaborate, with textures made from wood chips, pine, and pebbles. Last Sunday, outlines of sticks were used and circles morphed into curvacious striations. Full vistas came into view.
[Editor's Note: This the third in a four-part series documenting the winners of the AIANY's 2012 Design Awards, which are broken down into four categories: architecture, interiors, unbuilt work, and urban design. This list covers awards for unbuilt work.]
The AIANY has released its annual list of Design Awards noting projects that demonstrate exemplary originality and quality, and the category covering unbuilt work tends to be among the most creative. This year’s Honor and Merit Award winners for unbuilt work were selected by a jury consisting of Scott Erdy of Erdy McHenry Architecture, Thomas Hacker of THA, and Bruce Lindsey, dean of the College of Architecture at Washington University. Three unbuilt projects were distinguished with the top Honor Award including the Hirshhorn Museum Seasonal Inflatable Pavilion by Diller Scofidio + Renfro and Kling Stubbins, Dortoir Familial by NADAAA, Bidard & Raissi, and Agence François Vieillecroze, and the USAFA/Center for Character & Leadership Development by Skidmore, Owings & Merrill. Winning work in all four categories will be on display ay the Center for Architecture at 536 LaGuardia Place beginning April 19 through May 31.
News Paper Spires
The Skyscraper Museum
39 Battery Pl.
Through July 2012
Focusing on the years between 1870 and 1930, News Paper Spires at the Skyscraper Museum considers the buildings where the most important events of the day were committed to the public record with ever-increasing speed. Just after the Civil War, The New York Times, The New-York Tribune, and The New York Post all were headquartered on the so-called “Newspaper Row” to the east of City Hall Park (above), each headquartered in early skyscrapers, where writers and editors worked above, while below typesetters and steam-engine powered printing presses churned out morning, afternoon and evening editions. In this exhibition, the history of these vertical urban factories—including their migration from downtown to midtown—is considered through films, architectural renderings, photographs, typesetting equipment, and the archival newspapers themselves.
[Editor's Note: This the second in a four-part series documenting the winners of the AIANY's 2012 Design Awards, which are broken down into four categories: architecture, interiors, unbuilt work, and urban design. This list covers the interior awards.]
The AIANY has released its annual list of Design Awards noting projects that demonstrate exemplary originality and quality. Interior Honor and Merit Award winners were selected by a jury consisting of Rand L. Elliott of Elliott+Associates Architects, Alice Y. Kimm of John Friedman and Alice Kimm Architects, and Gary L. Lee of Gary Lee Partners. Three interior projects were distinguished with the top Honor Award including Nam June Paik Library by N H D M / Nahyun Hwang + David Eugin Moon, Logan by Formactiv with SO-IL, and the Hinman Research Building by Lord, Aeck & Sargent with Office dA. Winning work in all four categories will be on display ay the Center for Architecture at 536 LaGuardia Place beginning April 19 through May 31.
Last night, SHoP‘s Gregg Pasquarelli presented plans to Community Board 1 for South Street Seaport’s Pier 17. Not surprisingly, the reception was positive. The design is a huge departure from the desolate barn-like mall developed by the Rouse Corporation in the 1980s, where to this day nachos and tropical cocktails remain de rigueur. The new owner, the Howard Hughes Corporation, hopes to bring New Yorkers back to one of the most spectacular sites in town, while welcoming tourists and not quarantining them in a thematic trap.
Angelica Trevino and Thorsten Kiefer are SHoP’s project managers. In a telephone interview, Trevino parsed the details…
[This photo essay accompanies AN's recent article on the pending demise of Paul Rudolph's Orange County Government Center in New York. Read more here.]
The day before Orange County Executive Director Eddie Diana presented plans for replacing architect Paul Rudolph‘s Orange County Government Center, AN took a trip up to Goshen, New York with photographer Aracelis Diamantis to check out the scene. Diamantis ditched her SLR in favor of a Hipstimatic app on her iPhone. The effect gave the building a haunted-Brutalist-house quality and amplified the the architect’s multi-textured use of concrete.
In the hustle and bustle of city life, sometimes it’s hard to find the time to visit a museum. Luckily for time-strapped New Yorkers, a massive copy of Michelangelo’s David was trucked around Manhattan on Tuesday, stopping off at the Storefront for Art and Architecture for a manifesto series called “Double” exploring the implications of creating copies, fakes, and replicas before heading to its new home at the 21c Museum Hotel in Louisville, Kentucky. This David, by conceptual artist Serkan Ozkaya is a copy of a copy of the original Florentine model, reimagined twice as tall and painted gold, making it the perfect centerpiece for the evening.