It wasn’t a usual trip to the World Trade Center site today as AN segued over to the river to get a glimpse of the Space Shuttle Enterprise’s flyover. We caught the shuttle on its second loop at 10:55 on the dot. The pristine prototype shuttle skimmed south over New Jersey on its way round the Statue of Liberty. In all, a very uplifting day when combined with news that the One World Trade will likely surpass the Empire State Building as the city’s tallest building by this Monday. Come summer the shuttle will make a barge trip up the river to its new home at the Intrepid Museum. No news yet on speculation that new building across the street from the museum might house the shuttle.
Newly Drawn: Emerging Finnish Architects
The Center for Architecture
536 LaGuardia Place
Through April 30
A shift is occurring in Finnish architecture as a new generation of firms is emboldened by a unique competition culture that allows anonymous submissions from young and established architects alike. Helsinki is undergoing a major process of renewal with the transformation of former industrial and harbor areas to new uses; as such, large-scale commissions are available to otherwise inexperienced practices with new approaches to the city, such as Kilden Performing Arts Center by ALA Architects (above) and Kuokkala Church by Lassila Hirvilammi (below).
Architecture & the Media #2: Design Reportage
Thursday, May 3
Center for Architecture
536 LaGuardia Place
What drives the decisions to present architecture stories or programs? How do non-specialist reporters portray architecture and architects? Or explain architecture concepts, processes, and key milestones as a project unfolds from concept to reality? Can reporters help to demystify architects and architecture for the general public? Read More
In a city known for specialized districts—diamonds, finance and garments to name only three—the Brooklyn Navy Yard is perhaps the most unique. The “Yard” is home to nearly 170 design related businesses like industrial designers, fabricators, artists, and architects and as a former ship building facility it is gated and closed to the public. But on May 12 Open House New York will open the former navy facility to the public from 12:00 to 5:00 p.m. and may of these creative studios and work spaces will open their studios for self guided tours. It will be an amazing day and AN will publish a full list of participating studios later in the week, but contact Open House to purchase a ticket for the tour which includes a drinks party at the Yard’s new Building 92.
OPEN: An Exhibition by Tsao & McKown Architects
Syracuse University School of Architecture
Calvin Tsao and Zack McKown aim to provide a critical context to seven projects in their OPEN exhibition, ranging from a lipstick tube to a prototypical community of 25,000 in China. The exhibition provides a theoretical framework with which to view the projects, with the inclusion of historical, cultural, and economic background research in addition to sketches and drawings that demonstrate the design process at work.
An avid cyclist plans to bring his passion for bike racing to Brooklyn Bridge Park. Joshua Rechnitz announced Thursday that his nonprofit, the New York City Fieldhouse, will build a $40 million multi-purpose recreation center on the inland edge of the park bordering the BQE. Now occupied by a deteriorating industrial building used for storage by the Brooklyn Bridge Park Corporation, the new facility designed by Thomas Phifer and Partners will include a modern velodrome along with space for a variety of other recreational activities.
Until about the mid 20th century, there was a tradition for New York’s urban landscape painters to split time between New York and Paris. It was not uncommon for collectors to hang dual streetscapes side by side. It’s surprising then to see the digitally inflected work of Robert Neffson tweak the tradition for the 21st century. Neffson’s paintings of 57th Street and Notre Dame embrace a multimedia studio process for hyperrealistic results.
Fred Sandback: Decades
525 West 19th Street
Through April 21
The drawings and sculptures of Fred Sandback are the subject of a new exhibition at New York’s David Zwirner gallery. The projects are arranged by decades, representing distinct periods in the artist’s career, spanning the years 1969 to 2000. Sandback created minimalist sculptures out of simple materials in response to the architecture of specific interiors. Installations made from thin lengths of material redefine spaces, creating objects and planes by simply implying their outlines. On display are early works from the 1960s made of metal wire and cord, permutational works of the ’70s, and reliefs and site-specific projects from his late career. Drawings are included, like 16 Variationen von 2 Diagonalen Linien 1972 (above), plus the Zwirner gallery has reconstructed the interiors of Galerie Heiner Friedrich, the Munich space for which many of Sandback’s works were designed. A rare copper wire sculpture, Proposal for Heiner Friedrich, Munich, Six Rectangles, Copper Wire (Sculptural Study), spans three rooms and is a highlight of the show.