Fire Island Pines Pavilion to Rise from Ashes

East
Friday, May 25, 2012
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Just in time for Memorial Day, renderings! (Courtesy Fire Island Historical Preservation Society)

Just in time for Memorial Day, renderings! (Courtesy Fire Island Historical Preservation Society)

Facebook was aflame this morning with new renderings by HWKN (Hollwich Kushner) for Fire Island’s notorious Pavilion, the entertainment complex that burned down last November. In January, it was reported in The New York Times that Diller Scofidio + Renfro were signed on to do the master plan for the marina, of which the Pavilion sits at the center and serves as the social hub.

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Fulton Street Transit Center Oculus

East, Fabrikator
Friday, May 25, 2012
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Brought to you with support from:
Fabrikator
Fabrikator Brought to you by:

Inside the transit center's atrium (MTA)

An in-progress look at the new transit hub’s massive skylight

After funding cuts and subsequent delays since construction started in 2005, the much-anticipated Fulton Street Transit Center is finally taking shape in Lower Manhattan. The $1.4 billion project will connect eleven subway lines with the PATH train, the World Trade Center, and ferries at the World Financial Center. In collaboration with artist James Carpenter, Grimshaw Architects designed the project’s hallmark—a 60-foot-tall glass oculus that will deliver daylight to the center’s concourse level. The hyperbolic parabaloid cable net skylight supports an inner skin of filigree metal panels that reflect light to the spaces below. AN took a look at the design’s progress with Radius Track, the curved and cold-formed steel framing experts who recently completed installation of the project’s custom steel panels:

Continue reading after the jump.

Figment 2012 Livens Up Governors Island

East, Newsletter
Wednesday, May 23, 2012
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Face of Liberty by Zaq Landsberg

Figment NYC is an annual celebration of arts and culture that takes place on Governors Island from June 9-10. Now in its sixth year, Figment provides New Yorkers with an interactive space to participate in the arts, with volunteer artists collaborating on works that transform the environment and the public’s perception. With visual art, music, performance, and installation works, the event will provide the community with a forum for emerging artists to engage with the public.

Continue reading after the jump.

Two Exhibitions Recall the Inspirational Work of Lauretta Vinciarelli

East
Wednesday, May 23, 2012
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(Courtesy The Museum of Modern Art)

Orange Sound Project. (Courtesy The Museum of Modern Art)

Lauretta Vinciarelli was a quiet but powerful presence on the New York architecture scene since the 1980s when she began producing “imaginary architectural settings” of buildings and landscapes. I considered it a great honor to be invited to her Soho loft to look and talk about her latest work 10 years before her death in 2011. It’s too easy as an architectural journalist covering the daily rough and tumble of urban architecture to get jaundiced about the profession, but Vinciarelli’s extraordinarily beautiful and quiet drawings and paintings remind me why we still believe in the power and hope of great architecture.

Continue reading after the jump.

Who Builds Your Architecture?

Dean's List, East
Monday, May 21, 2012
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Moderator Reinhold Martin, Andrew Ross, Fred Levrat, Bill Van Esveld, Peggy Deamer (Courtesy Vera List Center)

Moderator Reinhold Martin, Andrew Ross, Fred Levrat, Bill Van Esveld, Peggy Deamer (Courtesy Vera List Center)

Who builds your architecture? “Not architects,” said Reinhold Martin. “By definition, architects do not build; they make drawings, write contracts, and do all these other things.” At New School’s Vera List Center on May 3, a roundtable facilitated debate and speculation on the rights of the lesser-discussed “workers” that make architecture happen.

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Cooper Hewitt Open for Business.  Cooper Hewitt Open for Business While the Cooper-Hewitt National Design Museum’s headquarters at the Carnegie Mansion is under renovation (set to reopen in 2014), the museum is popping up in locations across New York City to keep design in the eyes of the public. In the digital world, the Cooper-Hewitt launched its new online store, allowing design enthusiasts to bring a curated selection of products into their homes. The site was launched on Monday by Cooper-Hewitt director and famed industrial design Bill Moggridge at a swanky party in Manhattan’s Norwood Club hosted by the museum and party aficionado and Mediabistro founder Laurel Touby. The Cooper-Hewitt also recently launched a website detailing events happening at Design Week NYC.

 

Retail Reality at WTC.  Westfield will partner with the Port to lease the podium of Tower Three. (Coutesy Silverstien) The Westfield Group made it official yesterday: They will be curating the 450,000 square feet of retail space at the World Trade Center, the New York Post reported. The group made a $93 million payment to the Port Authority toward the $612.5 million deal that will bring retail to the podia of Towers Four and Three, the transportation hub, and along Church & Dey streets. If all goes as planned, an additional 90,000 square feet will be added in Tower Two as well, but first an anchor tenant for Tower Three seems to be the most pressing bit of unmet business.

 

Public Art, If It Holds Up

East
Thursday, May 17, 2012
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ARO's prototype art display in Bogardus Plaza. (Branden Klayko/AN)

ARO's prototype art display in Bogardus Plaza. (Branden Klayko/AN)

If all the world is a stage, according to Shakespeare, all the city is a kunsthalle in the eyes of the New York City Department of Transportation. Bogardus Plaza, a tiny pedestrian plaza carved out of a little-used block of Hudson Street in Lower Manhattan and named for architect James Bogardus, the inventor of the cast-iron building, just received a well-deserved facelift and has now been chosen to host a prototype art display case designed by Architecture Research Office (ARO).

More after the jump.

The Architectural League’s Folly

East
Thursday, May 17, 2012
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“Curtain,” a project by Jerome Haferd and K. Brandt Knapp

“Curtain,” a project by Jerome Haferd and K. Brandt Knapp

The word “folly” is derived from the French folie, or “foolishness.” Also known as an “eyecatcher,” a folly was traditionally an extravagant, non-functional building, which was meant to enhance the landscape. Rooted in Romantic ideals of the picturesque, a folly often acted as an ornate small-scale intervention which transformed and visually dramatized the landscape around it. The winners of this year’s Folly Competition sponsored by The Architectural League of New York and Socrates Sculpture Park, competition winners Jerome Haferd and K. Brandt Knapp proposed a new interpretation of the folly, “Curtain.”  Read More

On View> Lara Favaretto: Just Knocked Out

East
Thursday, May 17, 2012
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(Courtesy MoMA PS1)

(Courtesy MoMA PS1)

Lara Favaretto: Just Knocked Out
MoMA PS1
22-25 Jackson Avenue
Long Island City, NY
Through September 10

Lara Favaretto’s installations and sculptures at once perform and memorialize their decay. Often incorporating elements from previous installations in new works and using discarded industrial material, Favaretto makes futile and impermanent gestures, ephemeral monuments to aspiration and failure. The works describe loss: found paintings encased in yarn, obscuring and preserving the original; cubes made of confetti, decomposing throughout the span of an exhibition; car-wash brushes, whirling and wearing down against metal plates (above). These mechanisms celebrate futile motions, becoming memorials imbued with the reality of their own obsolescence.

Wanted: Neighborhood for Aluminaire

East, Newsletter
Thursday, May 17, 2012
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The Aluminaire House being dissasebled last month. (Courtesy Aluminaire House Foundation)

The Aluminaire House being dissasembled last month. (Courtesy Aluminaire House Foundation)

The Aluminaire House is homeless once again. Built in 1931 for the Allied Arts and Industry and Architectural League Exhibition, the house introduced prefabricated design methods espoused by Le Corbusier to an American audience. Corbu disciple Albert Frey designed the house with A. Lawrence Kocher, onetime editor at Architectural Record. After more than 100,000 visitors passed through, the architect Wallace Harrision snapped it up and placed it on his estate to be used as guest house. The building later was featured in Hitchcock and Johnson’s 1932 MoMA exhibition and in their book The International Style. Eventually, the house came under the care of the New York Institute of Technology and onto their former Islip campus. Last month, the house was dismantled once again and handed over to the newly formed Aluminaire House Foundation, run by architects Frances Campani and Michael Schwarting of Campani and Schwarting Architects.

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Breaking Out & Breaking In: Designers, Critics, and FBI Agents

East
Thursday, May 17, 2012
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Yale SoA's Jimmy Stamp, Filmmaker Magazine's Scott Macauley, and Retired Special Agent Thomas McShane and Studio-X's Geoff Manaugh

Yale SoA's Jimmy Stamp, Filmmaker Magazine's Scott Macauley, and Retired Special Agent Thomas McShane and Studio-X's Geoff Manaugh. (Courtesy Studio-X)

Bringin’ it back to the old school, to the days of 3D online meet-up spots and avatars, when chat rooms were actual digitally-modelled rooms, “Breaking Out and Breaking In” was a “distributed film fest,” where users watched movies at home and came together in the comments section of BLDGBLOG to discuss the films. It was a blurring of the real and the digital. In partnership with Filmmaker magazine, the series focused on films which were either about bank heists (breaking in) or prison escapes (breaking out), positing them as “the use and misuse of space.” Films were watched during a period of four months, and the festival culminated with a panel discussion at Columbia’s GSAPP featuring two FBI agents alongside designers and critics.

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