Todd and Billie to Get Arty for the Big Green.  Todd and Billie to Get Arty for the Big Green Expect to be hear a lot about Todd Williams and Billie Tsien in the weeks and months to come. First up, their much anticipated (and highly controversial) new building for the Barnes Foundation in Philadelphia, which opens imminently. Second, the fate of their building for the American Folk Art Museum (now owned by MoMA) hangs in the balance, with Jean Nouvel’s tower looming on the horizon. Third comes the announcement that the pair will renovate and expand the Hood Art Museum at Dartmouth College in Hanover, New Hampshire. The project will include new and renovated galleries for Darmouth’s art collection, which dates to 1772.

 

On View> Robert Neffson’s Urban Landscapes

East
Friday, April 20, 2012
.
Neffeson's painting of 57th Street with Skidmore Owings & Merrill's Number 9 building at left. (Courtesy Bernaducci Meisel)

Neffson's painting of 57th Street with Skidmore Owings & Merrill's Number 9 building at left. (Courtesy Bernaducci Meisel) (56x79 inches)

Until about the mid 20th century, there was a tradition for New York’s urban landscape painters to split time between New York and Paris. It was not uncommon for collectors to hang dual streetscapes side by side. It’s surprising then to see the digitally inflected work of Robert Neffson tweak the tradition for the 21st century. Neffson’s paintings of 57th Street and Notre Dame embrace a multimedia studio process for hyperrealistic results.

Read More

On View> Fred Sandback: Decades

East
Thursday, April 19, 2012
.
(Adam Reich / Courtesy David Zwirner)

(Adam Reich / Courtesy David Zwirner)

Fred Sandback: Decades
David Zwirner
525 West 19th Street
Through April 21

The drawings and sculptures of Fred Sandback are the subject of a new exhibition at New York’s David Zwirner gallery. The projects are arranged by decades, representing distinct periods in the artist’s career, spanning the years 1969 to 2000. Sandback created minimalist sculptures out of simple materials in response to the architecture of specific interiors. Installations made from thin lengths of material redefine spaces, creating objects and planes by simply implying their outlines. On display are early works from the 1960s made of metal wire and cord, permutational works of the ’70s, and reliefs and site-specific projects from his late career. Drawings are included, like 16 Variationen von 2 Diagonalen Linien 1972 (above), plus the Zwirner gallery has reconstructed the interiors of Galerie Heiner Friedrich, the Munich space for which many of Sandback’s works were designed. A rare copper wire sculpture, Proposal for Heiner Friedrich, Munich, Six Rectangles, Copper Wire (Sculptural Study), spans three rooms and is a highlight of the show.

Filed Under: ,

Video> Ben & Jane Thompson Tour Seaport, circa 1981

East, Newsletter
Thursday, April 19, 2012
.

The video shows the bad old days before the Thompson plan for the seaport was complete.

While combing the web for info on the early days of the South Street Seaport‘s Pier  17AN came across a Youtube video of Ben & Jane Thompson discussing plans for redeveloping the upland and the piers near Fulton Fish Market.  The short video, circa 1981, certainly puts the current debate on SHoP’s new design into historical focus, particularly when Ben Thompson speaks of retaining the now long gone market.

Watch the video after the jump

Event> Eventually Everything: The 2012 D-Crit Conference May 2

East
Wednesday, April 18, 2012
.
Eventually Everything D-Crit Conference May 2

Eventually Everything D-Crit Conference May 2

Eventually Everything: The 2012 D-Crit Conference
Wednesday, May 2, 12:30–7:00 p.m.
Visual Arts Theatre
333 West 23rd Street
No charge for admission; Registration required

On May 2 the School of Visual Arts Design Criticism MFA program, a.k.a. D-Crit, presents its third annual thesis conference, and this year’s line-up promises to be intriguing, covering an array of subjects–”Main Street, USA and the Power of Myth,” “Graphic Ornament in Interior Architecture,” “Towers to Town Homes: Public Housing, Policy, and Design in the US” to “Missing the Modern Gun: Object Ethics in Collections of Design,” to name a few. The list of thesis topics alone makes a statement about the possibilities of design criticism and how D-Crit aims to push its limits.

Continue reading after the jump.

South Street Seaport Preservationistas: Oh no! PoMo Don’t Go!

East, Newsletter
Wednesday, April 18, 2012
.
Detail of the model presented by SHoP at yesterday's Landmarks hearing. (AN/Stoelker)

Detail of the Pier 17 model presented by SHoP at yesterday's Landmarks hearing. (AN/Stoelker)

The PoMo aficionados were out in force at yesterday’s Landmarks Preservation hearing for the new proposal for South Street Seaport’s Pier 17. It would seem that just as debate on the value of 1970s Brutalism shifts into high gear, the 1980s PoMo crowd is revving its engines. As preservationists and developers whacked it out, some larger questions about context and neighborhood integration arose.

Read More

Redesigning the National Mall: Union Square

East
Wednesday, April 18, 2012
.
Snohetta & AECOM

Snohetta & AECOM

[Editor's Note: Following the unveiling of proposals to redesign the National Mall, AN will be running a three-part series to display the proposals for each of the three segments of the Mall: Constitution Gardens, Union Square, and the Washington Monument Grounds.]

Even for most Washingtonians, the name “Union Square” evokes a place in New York City. But the National Mall Plan of 2010 calls for this disconnected, little-used area—which has a reflecting pool and large equestrian statue of Ulysses S. Grant on the west front of the U.S. Capitol—to become a prime site for demonstrations and other large gatherings, thereby relieving some of the strain on the Mall. (The Mall receives 25 million visitors per year.)

Recently, control of the square passed from the National Park Service to the Architect of the Capitol, raising doubts about how a renovation would proceed. The National Mall Design Competition is organized by the Trust for the National Mall, a private organization that partners with the National Park Service.

Check out all four finalist proposals after the jump.

Filed Under: ,

Tonight! NYC’s Grid and Cycles of Planning

East
Tuesday, April 17, 2012
.

Join AN‘s Executive Editor Julie V. Iovine at the Museum of the City of New York as she moderates a panel discussion on the relationship between real estate and the New York City grid this evening at 6:30 p.m. The panel of five experts will explore cycles in planning including, among other topics, the emergence of superblocks and their subsequent decline. While you do need to register, mention AN and you get a discount! More information on the AN Calendar.

Filed Under: 

Redesigning the National Mall: Washington Monument Grounds

East
Monday, April 16, 2012
.
Michael Maltzan Architecture & Tom Leader Studio

Michael Maltzan Architecture & Tom Leader Studio

[Editor's Note: Following the unveiling of proposals to redesign the National Mall, AN will be running a three-part series to display the proposals for each of the three segments of the Mall: Constitution Gardens, Union Square, and the Washington Monument Grounds.]

Finished in 1884 and standing 555 feet tall, the Washington Monument is the world’s tallest structural stone tower and tallest obelisk. The monument is now closed because of damage it sustained during a 5.8 magnitude earthquake last August. Nevertheless, its grounds continue to host countless visitors who want to view the iconic obelisk up close—or play soccer or fly a kite in its shadow. Inspired in part by the monument grounds’ worn condition, the nonprofit Trust for the National Mall launched a design competition to redesign the National Mall. Four concepts have now been shortlisted.

View all four finalists’ proposals after the jump.

Filed Under: 

On View> Heather Hart: The Eastern Oracle

East
Monday, April 16, 2012
.
Hart's Eastern Oracle is on display in the Brooklyn Museum’s fifth-floor rotunda. (Courtesy Brooklyn Museum)

Hart's Eastern Oracle is on display in the Brooklyn Museum’s fifth-floor rotunda. (Courtesy Brooklyn Museum)

Heather Hart: The Eastern Oracle
Brooklyn Museum
200 Eastern Parkway, Brooklyn, NY
Through June 24

For the fourth exhibition in its Raw/Cooked series displaying the work of budding Brooklyn artists, the Brooklyn Museum presents an installation by Heather Hart. Occupying the museum’s fifth-floor rotunda, the installation will consist of a single rooftop that lies flat on the ground, without walls and outside its original context. As Hart describes it: “A rooftop can refer to home, stability, or shelter, but in this context, it is also an action of reclaiming power.” The roof makes specific reference to the oldest architecture in the museum’s period room collection—the Jan Martense Schenck House, built in 1676, the second-oldest Dutch-American building in Brooklyn. Visitors are encouraged to physically interact with the structure, fulfilling Hart’s intention to create a place of self-reflection and self-empowerment.

View the inside after the jump.

EVENT> Guggenheim Launches Stillspotting, Queens Edition, April 14

East
Friday, April 13, 2012
.
In SO-IL's Transhistoria project, writers tell stories in the Jackson Heights neighborhood of Queens.

In SO-IL's Transhistoria project, writers tell stories around the Jackson Heights neighborhood of Queens. (Courtesy Guggenheim)

When New Yorkers seek an island of calm within the city, they usually think of finding a patch of grass in a park, not making a beeline to the streets of Jackson Heights. But stillspotting, a series of programs sponsored by the Guggenheim, promises pools of respite in the most unusual places.

Selected artists and architects are paired with each of New York five boroughs and asked to create “spots” of stillness–what that might mean seems to be completely at their discretion. Last June artist Pedro Reyes’ Sanitorium project in Brooklyn offered visitors a selection of “urban therapies”; in September the architects of Snoehetta teamed up with Estonian composer Arvo Part to create To a Great City, a series of installations deploying weather balloons accompanied by Part’s music in a handful of spaces around Manhattan. Now, the architecture firm SO-IL is defining stillness through time, specifically the time it takes for a writer to read a short story. Read More

Books and Mortar

East
Friday, April 13, 2012
.
A corbel dome made of books. (Courtesy Miler Lagos)

A corbel dome made of books. (Courtesy Miler Lagos)

Artist Miler Lagos is building a library, but think twice before pulling out a book. For his recent installation called Home at the Magnan Metz Gallery in New York City, Lagos constructed an entirely self-supporting dome out of nothing but books.

See more after the jump.

Filed Under: ,

Page 87 of 149« First...102030...8586878889...100110120...Last »

Advertise on The Architect's Newspaper.

Submit your competitions for online listing.

Submit your events to AN's online calendar.




Archives

Categories

Copyright © 2014 | The Architect's Newspaper, LLC | AN Blog Admin Log in. The Architect's Newspaper LLC, 21 Murray Street 5th Floor | New York, New York 10007 | tel. 212.966.0630
Creative Commons License