Lauretta Vinciarelli, an artist, architect, and professor, whose water color paintings were deeply rooted in architecture, died Thursday in New York City. In the forward to her book Not Architecture: But Evidence That It Exists Brooke Hodge wrote of how “Vinciarelli’s work shows, indeed, how inextricably bound together art and architecture are for her and should be for more of us.” Her art crossed borders architectural form and space with an interest in light. “The paintings are of spaces I know that look nothing like what I paint,” Vinciarelli told Hodge.
Beginning tomorrow, August 6 in New York City, grab your bike or jogging shoes and run out into traffic. Summer Streets, the program that shuts down a portion of the city’s thoroughfares to anything with a motor, is back for three weekends in August and the event is not to be missed. Described by Transportation Alternatives as “a cyclist’s dream, a pedestrian fantasy and most definitely New York City’s greatest car-free event,” there’s no exaggeration in saying you’ll never experience the city’s public spaces like strolling down the middle of Park Avenue without the dangers, sounds, or smells of the city’s notorious traffic.
Summer Streets will be barring autos from seven miles of Manhattan roads on August 6th, 13th, and 20th from 7:00a.m. until 1:00p.m., so wake up early and tell your friends!
OLIN has completed a renovation of the gardens at Philadelphia’s Rodin Museum, which houses the largest collection of Auguste Rodin’s sculptures and objects outside of Paris. The renovation is a piece of a larger refurbishment of Benjamin Franklin Parkway, which is also being overseen by OLIN, as a part of the Philadelphia Museum of Art’s Master Plan. Read More
Amidst the flurry of activity surrounding the World Trade Center another monument is nearing completion, though this one is not exactly brand new. By the end of this week restorers of the Montgomery Monument at Trinity’s St. Paul’s Chapel will be securing the last arrow tip and guttae to the nation’s first monument.
After a protracted land use review with vitriolic community meetings that disquieted even battle-hardened presenters, the Landmarks Preservation Commission finally approved plans by the Rudin development family and North Shore Long Island Jewish Medical to renovate the St. Vincent’s O’Toole building in Manhattan’s West Village. As of Tuesday, the former Maritime Union headquarters is set to become a comprehensive health care facility with emergency services.
At 7am on August 1, Genevieve White headed to work. Dressed like any personal trainer—zip-up track jacket, shorts, cross-trainers—she made her way down Wall Street. But White didn’t have an appointment to stand over a high-powered exec doing crunches. Bypassing the monumental entry of the neighborhood Equinox gym, she stationed herself on the sidewalk near William Street, stripped off her clothes, leaving on only her shoes and mirrored aviator sunglasses, and began doing jumping jacks.
In an extended period of belt-tightening, it is often the arts sector that grapples with some of the harder aspects of fund-raising. With heavy competition from other non-profits clamoring for support from the city’s enlightened wealthy, institutions must be creative and resourceful to attract new and more generous donors. For the Municipal Art Society (MAS), this dedicated support has come in the form of Robert W. Wilson.
A veteran MAS donor, a philanthropist, and a former Wall Street hedge fund manager, Wilson has committed $600,000 over the next three years to match new or increased gifts of $1,000 or more on a one-for-two dollar basis. Effective August 1st, the aim is to help MAS strengthen and sustain its base of unrestricted support, which puts control of distribution into the hands of MAS rather than a targeted program.
In his poem “One Winter Afternoon,” e.e. cummings describes Eighth Street in Greenwich Village at the “magical hour when is becomes if.” Well, it seems as though Eighth Street has reached that hour once again. The street, which once played a distinct role in Village bohemia, began as a hub for book dealers and fostered the original Whitney Museum. Eventually, the street became a district for shoe stores and edgy fashion anchored by Patricia Field. Field decamped for the Bowery about nine years ago and much of the street has since devolved into a hodgepodge of chain stores and characterless low-end retail.
Practice makes perfect, and for some Parsons students, the Splash House at Highbridge Pool and Recreation Center is a jumping off point for becoming better architects.
Parsons’ Design Workshop, a design-build studio set up 15 years ago to offer practical training to students, has partnered with New York Parks and Recreation Department to instigate a five-year initiative to identify and implement improvements in public spaces across the city. “The architecture students get a more holistic understanding of process,” said Kate McCormick, Press Officer at Parsons. “They actually learn how to make and engage the community, by finding out what it needs.” Although it usually collaborates with public organizations both inside and outside Manhattan, this is the Workshop’s first long-term municipal partnership within New York City. The first assignment: Highbridge Pool and Recreation Center in Upper Manhattan. Read More
Last week, the Royal Institute of British Architects (RIBA) announced that two U.S. projects have been shortlisted for the RIBA Lubetikin Prize. The distinction honors building projects outside the European Union that set a standard for international excellence. The American projects chosen as finalists are The Museum of Fine Arts in Boston by Foster + Partners and the Virginia Museum of Fine Arts in Richmond, Virginia by Rick Mather Architects.
“This year’s shortlist is unusual in that they are all big budget projects—each with a contract value over $100 million,” RIBA president Ruth Reed said in a statement. “The list mixes some of world architecture’s most famous names, with a younger practice so it will be interesting to see who the judges choose as a winner.” The prize will be announced on October 1 followed by a feature on the winners on BBC 2′s The Culture Show.
Other finalist projects from around the world: Zaha Hadid’s Guangzhou Opera House (Guangzhou, China), Foster’s Masdar Institute (Masdar City, Abu Dhabi) and the Met by WOHA (Bangkok, Thailand).
With all the NYU real estate hubbub going on around LaGuardia Place in Greenwich Village, it’s refreshing to hear of a quiet transaction between two locals. This week, the AIANY signed the lease for 532 LaGuardia, an empty retail space owned by local lumber magnate Guy Apicella just one door south of the AIANY’s current home, the Center for Architecture at 536 LaGuardia.
It’s hard to avoid the advertisements for Mercedes House; they’re everywhere. The ads, with their renderings of a completed project, employ the recent trend of touting the building’s architectural credentials, in this case “designed by Enrique Norten” of TEN Arquitectos. One could be forgiven for thinking the project was finished a long time ago. But could real estate savvy New Yorkers not notice a huge serpentine-shaped building rising on Manhattan’s West Side? Not likely. In fact, the Two Trees development is only about one quarter complete. However, as the ads note, you can move in right now–if you want to rent. More than 220 rentals are done, and when we took our walk-through last month financing was in place to complete the remaining 665 units, which includes 170 condos.