On June 28th, the academicians of the National Academy welcomed 23 newly elected members, recognized for their contribution to American art and architecture. This year, the nominees included artists working in video, photography, and installation, further reinforcing the National Academy’s mission of promoting art across America. The roster of over 2,000 academicians includes famous pioneers of early American art such as Thomas Cole and seminal architects such as Philip Johnson.
This year’s inductees include visual artists such as Cindy Sherman and Bruce Nauman and architects Steven Holl and Michael Graves. Chosen annually by their peers, the elected members contributed representative work to the Academy’s permanent collection of over 7,000 artworks, architectural drawings, photographs, and models.
The Friends of Frank Furness Facebook page is lit with tributes to the Philadelphia architect who died 100 years ago today. Furness diehards made the trek to his grave last Sunday. The remains of the civil war veteran and architect were lost until a group seeking to pay tribute to Medal of Honor recipients got in touch with Laurel Hill Cemetery to find him fifteen years ago. A modest military headstone marks the final resting place, but far more impressive monuments, in the form of his masterworks, dot the streetscape of Center City, Philadelphia. Read More
Medical and Graduate Education Building
Architect: Diller Scofidio + Renfro
Architect of Record: Gensler
Client: Columbia University Medical Center
Location: Haven Avenue and 171st Street
Groundbreaking: Early 2013
Columbia University Medical Center has unveiled plans for the Diller Scofidio + Renfro-designed Medical and Graduate Education Building on its campus in Washington Heights. Visible from nearby George Washington Bridge and Riverside Park, the 14-story tower will become a major landmark in the skyline of northern Manhattan, with a south-facing multi-story glass façade punctuated by jutting floorplates and exposed interior spaces.
At a panel discussion on architecture journalism held at the Center for Architecture last month, the New York Post’s Steve Cuozzo griped that The New York Times architecture critic Michael Kimmelman had yet to weigh in on the 9/11 Memorial. Indeed, even the Times‘s go-to architecture reporter Robin Pogrebin had to concur. She noted that she too had raised the question. Nevertheless, World Trade Center reporting—let alone criticism—can be a full time job. Although Pogrebin continues to report on the cultural venues slated for the site, the architectural aspects of the project have been the province of David Dunlap from the get-go.
With the topping of Four World Trade today at 977 feet, Dunlap once again provides a highly detailed report, as he did two weeks ago in his analysis of the grossly altered designs of One World Trade. Standing in the shadow of One World Trade, Dunlap notes that architects Fumihiko Maki and Osamu Sassa have no problem with his building being labeled “the biggest skyscraper New Yorkers have never heard of.” “Subtlety extends one’s appreciation,” Sassa told the Times. Kimmelman, meanwhile, has made a trip to the area, but to review a glass canopy, “in the shadow of One World Trade Center no less.”
It’s a bird! It’s a plane! No, it’s actually a plane. On the corner of 60th Street and 5th Avenue in Manhattan, a six-seat, twin-engine Piper Seneca aircraft balances on two vertical steel posts positioned at the end of its wings, playfully rotating on its own axis and likely confusing visitors to Central Park. After doing a double take on the surreal scene, find a plaque located nearby and you’ll learn that this mysterious aircraft is actually an installation by artist Paola Pivi, whose portfolio includes scenes of zebras on snowy mountaintops and arenas of screaming people. Working with the Public Art Fund, an organization dedicated to present artists’ work throughout New York City, Paola Pivi opened her newest installation featuring the Piper Seneca, How I Roll last Wednesday, June 20th.
Mission: Small Business, Chase bank’s new program to promote new small businesses allows residents to vote for their local small businesses to be considered for a hefty $250,000 grant. Among the countless entries for the program, Brooklyn-based dlandstudio’s proposal for a new plastics recycling center at the Brooklyn Navy Yard has already received 200 votes.
In May 2011, a shocking 80 percent of the 59 water samples taken from various sites in the Hudson River were determined to be unacceptable by the Riverkeeper, a non-profit organization dedicated to improving water quality on the Hudson River. What makes water “unacceptable”? Sampled sites are tested for enterococcus, a human pathogen often found in sewage that can potentially cause health problems like Meningitis and urinary tract infection.
According to the Environmental Protection Agency (EPA), Enterococcus count standards vary for different sites (for beaches, state governments discourage swimming if the count is over 35 colony forming units per 100ml). As for the part of Hudson River bordering New York City, an enterococcus count greater than 104 units per 100mL is considered “unacceptable.” And, quite frankly, gross.
Until recently, the only way to enter Central Park’s oldest and largest playground was through a chain-link fence. The great Heckscher Playground, impressive in scale and amenities, did not have an entrance to match, but a recently completed renovation to the building has retuned the structure to it’s original use with a contemporary twist blending the building’s history with contemporary needs.
The New York City Economic Development Corporation has announced a Request for Proposals (RFP) for the lease and operation of a cultural facility adjacent the St. George Ferry Terminal on Staten Island. Building 11, one of several buildings that housed the Coast Guard’s lighthouse operations from 1836 to 1966, was recently renovated by the city as part of a campaign to revitalize Staten Island’s North Shore waterfront.