The word “folly” is derived from the French folie, or “foolishness.” Also known as an “eyecatcher,” a folly was traditionally an extravagant, non-functional building, which was meant to enhance the landscape. Rooted in Romantic ideals of the picturesque, a folly often acted as an ornate small-scale intervention which transformed and visually dramatized the landscape around it. The winners of this year’s Folly Competition sponsored by The Architectural League of New York and Socrates Sculpture Park, competition winners Jerome Haferd and K. Brandt Knapp proposed a new interpretation of the folly, “Curtain.” Read More
Lara Favaretto: Just Knocked Out
22-25 Jackson Avenue
Long Island City, NY
Through September 10
Lara Favaretto’s installations and sculptures at once perform and memorialize their decay. Often incorporating elements from previous installations in new works and using discarded industrial material, Favaretto makes futile and impermanent gestures, ephemeral monuments to aspiration and failure. The works describe loss: found paintings encased in yarn, obscuring and preserving the original; cubes made of confetti, decomposing throughout the span of an exhibition; car-wash brushes, whirling and wearing down against metal plates (above). These mechanisms celebrate futile motions, becoming memorials imbued with the reality of their own obsolescence.
Bringin’ it back to the old school, to the days of 3D online meet-up spots and avatars, when chat rooms were actual digitally-modelled rooms, “Breaking Out and Breaking In” was a “distributed film fest,” where users watched movies at home and came together in the comments section of BLDGBLOG to discuss the films. It was a blurring of the real and the digital. In partnership with Filmmaker magazine, the series focused on films which were either about bank heists (breaking in) or prison escapes (breaking out), positing them as “the use and misuse of space.” Films were watched during a period of four months, and the festival culminated with a panel discussion at Columbia’s GSAPP featuring two FBI agents alongside designers and critics.
For most architecture students, a model malfunction won’t land you in the middle of a river, but one group of Buffalonian risk takers at the University of Buffalo School of Architecture and Planning, under the direction of Associate Professor Jean La Marche were up for the challenge. Students Troy Barnes, Stephen Olson, Scott Selin, and Adrian Solecki designed and installed half of a bridge—made of cardboard—cantilevered over the Buffalo River, and invited people to step out over the water. The frightening experiment worked, challenging conventional notions of material constraints.
Craft Spoken Here
Philadelphia Museum of Art
26th St. and Benjamin Franklin Pkwy.
Through August 12
Since it was founded in 1876, the Philadelphia Museum of Art has collected and exhibited crafts; the collection today includes 20th- and 21st-century works from across the globe. With Craft Spoken Here, the Museum presents the medium of crafting as a common language of technique, material, and form that defies cultural boundaries and historical categorization. Drawing from the museum’s collection as well as works on loan from artists and private collections, the exhibition will include some 40 works by acclaimed and lesser-known craftsman alike, with contemporary pieces from 1960 to the present, including The One, 1985 by Rebecca Medel (above). Representing the Americas, Africa, Asia, and Europe with works in ceramic, glass, metal, wood, lacquer, paper, and fiber, the works on display show the breadth of the medium and highlight the qualities of craft that transcend culture and time.
Few university art museums have holdings that span from 3000-year old Chinese bronze vessels to bronze coins of the Roman emperor Marcus Aurelius, and from the blue-tiled gates of ancient Babylon to Blam, a red, white, and blue oil painting by Roy Lichtenstein. The collections of the Yale University Art Gallery, both deep and wide-ranging, offer up an impressive art-fueled time machine, and thanks to the Gallery’s current expansion project by Ennead, visitors will be able to travel more easily than ever across history and cultures.
It’s not every day that architects get a public space named after one of their own, but tucked away in Lower Manhattan is a small pedestrian plaza named after one of the most important 19th-century architects around. Bogardus Plaza occupies one block of Hudson Street on the corner of Chambers Street and West Broadway only a few blocks from AN headquarters and is named from James Bogardus (1800-1874), the inventor of the cast-iron building, and last week the plaza received a fresh coat of gravel-epoxy paint.
AN was live blogging from the Megaprojects Conference at the McGraw Hill Conference Center on May 11. The conference/symposium, sponsored by Columbia University’s Center for Urban Real Estate, took a close look at a few of New York’s biggest real estate projects. The World Trade Center, Hudson Yards, and Times Square. London’s Docklands was also discussed.
The panel from Hudson Yards was the last up at today’s conference, though Related’s Stephen Ross, who sat on an earlier panel was no longer in the house. Oxford Properties’ Dean Shapiro estimated that the project would be completed over the course of two economic cycles. MTA’s real estate director Jeffrey Rosen once again echoed the Port Authority transit theme with “Our paramount concern is running the rail road.” Rosen said that flexibility needs to be a part of any plan, adding that the High Line was not even on the radar when Hudson Yards planning began. As a result the project’s anchor tenant was a luxury fashion company.“Who would’ve thought that this would become Meatpacking North,” he said.
Vishaan Chakrabarti who opened the conference with the statement, “Cities can cure many of the world’s ills” closed the session by explaining how and why. He said major private investment needed to be paired with greater public flexibility and more investment at the federal level. He added that a more nimble public process (that’s you, ULURP) needed to be figured out. “We’re taking too long to build these kind of projects,” he said. But then he zeroed in on the major plus of the megaprojects. “They can address the alarming rate of suburbanization,” he said. “The only way to mitigate that is far denser urbanization with transportation.”
Syracuse University’s School of Architecture will need a new dean before summer. New York City’s International Center of Photography (ICP) has announced that Mark Robbins the current dean of the school will become its next Executive Director. Robbins worked tirelessly to utilize Syracuse’s intellectual and design resources to bring life and new ideas to the dying college city and will be hard for the school to replace. But perhaps his skill at jump starting building projects will be useful in helping ICP find a new Manhattan gallery space befitting their mission and world class collection. Robbins will move out of his dramatic Syracuse bank townhouse and back to his hometown by July 1.