In a unanimous vote today, the New York City Planning Commission approved Jamsestown Properties’ plans for expansion at Chelsea Market with few modifications. The building was rezoned to be included in the Special West Chelsea District, thereby allowing developers to increase density after a significant contribution is made to the High Line. Much to the quite literal relief of High Line visitors, this likely means bathrooms will finally find their way to the southern section of the park.
Literally in the shadow of One World Trade is a memorial for September 11 that has been overrun by tourists since the days after the disaster. Its quiet dignity has been maintained, outlasting the dozens of hawkers who sold Twin Tower replicas just a few feet away. The memorial bears but one name, “Mary Wife of James Miles,” who died on September 11, 1796.
Today’s New York Observer weighed in on the New York Post‘s claim that tourists are turning the September 11 Memorial into a glorified playground. “When the construction barriers finally come down, the lines will be gone, people will come and go as they please. They will pray and they will play, and that is how it should be,” wrote the Observer’s Matt Chaban. As the debate continues as to what constitutes appropriate behavior at the memorial, one need only walk one block east to take in two century’s worth of history on how New Yorkers memorialize.
This morning AN reported that a massive collection of Frank Lloyd Wright’s architectural drawings, photographs, models, and more are heading to a new home at New York’s Museum of Modern Art and Columbia University’s Avery Architectural and Fine Arts Library, opening up the archive to academic and scholarly research. For your enjoyment, below is a sampling of the treasures encompassed in the collection and a video about the news.
It’s been quite a year for architecture critic Paul Goldberger, and almost as dizzying for his readers as for him. But the The New Yorker‘s loss has turned out to be Vanity Fair‘s gain, giving the glossy additional gravitas. Now the National Building Museum has added Goldberger to its illustrious roster of Vincent Scully Prize winners. “I don’t know that I’ll ever be on another list that includes Prince Charles and Jane Jacobs,” Goldberger said in a telephone interview.
Architecture & the Media #3: Trade Press, an Evolving Role
Thursday, September 6
Center for Architecture
536 LaGuardia Place
Traditionally, publication in a trade magazine was an effective way to reach peers and demonstrate credibility to clients. Are trade publications becoming hybrids of journalism and networking sites, two-way streets where users are more engaged with editors?
Join us at the Center for Architecture on September 6 for a panel discussion on design reporting, the third installment of Architecture & the Media, a four-part series exploring today’s media landscape co-produced by the Center for Architecture, AIANY’s Oculus and Marketing & PR Committees, and The Architect’s Newspaper.
For Trade Press: An Evolving role, moderator and AN executive editor Alan Brake will be joined by editors Katie Weeks of Eco-Structure magazine, Linda Barr of Real Estate Weekly, Stacy Shoemaker Rauen of Hospitality Design magazine, and Diana Moser of Multi-Housing News.
Tickets: $10 for members and students, $20 for non-members.
PURCHASE TICKETS HERE
Director Henry Urbach just announced a program that will reintroduce fresh flowers into Philip Johnson’s iconic Glass House in New Canaan, CT, where they’ve been missing seen since Johnson and his partner, David Whitney, passed away in 2005. The arrangements will be created by local designer Dana Worlock, using Whitney’s original plant selection and archival photographs of the home’s interior as inspiration.
Meanwhile, AN is participating in this week’s Glass House Conversations about themes in this year’s Venice Biennale, especially the relationship between critical compliance as espoused by David Chipperfield and Spontaneous Intervention and as featured in the U.S. Pavilion. Share your thoughts through September 2nd.
The Glass House
199 Elm Street, New Canaan, CT 06840
Open Thursday-Monday, 9:30a.m-5:30 p.m.
Tickets start at $30.
A good portion of our editorial staff just boarded an airplane headed for the Venice Biennial, so AN headquarters is pretty quiet this afternoon. For your Friday afternoon enjoyment, check out this time-lapse video of the Manhattan skyline viewed from the Empire State Building being drawn with amazing detail by illustrator Patrick Vale. [h/t E Minor]
What happens when you gather four tactical urbanists in one room for a “Death Match”-style debate asking, “Is Small Big Enough?” You get a choir. The panel at the Flux Factory’s discussion last night was equipped with “smackdown cards” to challenge the views of their opponents, but they all agreed more often than they disagreed, that the small scale actions at the root of tactical urbanism—and this years US Pavilion at the Venice Biennale, Spontaneous Interventions—are just fine. What emerged from the packed house was a highly polished discussion, where minor differences were exposed, ground down, and made smooth.