The New York City Economic Development Corporation sent out an RFP for a forward thinking urban farmer to run a 200,000 square foot rooftop farm atop one of the city’s major food distribution centers at 600 Food Center Drive in the Hunts Point section of the Bronx. Talk about cutting out the middleman. Once harvested the veggies merely have to make the trip downstairs and down the street for distribution at the City’s 329-acre Food Distribution Center.
Over the weekend, the New York Daily News broke the story that the Brooklyn-based developer Two Trees would be buying the Domino Sugar Factory site on the Williamsburg waterfront. Responsible for developing the DUMBO neighborhood into a mix of galleries, retail, residential, and offices, Two Trees seems to have set its sights farther north. The company’s Wythe Hotel, a renovated textile factory located at Wythe Avenue and North 11th Street in Williamsburg, has been doing brisk business since opening in May. The Domino site, which contains landmarked buildings, sits several blocks south. Read More
Bruno Cals: Horizons
511 West 25th Street #607
Through September 28
For city dwellers, the horizon line where the earth meets the sky can be impossible to find, hidden by the topography of the skyline. By pointing his camera upward, Bruno Cals repositions the horizon and reframes the built environment in terms of landscape itself. Cals deliberately obfuscates the subjects of his series; the photographs read not as structure but as texture and line.
Thanks to state of the art green building technologies and a proactive clean construction plan, Columbia University’s 17-acre Manhattanville campus in West Harlem is set to become New York City’s first LEED-Platinum certified neighborhood plan. Columbia is successfully mitigating the environmental effects of the 6.8 million square feet of new construction that is currently underway on the former industrial site between 129th and 133rd Streets, Broadway and 12th Avenue, just north of the main Morningside Heights campus, by teaming up with the Environmental Defense Fund and carefully limiting the noise, dust, and soot that emanates from the site. The university has also released new renderings, showing the landscape and public spaces designed by James Corner Field Operations. Read More
Collab: Four Decades of Giving
Modern and Contemporary Design
Philadelphia Museum of Art
26th Street and Benjamin Franklin Pkwy
Through Fall 2012
Few art institutions have design collections to rival the Philadelphia Museum of Art’s, thanks to the support of Collab, the Group for Modern and Contemporary Design at the museum. Since its founding in 1970, Collab has been an enthusiastic partner in the acquisition and promotion of modern and contemporary design. Spanning the history of design from 19th-century industrial arts to contemporary works, the collection showcases the history of design presented chronologically. From modernist furniture design by Charles and Ray Eames and Scandinavian designs by Alvar Aalto to post-modern designs of Ettore Sottsass (above), and contemporary work by Frank Gehry and Philippe Starck, these works showcase the unique support that Collab has given to the museum’s collection.
The Future is always a draw, especially if it comes with fresh croissants and coffee. And so some hundred or more AEC industry types showed up this morning for a smartly-packaged and wide-ranging keynote and panel called “A View from the Future,” organized by the Beverly Willis Architecture Foundation. The opening talk was by Edie Weiner, president of futurist trend consultants, Weiner, Edrich, Brown, Inc.
The reviews are in and now it’s time to book a ticket and check out the new Barnes Foundation museum in Philadelphia designed by Tod Williams Billie Tsien Architects. I took a road trip over the weekend and was struck by the amount of texture and richness of the materials used throughout. The carved limestone, deep wood tones, and burlap seem to take cues from Barnes’ superb African mask collection. Regardless of where one comes down on the controversial move to the Ben Franklin Parkway, there is no denying the level of detail and workmanship that went into the project.
On the night of June 3rd, 2012, Tom Fruin’s newest sculptural artwork, Watertower, was installed on a rooftop near the Manhattan Bridge in DUMBO. The colorfully constructed Watertower features approximately a thousand pieces of foraged plexiglass mounted on a steel skeleton. The monumental patchwork of colored glass also includes an interior and exterior ladder and an operable roof hatch. The great amount of plexiglass used for the piece, which measures 25 feet in height and 10 feet in diameter, was collected all throughout New York City. The use of recycled materials is not new to Tom Fruin Studio, as Watertower is the fourth scavenged artwork of the “Icon” series dedicated to creating tributes to the world’s architectural and sculptural icons using reclaimed materials. Read More
BOFFO is an arts and culture non-profit fostering collaborations between artists, designers, communities, and theorists to inform and engage the public in participatory arts programs. In late May, it launched a show house at a Lower East Side public school building turned apartment house, called The Madison Jackson. It turned out to be a clever draw getting people to a neighborhood that is lower and farther east than more popular sections of the LES. I speak from familiarity as I live in a perch overlooking the venue. The glam show house is unusual for a neighborhood comprised largely of public housing blocks next to tall towers that formerly were union cooperatives and as close to socialist housing as we’ve had in NYC.