It’s hard enough for west coast firms to make it into architecture publications, but Clive Wilkinson has made it into the vaunted pages of the New Yorker. In the “Talk of the Town,” writer Nick Paumgarten describes Wilkinson’s thousand-foot-long, resin-topped “superdesk,” which he designed for New York ad agency Barbarian Group in Chelsea, as “swerving around the giant loft space like a mega slot-car track.” Barbarian calls the desk “4,400 square feet of undulating, unbroken awesomeness to keep people and ideas flowing.” In fact the desk even played a major role in a recent company party, and Paumgarten wondered if the desk itself might be taking on human characteristics: “One got a sense, after a while, that the superdesk might be capable of consciousness, that it was observing the humans as they heedlessly laughed and flirted and left glasses of wine on its carapace, and that it might be developing longings and resentments, or plotting its revenge.”
On Monday, dozens of designers, planners, and community organizers packed the amphitheater at the newly opened LEESER-designed BRIC House in Brooklyn‘s rapidly-growing BAM district. The attendees were there to hear the details of the latest Request For Proposals (RFP) from the Design Trust for Public Space, The Energetic City: Connectivity in the Public Realm.
The Design Trust has launched pivotal projects before, like their Five Borough Farm that is helping to redefine urban agriculture in New York City. This time, the group is seeking new ideas for public space and, according to a statement, “develop new forms of connectivity among the diverse people, systems, and built, natural, and digital environments of New York City.”
At ICFF 2014, mature design reclaimed the stage. With other exhibit opportunities for up-and-coming designers—WantedDesign and Sight Unseen Offsite, along with the Industry City venue in Brooklyn—established manufacturers set the tenor of the show this year. Further cementing the show’s place near the top of the trade show hierarchy, many of the exhibitors that displayed their wares at Salone del Mobile in Milan a few short weeks ago were also present in New York. Here are six products that stood out to AN among the rows of exhibitors.
A split-level sliding top and drawer stretch the storage capacity of this neo-modern, white-ash desk. Legs in white or grey.
This Wednesday, the Van Alen Institute is throwing their very first Spring Party in New York City. Tickets to the benefit, taking place at the High Line Hotel, are still on sale, with a variety of price points from a standard party ticket to the high roller “Beaux-Arts Benefactor” costing $25,000. Happening alongside the party, Van Alen has partnered with Paddle8 for an auction of architectural experiences, and some of the world’s biggest names—from Iwan Baan to Richard Meier to Brad Cloepfil—have volunteered to potentially spend a little bit of their time with you. Swooning at the opportunities abounding in the auction, AN has rounded up ten of our favorite experiences up for auction we’d love to try.
Some of the more quirky lots up for bid include rummaging around Rem Koolhaas’ basement, Michael Sorkin’s whirlwind 20-minute tour of Manhattan, waking up for a 3:00a.m. breakfast with Hans Ulrich Obrist, and a Skype chat with Aaron Betsky. Each of these experiences carries an estimated value of priceless, so get over to Paddle8 (or download the app), and bid away to support the also-priceless Van Alen Institute. Bid early and often, as the auction ends on Friday, May 23.
From junk metal and rubble to tomatoes and kale. That’s the plan for a vacant lot in the Anacostia neighborhood of Washington, D.C. located just under six miles from the United States Capitol building. Over the next few months, the 2.3-acre site, which has been covered in trash for years, will be transformed into the world’s largest urban greenhouse.
This weekend, design firm Bade Stageberg Cox will transform Times Square with the help of nearly 50 reclaimed chairs painted taxicab yellow. The chairs will be arranged like theater seats and Times Square will be the stage. “As the plaza is occupied throughout the day, the chairs’ movement and rearrangement becomes a performance about the ways in which people inhabit the public realm and shape it to suit their needs,” said the firm in a statement. The installation is part of their Street Theater series, and coincides with New York City Design Week.
We love all of our clients equally… but Dr. Alan Friedman we really, really loved. We should all be so fortunate as to work with someone as generous, curious, optimistic yet not unrealistic, trusting, and somehow always fun.
BKSK worked with him on two ambitious permanent outdoor exhibits (collectively the NY Hall of Science Playground) approximately ten years apart, and in between were tapped for various smaller tasks. So lightning, for us, struck more than once. The beginning of any project was, following that metaphor, electrifying.
Its hard to drive past a Target roadside box today without remembering James Wines/SITE Architects’ magical 1970′s Best Store projects—and everything they revealed about consumerism in America. These designs are also remembered for their formal invention and early support of environmental thinking, but Carriage Trade, the tiny but always smart art gallery on Tribeca’s Walker Street, reminds us in their exhibit, Cutting Through the Suburbs, how radical they were at the time of their design.
As the Rebuild By Design jury mulls over a winner of its resiliency-based design competition to re-imagine the East Coast in light of Hurricane Sandy, students in Harvard’s Graduate School of Design have been creating their own ways to protect against the Next Big Storm. While their studio, titled “Design and Politics,” was purely academic, it was modeled on the Department of Housing and Urban Development’s official competition. The Dutchman in charge of Rebuild, Henk Ovink, oversaw the interdisciplinary teams of students, and representatives from half of Rebuild’s final ten teams served as jurors at the studio review.