As dusk shrouded Lower Manhattan in darkness last night, the National September 11 Memorial & Museum extended an 88-cannon salute to those whose lives were indelibly-changed by the events of September 11, 2001. Now in its 12th year, the Tribute in Light sent two high-intensity beams of light four miles up into the night sky in a poignant memorial marking the absence of the original Twin Towers. Several dozen onlookers including victims’ family members and city officials watched the beams emanate from the top of a parking structure just blocks from Ground Zero in a solemn expression of remembrance.
The streets of Lower Manhattan were especially crowded today as New Yorkers and tourists alike gathered around the World Trade Center site to mark the 12th anniversary of the September 11th attacks. A national moment of silence was observed at 8:45 a.m. this morning—the time the first jet struck the World Trade Center—to reflect on the disaster and all who were touched by the devastation. Over a decade after the attacks, Lower Manhattan is in the midst of a strong recovery. With AN‘s offices only a couple blocks away from the World Trade Center site, we have been able to watch daily as construction continues at rapid speed.
It is going to be an uphill battle for the developers behind two massive residential projects planned for Greenpoint, Brooklyn. DNA Info reported that Community Board 1 rejected the proposals to build over a dozen 40-story residential towers on the northern tip of the borough, but they indicated they could be persuaded to change their minds. The bargaining chip is more affordable and senior housing. The board would like the developers behind the two developments, Greenpoint Landing and 77 Commercial Street, to drastically bump up the number of affordable units in their plans, which so far include housing, retail, a public school, and esplanades along the water. This decision is just the first step in the Uniform Land Use Review Process (ULURP).
Fulton Street, the bustling commercial strip of the Brooklyn neighborhood, Bedford Stuyvesant, has just received a much-needed makeover. The Bedford Stuyvesant Restoration Corp., along with community stakeholders and city officials, gathered this morning at the new Marcy Plaza to celebrate the completion of a $20 million neighborhood revitalization project, funded by the city. The organization led efforts to revamp Restoration Plaza with the help Garrison Architects, build a new plaza along Marcy Avenue, implement public art, and overhaul a mile-long stretch along Fulton Street with expanded sidewalks, new benches, trees, plantings, bike racks, and lighting. These streetscape improvements aim to bolster local businesses and support the local residential community by creating a safer and more walkable neighborhood.
The Benjamin Franklin Museum at Independence National Historical Park (INHP) in Philadelphia has bid adieu to the 1970s. Closed by the National Park Service (NPS) for a $23 million, two-year renovation, the historic site has re-opened as an 8,000-square-foot, state-of-the-art facility to learn about the “relevant revolutionary.” Quinn Evans Architects (QEA) was tasked with renovating the original 1976 underground museum designed by Robert Venturi and Denise Scott Brown (VSBA). The museum now involves interactive displays, personal artifacts, and a glass pavilion, also known as the ghost house, operating as the main entrance from Franklin Court.
Streets occupy nearly a quarter of New York City’s land, however there are limited outdoor spaces to socialize, sit, and enjoy city life outside of parks. As part of an effort to improve the quality of public space for all New Yorkers, the NYC Department of Transportation (NYCDOT) has been developing new public open space by converting underutilized street spaces into pedestrian plazas. With dozens of plazas already open and functioning across the city, the NYCDOT has been looking to polish the new spaces, installing permanent designs, improved benches, and now, specially designed signs to showcase public art.
On View> Museum of Arts and Design Presents “Against the Grain: Wood in Contemporary Art, Craft, and Design” Through September 15
You may think you know wood, but this exhibition stretches the material beyond convention into the 21st century, and has a distinct sense of humor. Artists and designers play with the form, starting with artist Martin Puryear, who inspired curator Lowery Sims to explore trends that destabilize conventional methods. His specially commissioned piece for this show is a puffy, tufted wing-back chair that looks so soft you could sink into it, but it is actually solid pine. Its title, A Skeuomorphic Wing Chair, 2012, refers to the ersatz, an object made to resemble another material to make the new look comfortably old and familiar, like a digital notebook app that mimics yellow lined paper. Weight is conveyed differently in Yuya Ushida’s Sofa_XXXX, 2010, a delicate lattice comprised of 8,000 recycled bamboo chopsticks, that can be expanded or contracted; or Mark Moskovitz’s Facecord, 2012, which looks like a stockpiled cord of logs, but is actually a chest of drawers.
Marina Abramović owes 4,765 hugs to the supporters of her successfully funded $600,000 Kickstarter. Last month, the artist launched the online campaign to fund her own Marina Abramović Institute (MAI) in upstate New York, a performance center conceptualized as a laboratory that will be dedicated to the practice of long-durational performance art and the “Marina Abramović Method.” Project donations ranged from $1 to $10,000 and all donors are invited to receive a personal hug from the artist in a future performance event called “The Embrace.” With help from social media, celebrity interest, and a few encouragements from Abramović herself, the center surpassed its goal by more than $60,000 before the end of its month-long funding period this past Sunday.
Earlier this week, Manhattan Borough President and City Controller candidate Scott Stringer announced his $1 million pledge to restore a historic Harlem fire watchtower at the heart of Marcus Garvey Park. In the 19th century, the 47-foot tower served as a lookout point and the bell was raised in case of imminent danger. Today, the tower no longer protects the community but threatens it, showing substantial signs of decay and neglect.
Running a tight race against Eliot Spitzer, Stringer lags behind the former governor in terms of African American votes and is thus seeking to salvage one of the community’s most valued landmarks. The past few days, he has generated good publicity from his ability and desire to fund this restoration project.The $1 million provided by Stringer, along with the $1.75 million contributed by Councilmember Inez Dickens and $1.25 million by Mayor Bloomberg will be used to preserve the tower. The project includes a full restoration of the tower’s cast-iron structure, the removal of deficient parts, and the additional construction of a stainless steel support system.