We here at The Architect’s Newspaper always appreciate unfettered access when it comes our way, but today we’re unwitting holders of the hottest ticket in town. This morning you couldn’t get any where near City Hall without a business card that says you work nearby. Turns out we landed front row seats to the ticker tape parade and City Hall ceremony celebrating the NY Giants Superbowl victory. Now, how do we relate this to urban planning and architecture…
Last Friday night, AN‘s William Menking and Aaron Levy launched their new book Four Conversations on the Architecture of Discourse at the Van Alen Bookstore in Chelsea. The book’s publisher, Thomas Weaver of the Architectural Association in London, and the Van Alen’s Olympia Kazi we on hand to help frame the evening’s discourse on discourse.
The new book springs from an earlier effort called Architecture on Display: the History of the Venice Biennale of Architecture, aka “the white book.” In true manifesto fashion, the group sidestepped the official Biennale promo machine by publishing the white book outside of the established Biennale channels and then blanketed the 2010 festival with more than 600 copies. That book transcribed interviews with former Biennale directors and recovered an important history of the forum. From that quick and dirty approach emerged a longer term plot for the “black book” of Four Conversations, which focused architectural display and its relationship to the public.
Jan Staller: Heavy Duty Landscapes
ISE Cultural Foundation
Through March 2
Jan Staller: Heavy Duty Landscapes, an exhibition curated by Marc Freidus, at the ISE Cultural Foundation, features sixteen large format photographs selected from series completed by Staller during the past seven years. Roadsides, recycling plants, and construction sites like the one featured in Pilings, Flushing, Queens (above) are the types of overlooked landscapes Staller addresses in his work. Through his lens we see the unexpected beauty of harsh, chaotic industrial sites and objects softened by their natural surroundings, as in Tank Car In Snow, Port Reading, New Jersey (below).
Last year, BIG (Bjarke Ingels Group) got their heart broken by the Times Square Alliance, which chose a hula-hoop happy design by Freecell Studio for its annual Times Square Valentine’s installation. Now a spokesperson from the Alliance admits that they always “loved” BIG’s design and were willing to give it a second chance. This year, the Alliance didn’t go online looking for love. Instead, they went back to a former flirtation, and chose BIG’s entry from last year, shunning the possibility of outside suitors.
BIG calls its 10-foot high glowing heart sculpture “BIG♥NYC.” The design affair was something of a ménage à quatre, with Flatcut (the fabricator), Local Projects (the interaction designers), and Zumtobel (the lighting designers) pitching in on the effort. Four-hundred LED-lit acrylic tubes wrap a cube that bounds a suspended heart. Not surprisingly, when touched the heart grows brighter.
To hell with what Pennsylvania groundhog Punxsutawney Phil says about there being six more weeks of winter; if you want a true harbinger of spring, head over the Center for Architecture for a last chance to check out the “Two Wheel Transit” show mounted by the DEP for their bike share program that going to be launched in the spring. The show teases out some of the details of the plan that will add rentable public bikes to the New York City’s transit options. The exhibit closes this Saturday, but if you don’t make it over in time, you can go to one of the community bike share workshops that begin on Monday. The first meeting will be held at 25 Carmine Street. The workshops will give New Yorkers a chance to comment on where to put the 600 bike stations.
On Feburary 17, John D. Cerone and Hashim Sulieman of SHoP Construction will lead Computational Design & 4D Sequencing, a workshop focusing on parametric modeling as part of DAY 2 of COLLABORATION, a conference on facades and fabrication sponsored by The Architect’s Newspaper.
John is a Virtual Design & Construction Coordinator and a member of the Advanced Technology Group at SHoP Construction; specializing in Building Information Modeling (BIM), he has helped SHoP develop its technology and process, and served as an Adjunct Professor at the Parsons New School for Design teaching BIM and digital representation. John received his Bachelor of Arts degree from the School of Architecture at Miami University in Oxford, Ohio (2002), and his Master of Architecture degree from the Graduate School of Architecture, Planning and Preservation at Columbia University (2008).
Hashim is a Virtual Design and Construction Manager at SHoP Construction and a member of the Advanced Technology Group. His work at SHoP has focused on implementation of parametric models, BIM, and direct-to-fabrication technology. Hashim has worked at SOM as a Digital Design Specialist and as an Adjunct Assistant Professor at Columbia University’s Graduate School of Architecture, Planning, and Preservation’s C-BIP project.
SHoP Construction is behind the under-construction Barclay’s Center and Atlantic Yards development site in Brooklyn. The stadium is clad in an undulating steel and glass enclosure made up of 12,000 unique steel latticework panels; to facilitate installation, the firm developed a 4D construction sequencing model of the structure and facade that allows the project team to make informed decisions in real-time as the panels are installed.
The first session of their COLLABORATION workshop will focus on parametric modeling that allows design variability and tests the limits of form, and the second session will be a step-by-step guide to 4D construction sequence modeling. Software used will include Catia/Digital Project, Rhinoceros, Navisworks® Manage, Microsoft project, and Microsoft Excel. Register here.
The Architect’s Newspaper has learned that curator and gallerist Henry Urbach will become the new executive director of the Philip Johnson Glass House in New Canaan, Connecticut, a National Trust for Historic Preservation property. Urbach succeeds interim director Rena Zurofsky, who took the reins following the departure of executive director Christy MacLear in the fall of 2010. Read More
A series of sculptural bus stops will be installed throughout Orlando as part of an effort to bring art into the community. Entech Creative, a production engineering company, teamed up with Walter Geiger, of Walt Geiger Studios, to design and produce the “Cascade” series of shelter structures. Each bus stop has four to five uniquely shaped panels ranging from 15 to 16 feet high. Their form is suggestive of a waterfall, undulating to provide commuters with shade and shelter.