Gehry on his Philadelphia Museum of Art commission and his future nautical plans

New space in the museum. (Courtesy Gehry Partners)

New space in the museum. (Courtesy Gehry Partners)

When Frank Gehry’s renovation of the Philadelphia Museum of Art is complete, the iconic institution won’t necessarily look like one of his signature works—at least from the outside. The architect isn’t touching the icon’s Beaux-Arts exterior, but is, instead, transforming the museum’s interior to improve circulation and boost gallery space. But even then, Gehry’s work won’t be all that “Gehry.” AN recently toured the museum’s exhibit on Gehry’s masterplan and got a chance to hear from the man himself about the museum renovations.

Continue reading after the jump.

James Timberlake to US AEC Industry: Bring Facade Manufacturing Home

KieranTimberlake's Edgar N. Putnam Event Pavilion, James A. Michener Art Museum. (Michael Moran/OTTO)

KieranTimberlake’s Edgar N. Putnam Event Pavilion, James A. Michener Art Museum. (Michael Moran/OTTO)

KieranTimberlake has long pushed the boundaries of conventional facade design. The Philadelphia-based firm started using pressure-equalized rain screen systems in the 1980s, well before other architects brought the technology on board. Their Melvin J. and Claire Levine Hall, at the University of Pennsylvania (2003), was the first actively ventilated curtain wall in North America. The designers at KieranTimberlake have introduced new materials and assemblies, such as the SmartWrap building skin deployed at Cellophane House, part of MoMA’s Home Delivery: Fabricating the Modern Dwelling exhibit. One of the firm’s latest projects, the Embassy of the United States, London, incorporates an outer envelope of three-dimensional ETFE (ethylene tetrafluoroethylene) panels with integrated photovoltaic cells.

Continue reading after the jump.

Frank Lloyd Wright–Designed Filling Station Finally Built in Buffalo, New York

(Courtesy Pierce-Arrow Museum)

(Courtesy Pierce-Arrow Museum)

It is well-known that Frank Lloyd Wright was an automobile enthusiast, both foreseeing the prominence that this form of personal mobility would occupy in American life and, indeed, laying much of the foundation of how architecture might be designed for and around the car. Less-known is the fact that in 1927 he designed a gas station for Buffalo, New York, which was never built—or never until very recently.

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Digital Technologies and the Future of Facade Design

Among the AEC industry’s most powerful tools are digital technologies, from parametric modeler software to environmental analysis programs. Neil Thelen (Diller Scofidio + Renfro), Gordon Gill (Adrian Smith + Gordon Gill Architecture), Edward Peck (Thornton Tomasetti), and Doris Sung (dO/Su Studio) took time out from April’s facades+ NYC conference to talk to our partners at Enclos about how technology is shaping the future of envelope design.

At next month’s facades+ Chicago conference, a series of tech workshops will offer hands-on instruction in topics including facade panelization and optimization and collaborative design and analysis. For more information or to register, visit the conference website.

BKSK-Designed Topper for the Meatpacking District Gets Landmarks’ Blessing

BKSK's revised design for 9-19 9th Avenue. (BKSK Architects)

BKSK’s revised design for 9-19 9th Avenue. (BKSK Architects)

And another glass and metal addition is set to rise atop a low-rise building in the Meatpacking District. The Landmarks Preservation Commission (LPC) has voted to approve the BKSK-designed topper to the two-story building at 9–19 9th Avenue, which is best known for housing Keith McNally’s famous French bistro, Pastis. Continue reading after the jump.

Rutgers Campus Cornerstone by TEN Arquitectos

Architecture, East, Envelope
Wednesday, June 25, 2014
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Folded anodized aluminum panels enclose the sides of the building that face away from campus. (Peter Aaron/ESTO)

Folded anodized aluminum panels enclose the sides of the building that face away from campus. (Peter Aaron/ESTO)

Parallel facade systems in contrasting materials mark the edge of development on a reimagined campus.

The new Rutgers Business School in Piscataway, New Jersey, is more than a collection of classrooms and offices. The building, designed by TEN Arquitectos, is a linchpin of the university’s Livingston campus, reconceived as an urban center for graduate studies and continuing education. “It established a frame,” said project manager James Carse, whose firm created a vision plan for the campus starting in the late 2000s. “We were interested in really marking the edge of campus to motivate future development to respect the campus boundary, rather than allowing or suggesting that this was a pervasive sprawl. We wanted to make sure this would set a pattern where infill would happen.” The Rutgers Business School’s tripartite envelope reinforces the distinction between outside and inside. While the sides of the building facing the boundary line are enclosed in folded anodized aluminum panels, the glass curtain walls opposite create a visual dialogue with the rest of campus. Read More

New York City Traffic Safety Laws Signed by Mayor De Blasio Seek To Strengthen Vision Zero Plan

Mayor de Blasio signing the legislation on Monday. (New York City Mayor's Office)

Mayor de Blasio signing the legislation on Monday. (New York City Mayor’s Office)

In his ongoing effort to eliminate traffic fatalities through Vision Zero, New York City Mayor Bill de Blasio has signed 11 new traffic safety bills. According to Streetsblog, the bills “suspend the licenses of dangerous taxi drivers, require the installation of 20 mph Slow Zones, and make it a misdemeanor to strike a pedestrian or cyclist with the right of way, among other changes.”

Read More

No more clowning around, team proposes a circus for architects

(The Spectacle Syndicate)

(The Spectacle Syndicate)

Circuses have been a historic gathering place in cities and towns across America. Crowds of people are attracted to the towering tent, local music, and fragrant carnival food. A group of five architects tap into this pop appeal with their project, Circus for Construction, which won a competition in May,2014 held by Storefront for Art & Architecture. Their plan retrofits a semi-truck to transform into a pop-up venue and experimental gallery space for architecture and art.

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Bjarke Ingels’ Hudson River Pyramid Growing on 57th Street

01-big57-archpaper02-big57-archpaper

 

The so-called “courtscraper“—a marriage of the European courtyard block and the American skyscraper—by Bjarke Ingels Group (BIG) is rapidly rising on New York City‘s Hudson River waterfront. Officially called West 57 and under development by the Durst Organization, the 870,000-square-foot rental tower will stand 32-stories tall on the western edge of the starchitecture-studded 57th Street. BIG recently shared this construction view showing progress as of June 9, and we overlaid a model of the finished tower over top of it to give it a little more scale. View the before and after by sliding back and forth on the image above. The building is expected to be complete in 2015.

Kohn Pedersen Fox Sprouting Glass Superlatives Around New York City

101 Tribeca's pinnacle. (Courtesy Kohn Pederson Fox)

101 Tribeca’s pinnacle. (Courtesy Kohn Pedersen Fox)

Kohn Pedersen Fox (KPF) is racking up an impressive collection of superlatives with a host of new glass towers in New York City. Of course there is Hudson Yards where a glossy KPF-designed building will become the tallest tower at the country’s largest private development site, but that is just the start of it.

Continue reading after the jump.

Letter to the Editor> Frothing Over Roth

East, Letter to the Editor
Monday, June 23, 2014
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(Roman Kruglov / Flickr)

(Roman Kruglov / Flickr)

[Editor's Note: The following are reader-submitted response to a back-page comment written by Pamela Jerome (“The Mid-Century Modernist Single-Glazed Curtain Wall Is an Endangered SpeciesAN 05_04.09.2014). Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com]

I applaud Pamela Jerome’s comment piece, “The Midcentury Modernist Single-Glazed Curtain Wall is an Endangered Species.” As for Emery Roth’s output of iconic single glazed curtain wall buildings, they brightened the cityscape, especially on Park Avenue. Their output reflects a design that designates a specific period in our Architectural History, no different from the Palladian Buildings that are adjacent to the Brenta Canal.

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Video> Facade design experts discuss sustainability, energy efficiency

Today’s facade designers cannot afford to ignore the question of sustainability, and in particular energy efficiency. James O’Callaghan (Eckersley O’Callaghan), William Logan (Israel Berger & Associates), and Will Laufs (LaufsED) sat down with our partners at Enclos during April’s facades+ NYC conference to talk about the push and pull between aesthetics and environmental performance in building envelopes. Top AEC professionals will continue the conversation at facades+ Chicago on July 24–25. For more information or to register, visit the conference website. Early Bird registration ends June 29.

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