Jan Staller: Heavy Duty Landscapes
ISE Cultural Foundation
Through March 2
Jan Staller: Heavy Duty Landscapes, an exhibition curated by Marc Freidus, at the ISE Cultural Foundation, features sixteen large format photographs selected from series completed by Staller during the past seven years. Roadsides, recycling plants, and construction sites like the one featured in Pilings, Flushing, Queens (above) are the types of overlooked landscapes Staller addresses in his work. Through his lens we see the unexpected beauty of harsh, chaotic industrial sites and objects softened by their natural surroundings, as in Tank Car In Snow, Port Reading, New Jersey (below).
Last year, BIG (Bjarke Ingels Group) got their heart broken by the Times Square Alliance, which chose a hula-hoop happy design by Freecell Studio for its annual Times Square Valentine’s installation. Now a spokesperson from the Alliance admits that they always “loved” BIG’s design and were willing to give it a second chance. This year, the Alliance didn’t go online looking for love. Instead, they went back to a former flirtation, and chose BIG’s entry from last year, shunning the possibility of outside suitors.
BIG calls its 10-foot high glowing heart sculpture “BIG♥NYC.” The design affair was something of a ménage à quatre, with Flatcut (the fabricator), Local Projects (the interaction designers), and Zumtobel (the lighting designers) pitching in on the effort. Four-hundred LED-lit acrylic tubes wrap a cube that bounds a suspended heart. Not surprisingly, when touched the heart grows brighter.
To hell with what Pennsylvania groundhog Punxsutawney Phil says about there being six more weeks of winter; if you want a true harbinger of spring, head over the Center for Architecture for a last chance to check out the “Two Wheel Transit” show mounted by the DEP for their bike share program that going to be launched in the spring. The show teases out some of the details of the plan that will add rentable public bikes to the New York City’s transit options. The exhibit closes this Saturday, but if you don’t make it over in time, you can go to one of the community bike share workshops that begin on Monday. The first meeting will be held at 25 Carmine Street. The workshops will give New Yorkers a chance to comment on where to put the 600 bike stations.
On Feburary 17, John D. Cerone and Hashim Sulieman of SHoP Construction will lead Computational Design & 4D Sequencing, a workshop focusing on parametric modeling as part of DAY 2 of COLLABORATION, a conference on facades and fabrication sponsored by The Architect’s Newspaper.
John is a Virtual Design & Construction Coordinator and a member of the Advanced Technology Group at SHoP Construction; specializing in Building Information Modeling (BIM), he has helped SHoP develop its technology and process, and served as an Adjunct Professor at the Parsons New School for Design teaching BIM and digital representation. John received his Bachelor of Arts degree from the School of Architecture at Miami University in Oxford, Ohio (2002), and his Master of Architecture degree from the Graduate School of Architecture, Planning and Preservation at Columbia University (2008).
Hashim is a Virtual Design and Construction Manager at SHoP Construction and a member of the Advanced Technology Group. His work at SHoP has focused on implementation of parametric models, BIM, and direct-to-fabrication technology. Hashim has worked at SOM as a Digital Design Specialist and as an Adjunct Assistant Professor at Columbia University’s Graduate School of Architecture, Planning, and Preservation’s C-BIP project.
SHoP Construction is behind the under-construction Barclay’s Center and Atlantic Yards development site in Brooklyn. The stadium is clad in an undulating steel and glass enclosure made up of 12,000 unique steel latticework panels; to facilitate installation, the firm developed a 4D construction sequencing model of the structure and facade that allows the project team to make informed decisions in real-time as the panels are installed.
The first session of their COLLABORATION workshop will focus on parametric modeling that allows design variability and tests the limits of form, and the second session will be a step-by-step guide to 4D construction sequence modeling. Software used will include Catia/Digital Project, Rhinoceros, Navisworks® Manage, Microsoft project, and Microsoft Excel. Register here.
The Architect’s Newspaper has learned that curator and gallerist Henry Urbach will become the new executive director of the Philip Johnson Glass House in New Canaan, Connecticut, a National Trust for Historic Preservation property. Urbach succeeds interim director Rena Zurofsky, who took the reins following the departure of executive director Christy MacLear in the fall of 2010. Read More
A series of sculptural bus stops will be installed throughout Orlando as part of an effort to bring art into the community. Entech Creative, a production engineering company, teamed up with Walter Geiger, of Walt Geiger Studios, to design and produce the “Cascade” series of shelter structures. Each bus stop has four to five uniquely shaped panels ranging from 15 to 16 feet high. Their form is suggestive of a waterfall, undulating to provide commuters with shade and shelter.
Layered SPURA: Spurring Conversations Through Visual Urbanism
Sheila C. Johnson Design Center
Parsons The New School
66 Fifth Ave.
Through February 25
The Seward Park Urban Renewal Area (SPURA) that occupies 14 square blocks on the Lower East Side has remained one of the largest underdeveloped city-owned parcels of land for more than 40 years. Very few of the originally-planned buildings came to pass, and vast parking lots created by slum-clearance on the south side of Delancey Street symbolize a hotly contested renewal plan. Gabrielle Bendiner-Viani and students of the New School’s City Studio have spent three years investigating the complex issues surrounding the site, and in an exhibition highlighting their research and artwork they propose to instigate a new grassroots conversation rather than a top-down planning vision.
On February 17, David Fano will lead Revit Design, a workshop exploring the possibilities of the digital design program Revit, as part of DAY 2 of COLLABORATION, a conference on fabrication and facades sponsored by The Architect’s Newspaper.
In 2008, David Fano established CASE Design, a Building Information Modeling (BIM) consultancy in New York. Prior to CASE, Fano was Director of Technology Research at SHoP Architects, where he managed technology R&D initiatives, worked with project teams to ensure the successful implementation of BIM, and developed “direct to fabrication” initiatives with software manufacturers and fabricators through the use of BIM. He contributed technology expertise on numerous projects, including for a 41-story rental tower in New York City and for The New Seaport, an 860,000-square-feet multi-use development in New York City’s Historic Seaport District.
Since 2006, David has been an Adjunct Professor at Columbia University’s Graduate School of Architecture, Planning, and Preservation where he teaches seminars and workshops focusing on the impact of technology on design processes. David received his Master of Architecture with honors from Columbia University where he was the recipient of the Lucille Smyser Lowenfish Memorial Prize and the Computer Aided Design Honor Award.
On February 17, David will present the day-long workshop, Revit Design, building from fundamental Revit design concepts to advanced techniques concentrating on how the formal and organizational potentials emerge from informational modeling. Register here.
“How can a construction toy be ‘playful’?” This is the problem that Tamar Zinguer asked her Cooper Union students in a recent seminar focused on the architecture of play. For this session, Zinguer, who has taught the course before, decided to eliminate the visual aspect, a sensory aspect of toy design highly relied upon in previous seminars’ constructions. Focusing less on color and more on the experience of the object, the result is a set of innovative and wonderfully textured toys, from blocks to shells, that encourage play for the visually impaired.