New Miami mayor Philip Levine has positioned himself as a major roadblock in the way of OMA‘s proposed Miami Beach Convention Center. South Beach ACE, a team lead by Rem Koolhaas, local developer Robert Wennett, and New York City developer Dan Tishman narrowly edged a design by Bjarke Ingles Group in a hotly contested competition held last year to re-design the campus.
Levine has now raised questions about the proposed $1 billion cost of the project and is calling for a new set of candidates offering smaller-scale and more affordable renovation options. On Wednesday, the city officially killed the project.
Izhar Patkin: The Wandering Veil
87 Marshall St., North Adams, MA
Through September 1, 2014
Izhar Patkin: The Wandering Veil is a survey of the Israeli-born, New York-based artist. Grand, labyrinthine, yet intimate, the exhibition occupies the entirety of MASS MoCA’s largest gallery. The works on display are rich with personal narrative, political metaphor, and myth, highlighting the many formal innovations Patkin has pioneered in the course of his 30-year career. The show’s centerpiece is a cycle of spectacular mural-size paintings on tulle fabric that are making their U.S. debut. Entitled “Veiled Threats,” the cycle was inspired by the late Kashmiri-American poet Agha Shahid Ali’s writings on memory, loss, love, and exile. Co-organized by MASS MoCA, The Wandering Veil is coming to Massachusetts from the Tel Aviv Museum of Art and the Tefen Open Museum in Israel, where it premiered last year.
Up in the Air
Whitney Museum of American Art
Through February 9, 2014
Circles and squares; past and present; inside and outside. These are some of the elements that combine architecture and the moving image in T.J. Wilcox’s Up in the Air, a contemporary cyclorama of his Union Square penthouse studio view installed in Marcel Breuer’s Whitney Museum building.
Diller, Scofidio + Renfro announced today that their reorganization of the Museum of Modern Art will include the replacement of Tod Williams and Billie Tsien’s former American Folk Art Museum at 45 West 53rd street. Liz Diller said in her briefing that DS+R hoped to save the Folk Art building and repurpose it into a usable exhibit space or a connecting bridge between the new Jean Nouvel tower (which will have three floors of MoMA galleries) and the older parts of MoMA. However, “saving” the structure with its misaligned floors (to MOMA existing galleries) would mean compromising the integrity of the Williams Tsien structure.
One can imagine the logic of DS+R’s decision, but Williams and Tsien are, like any architects, sad to see the demise of their 2001 building that Herbert Muschamp said “transcend(s) cultural categories even as it helps define them.”
First proposed in 2011, Brooklyn’s Silent Light installation has finally become a reality. Located at the intersection of Park Avenue and Navy Street under the Brooklyn-Queens Expressway (BQE) in Red Hook, the series of gates frames a pedestrian walkway that passes through an area of heavy vehicular traffic. The structures are covered in LED lights activated by surrounding noise from cars to create fleeting light shows of various colors and patterns.
This Sunday the Tribeca Grand Hotel will be hosting a screening of Andreas Dalsgaard’s documentary, The Human Scale. Sponsored by the Tribeca Trust, the film will be followed by commentary from architectural critic and author Michael Sorkin. The movie examines human happiness within the context of urban life and was screened in New York last year as part of the Architecture and Design Film Festival. Tickets for the event can be purchased here with all proceeds benefiting Tribeca Trust’s public space initiative.
After several false-starts, plans to re-open the landmark building as a hotel appear to be underway. Jeffrey Holmes of Australian Architecture firm Woods Bagot is the latest figure attached to the project. Developers David Bistricer and Joseph Chetrit of the Chetrit Group purchased the Brooklyn property for $81 million from Watchtower Society in November 2012 but progress subsequently stalled.
Selldorf Architects and Gene Kaufman have both at times been tipped to lead the rennovation, but neither is currently affiliated with the project. While initial prospects looked grim, the city has recently approved plans to change the building’s certificate of occupancy, allowing for construction to begin with an eye towards a summer re-opening, a year later than expected.
Brooklyn-based Young Projects have been announced as the winner of the annual competition to design a Valentine’s Day themed installation in Times Square. Times Square Arts, the wing of the Times Square Alliance responsible for public art programs, worked with the Van Alen Institute to select this year’s design, which will go on display in early February.
Fourth and fifth-year landscape architecture students at Penn State’s College of Art and Architecture recently presented their proposals for reshaping a Pittsburgh neighborhood. The twelve participants in the school’s Pittsburgh Studio spent most of the semester focusing on Hazelwood, a neighborhood set to host a new site for a historic branch of the city’s Carnegie Library.
Fernand Léger is famous for his colorful paintings, many of which feature machine-like forms. He was also at the center of Paris’ avant-garde in the 1920s, not only in painting, but also in graphics, set and costume design, film-making, and architecture.
That is the thesis of Anna Vallye, curator of this fall’s major exhibition at the Philadelphia Museum of Art, Léger: Modern Art and the Metropolis, inspired by the museum’s Léger masterpiece, the monumental 1919 painting, “The City.”
Last Thursday, the first mods of the SHoP Architects’ prefabricated skyscraper—the B2 tower at Brooklyn’s megaproject, Atlantic Yards—were hoisted up and assembled into place. The 32-story residential tower, which will be half affordable housing, will rise within the Atlantic Yards development adjacent the Barclays Center. The modular components are being built locally in a 100,000 square foot facility in the Brooklyn Navy Yard. When construction is complete by end of 2014, it will be the world’s tallest pre-fabricated building.