9 + 1 Ways of Being Political
Museum of Modern Art
11 West 53 Street
Through March 25, 2013
In the early part of the last century, political engagement and social uplift were central goals of modern architecture and design. By midcentury those ideals were largely lost, as modern architecture became associated with the very power structures avant-gardists had long critiqued. A new exhibition at MoMA, 9 + 1 Ways of Being Political, drawn from the Museum’s current collection, examines the neo-avant-garde of the 1960s and 1970s (such as Jason Crum’s Project for a Painted Wall, 1969, above), which sought to revive progressive practice, as well as contemporary examples that continue that project today.
It’s probably best to eat before you get to the to the new Barclays Center—a can of Red Bull and a bag of chips will set you back almost $12. But at a recent sneak peek of the arena guests were treated to complimentary hors d’oeuvres, an open bar, and an up-close look at the intricate and oddly sweet-smelling building model—wait, that’s no model, that’s a cake! The confection was a tour de force by Brooklyn-based BCakeNY, who carefully rendered the delicious-looking Core-ten exterior in chocolate and cinnamon, “Your cake looks better than the actual building!” wrote one of BCakeNY’s Facebook fans. Take note architects—a model of devil’s food rather than foam core might be just the thing for your next community board meeting.
The Freelon Group showed off renderings for their renovation of Mies van der Rohe’s Martin Luther King Jr. Memorial Library in downtown Washington, D.C. Presented to the library’s Board of Directors as part of a long-running discussion over what to do with the central library, the scheme includes a four-story atrium, two additional floors for new tenants, a landscaped public roof garden, and a new ground-level café. According to developer Jair Lynch, the project would cost $175 to $200 million.
Andrea Zittel: Fluid Panel State
Andrea Rosen Gallery
524 West 24 Street
Through October 27
Andrea Zittel’s tenth solo show, Fluid Panel State, at the Andrea Rosen Gallery, her expands on her previous ideas that our culture is fixated on assigning order to a chaotic world by defining the personal and social significance of objects and by creating a distinction between everyday objects and art. Zittel demonstrates through a panel, a nebulous form, how an object can exceed functional properties, such as shelter or clothing, to convert into an art object, such as a tapestry or a painting. The gallery is compiled mostly of handmade textiles, designed by Zittel, but also includes large enamel paintings, smaller framed paintings on paper, and a large carpet placed in the center of the installation. A PowerPoint presentation further discusses the properties of the fluid panel state expanding on the importance positioning has in attributing meaning to a flat panel. Ultimately the exhibit leaves viewers to decide if they are experiencing art or object.
With the last digitally fabricated piece of rusty Cor-ten steel in place, crowds have begun to pack the newly opened SHoP-designed Barclays Center in Brooklyn. Last week, AN spotlighted the arena and its adjacent Atlantic Yards mega-project in a three-part feature on the arena’s design and public space, a look at the next phase of AY set to break ground by the end of the year, a 32-story residential tower that could be the largest modular construction building in the world, and a look at the complex digital design and fabrication process employed by SHoP Architects to design and build the complex geometry of the structure.
While we’re waiting for the next phase of construction to begin, take a look back at this time lapse construction view of the arena. [h/t Gothamist.]
Frank Gehry should be plenty busy with ambitious plans to revitalize downtown Toronto and to expand Facebook’s offices on the boards. Now, Gehry has been commissioned by the National YoungArts Foundation (NYAF) to update one of Miami’s most elegant and historically significant urban spaces: The Bacardi Complex on Biscayne Boulevard.
The MoMA’s Senior Art Curator of Architecture and Design, Paola Antonelli, was named Director of Research & Development this week by the museum’s Director Glenn D. Lowry. This new role is a mix of curatorial, design, and research, and was created as part of an effort to discover new prospects in the rapidly developing digital world.
This year is Open House New York‘s 10th anniversary year for tours of spaces that are private or off limits to the public. Every year some of the most popular tours are those of New York architects offices. This year is no exception and OHNY has opened up some very special work spaces: Linda Pollack and Sandro Marpillero’s spectacular live/work loft in Tribeca, Caples Jefferson architects, ARO’s downtown space and Paul Rudolph’s Modulightor office in Midtown. Visit the OHNY website for more information.
American conceptual artist Mary Ellen Carroll (MEC, design studios) and the British architect Simon Dance (Simon Dance Design) are throwing a party this evening in New York to celebrate Open Outcry Furniture, a new sculptural seating arrangement that can be configured in a variety of shapes and forms. Join the designers at the R 20th Century Gallery at 82 Franklin Street between 6 and 8:00p.m. for the opening reception.