Lightfair International held its 2013 edition at Philadelphia’s Pennsylvania Convention Center from April 21–25. More than 500 exhibitors, including 80-plus first-timers, filled over 200,000 square feet of exhibition space with the latest lighting technologies, from solar fittings to roadway fixtures, and rounded out a robust conference program with ample networking opportunities. Following are a handful of standout products from Lightfair’s exhibitors.
Designed for corporate and hospitality settings, the wall mounted Fino produces indirect light for washing floors or ceilings. Aluminum construction with an extruded latching system was designed to be set within sheet rock for hairline seams. Once installed, light from a replaceable LED board bounces off an internal reflector to produce a soft, even glow. Fino is available in increments of 6-inch lengths.
The Storefront for Art and Architecture and the New Museum in New York City have announced the winners of the StreetFest Tenting Competition for their upcoming IDEAS CITY Festival, arriving Saturday in front of the New Museum on the Bowery. The international competition asked architects to re-imagine the typical street fair tent with a more compelling and sustainable form. Winner Davidson Rafailidis—lead by Georg Rafailidis and Stephanie Davidson of Buffalo—were chosen for their entry, MirrorMirror, which will premiere at 6:00pm on Saturday May 4th.
The Rockefeller Foundation has announced that four cities will receive a combined $1.2 million in grants to foster research, communications, and community outreach efforts in an endeavor to educate local stakeholders about the advantages of Bus Rapid Transit (BRT) systems. The Foundation’s solution to “Transform Cities” and promote fiscal growth and quality of life proposes better mass transit investments. Boston, Chicago, Nashville, and Pittsburgh will participate in the project.
After a long, cold winter, many of us are itching to lock away our wool coats, slip into our flip-flops, and dash to the beach. That’s especially the case for Matt Tomasulo, the artist behind the Raleigh Beach proposal that would transform the corner of West Hargett Street into an alluring summertime oasis in inland North Carolina. His Raleigh Beach rendering depicts sunbathers soaking up the sun while lying on the sand as swimmers cool-off in the pools.
Mergers and consolidations continue in the A/E/C industry. The four legacy firms that make up the US division of engineering firm WSP—WSP Flack + Kurtz, WSP Cantor Seinuk, WSP Environmental & Energy, and WSP SELLS—are consolidating under the WSP name.
The Harvard Graduate School of Design (GSD) has announced the appointment of Iñaki Ábalos as chair of the Department of Architecture. Ábalos is currently a Professor in Residence at the GSD where he has lead studios, lectures, and seminars grounded in technology and history,with a focus on the thermodynamics of architecture. As a founding member of both Ábalos + Sentkiewicz Arquitectos and Ábalos and Herraros, his work has focused on the intersection between architecture, technology, landscape, and culture. He will assume his new post July 1, replacing current chair Preston Scott Cohen. Read More
Gutai: Splendid Playground
Solomon R. Guggenheim Museum
1071 Fifth Avenue
New York, New York
Through May 8
“Don’t imitate others!” and “Engage in the newness!” are just two of the signature slogans of the Gutai Art Association, founded in July 1954 by Jiro Yoshihara. The Gutai—which translates to “concreteness”—artists dared to breakthrough the boundaries presented by traditional Japanese art. As their name suggests, the artists directly engaged with concrete materials (such as remote-control toys, sand, light bulbs, and paper screens) to create a new, never before seen, kind of art. The creative genius of these avant-garde artists manifested itself in the form of various mediums including, but not limited to, painting, installation and performance art, experimental film, and environmental art. Gutai: Splendid Playground explores the works of these artists, created over a span of two-decades, and features an enormous installation by Motonaga Sadamasa composed of a series of plastic tubes filled with colored water. The structure, created specifically for the Guggenheim’s rotunda, invites visitors to look up and use these “brush strokes” to create their own individual composition.
The Vera List Center for Art and Politics at the New School has—under its director Carin Kuoni—been an instigator in drawings links between artistic and design practices and the real world of politics. The Center sponsors symposia, lectures, and exhibitions that draw links that are often crucial and obvious but not discussed by professionals and academics in the design professions. Once again it is highlighting such an issue with a series of discussions, Who Builds Your Architecture?, that connects construction and labor.