Happy Halloween! With Jack-O-Lantern’s popping up on stoops across the country, it was only a matter of time before some creative type ran one through a laser cutter. Brooklyn-based design bloggers at DesignSponge have launched a contest for the most creative pumpkin carvings and artist Dan Funderburgh rose to the challenge and delivered an incredible deconstructed pumpkin, carved from lasers instead of by hand. After playing with a few different design motifs, Funderburgh decided to go with an intricate pattern inspired by Mexican punched tin lanterns.
A new “class A” office building adjacent to the High Line, 510 West 22nd Street, is now in the planning stage and the developers have released a video of its designer, Rick Cook of COOKFOX Architects, describing the building. But is anyone worried that the High Line may become a dark walkway through forest of buildings? Not Cook, who bases his design on the public qualities of the old elevated rail line that transformed 10th Avenue from the “end of the world to the center of the universe.” But has there been a bigger boon to real estate development in New York since Central Park?
A year ago, Hurricane Sandy swept through the East coast—destroying thousands of homes, shutting down infrastructure, and knocking out substations—which resulted in $68 billion in damage. Yesterday, a day before the anniversary of the super storm, ten finalists in the Rebuild by Design competition unveiled their proposals to remake a more resilient coastline. The competition—launched by Hurricane Sandy Rebuilding Task Force and U.S. Department of Housing and Urban Development (HUD), among other participating organizations—called on the final teams to provide ideas for making the affected coastal areas more resilient to withstand future storms and climate change.
The 11th edition of NeoCon East, the sister show to Chicago’s summer contract furniture fair, was held October 16 and 17. Despite the government shutdown that legally prevented some GSA employees from attending, more than 7,000 visitors attended the show at Baltimore‘s Convention Center to peruse the wares of over 250 exhibitors. Keynote addresses from Michael Graves—who launched a new collection of textiles with cf stinson—and Suzanne Tick were augmented with ongoing educational seminars.
Designed in collaboration with San Francisco–based industrial design firm Mike & Maaike, the freestanding benching system (above) is designed with steel and MDF for both durability and flexibility. A center deck can support video and computer monitors, storage, and LED lamps with a concealed four-circuit, eight-wire raceway.
In Brooklyn, a new temporary public artwork brings the asphalt plane of 4th Avenue to a playful, three-dimensional life. On the avenue’s concrete median between 3rd and 4th streets, the New York City Department of Transportation’s Urban Art Program has chosen work by artist Emily Weiskopf for its latest public art installation.
Unparallel Way is a 120-feet-long sculpture comprised of two parallel aluminum strips in the same bright yellow as the double traffic lines guiding vehicles driving on adjacent roads. In a clever distortion of those painted stripes, Weiskopf’s parallel lines sweep from the ground at irregular heights, creating parabolic curves that rarely match.
The Village of Cold Spring, New York is set within a beautiful landscape along the Hudson River. Strewn about the bucolic landscape are the ruins of the West Point Foundry, begun by President James Madison for metal and brass production after the War of 1812. The 87-acre site housing the foundry was listed on the National Register of Historic Places in the spring of 2011 and now, with partial funding assistance from a Preserve America grant and in collaboration with Scenic Hudson, Mathews Nielsen Landscape Architects has enhanced the historic locale as a sustainably-designed preservation park. Last week, the West Point Foundry Preserve Park officially opened to the public.
A new condo tower designed by Chicago-based Adrian Smith + Gordon Gill was announced late last year, but details of the super-tall tower have been scant. The 88-story tower at 215 West 57th Street will be one of New York City’s tallest buildings, reaching up to 1,550 feet. That means it will top the Empire State Building’s measly 1,454 feet and come in second only to the 1,776-foot-tall One World Trade Center. (If you’re paying attention to the spire / antenna semantics game ongoing at One World Trade, AS+GG’s new tower would beat its midtown rival by a little over 200 feet.) Adrian Smith is no stranger to designing soaring skyscrapers—he designed Dubai’s Burj Khalifa while working at SOM, still the tallest tower in the world. The architects declined to comment further about the tower.
After a thorough search to identify a live/work project site in New York City, Artspace selected the former Public School 109 in East Harlem, a distinctive five-story building with copper-clad cupolas and decorative terrace cotta designed by Charles B.J. Snyder in 1898. The newly renovated building will include 90 units of affordable housing for artists and their families and 10,000 square feet of non-residential space for non-profits and community organizations. Continue reading after the jump.
We don’t normally look to the New York Post for stories on architecture and planning. But while getting our shoes shined for tonights black tie Heritage Ball we had a chance to read the paper’s Late City Final. There in the middle of stories on JonBenet Ramsey, a lawyer “ripping a Jet Slugger,” and Lady Gaga’s thigh tattoo was a smattering of the latest in design spectacle.
Next to a story on Mitt Romney’s new 5,900 square foot “secret hideout” in Holiday, Utah (which will apparently feature a bookcase that swivels open and leads into hidden room), there is a long story on Midtown Manhattan street plazas that both Bill de Blasio and Joe Lhota are apparently thinking of “yanking…out,” according to the paper.