What: Tracey Emin’s Roman Standard
Where: Petrosino Square (Spring and Lafayette Streets, NYC)
When: May 10 to September 8, 2013
This summer, Nolita’s Petrosino Square in New York will feature Roman Standard, a thirteen-foot-tall pole with a solitary bronze bird perched at the top. From the ground, the towering sculpture by Tracey Emin, sponsored by Art Production Fund, White Cube, and Lehmann Maupin in collaboration with NYC Parks & Recreation, is so lifelike that onlookers may mistake it for a real bird. According to the artist, the figure is a sign of “hope, faith, and spirituality” that should serve as a source of reflection. The showcase will be on view from May 10 to September 8, 2013.
After nearly two years of intense debate and student protests, Cooper Union has announced that it will end its 155-year tradition of tuition-free education—a hallmark of the prestigious institution. The school’s board of trustees said in a statement that budget-cutting measures could not relieve the $12 million annual deficit it has on its hands. The new policy will cut the full tuition-free scholarship to 50 percent for the undergraduate class beginning in fall 2014. Depending on financial need, a student could pay nothing or up to $20,000. Industrialist Peter Cooper founded the school in 1859 on the premise of providing a first-rate, free education to the working classes.
The architect of the Bowery Mission John Young of Cryptome was invited by its director Matt Krivich in March to display an art work for the institution as part of The New Museum‘s just concluded IDEAS CITY street festival. Cryptome was restoring the mission’s underground vaults at the time and in August of 2012 put up a wall drawing by Deborah Natsios, a principal of the firm, on the street front scaffolding called Sidewalk Vaults. This original rendering was an illusion to the long history of the vaults as an important structural element of the Bowery, the city’s oldest thoroughfare. Natsios agreed to create a work and produced a series of eight panels in the style of Sidewalk Vaults that she called Partywall. This work was meant to question the relationship between the Mission and its neighbor the New Museum and the rapidly changing character of the Bowery.
Trade shows are no longer simply product exhibitions: Education and networking sessions have become essential components to a show’s success. Coverings has expanded this formula to include installation vignette’s that, built over the course of four days during the show, demonstrate the versatility and variety of applications for ceramic tile. The Installation Design Showcase has paired four local, Atlanta-based design firms with four installation teams that have achieved the National Tile Contractors Association (NTCA) Five Star Recognition, and have been certified by the Ceramic Tile Education Foundation. Now in its fifth year, the teams will produce a bar/lounge; a hotel lobby; an in-patient room in a women’s birthing center; and a master bathroom, all designed to demonstrate the design possibilities of tile and stone.
“These rooms are not all settings in which you would necessarily expect to see tile,” said Bart Bettiga, executive director, NTCA. “Above all, the Showcase highlights just how important the ongoing designer/installer partnership is to a successful project. Bringing the field to life in this way is another example of what makes Coverings a unique and valuable experience.”
New York City will be hit by a design storm this May. Along with the International Contemporary Furniture Fair (ICFF) taking place May 18 through 21 at the Javits Center, The New School is throwing its annual Parsons Festival, May 5 through 24, at locations across the city. Both events feature cutting edge design establishing NYC as a major design capital.
Low Rise High Density
The Center for Architecture
536 LaGuardia Place
New York, NY
Through June 29
The 1960’s saw a transformation of the architectural landscape of urban and suburban neighborhoods across the United States. The introduction of a new kind of low-rise, high-density public housing type diverged from the conventional high-rise buildings that had previously characterized American cities. These new, low-rise living spaces increased suburban and urban connectivity by eliminating the need for elevators. Also, as more and more of these buildings continued to rise in suburban neighborhoods, distant from the hustle and bustle of the city, people were increasingly encouraged to use public transportation.
Inside Out New York City
Where: Times Square
When: Through May 10, 2013
The world’s first photo booth was stationed in Times Square nearly a century ago. Now, New Yorkers and visitors are invited back to snap some black and white self-portraits in a photo booth truck hosted by Inside Out’s French street artist JR. The artist has launched Inside Out New York City, taking place from April 22 to May 10, 2013, to provide community members the opportunity to make a statement and participate in creating works of art out of messages of individual identity. The digitally uploaded photographs are printed as posters and displayed on Duffy Square or publicly in the subjects’ home communities.
Yesterday, brilliant sunshine, a gentle spring breeze, and 65 degree weather set the scene for the inauguration ceremony of Orly Genger’s remarkable new art installation, titled Red, Yellow and Blue, in Madison Square Park. As you navigate your way through the park you will find yourself surrounded by a fanciful scene, as vibrant undulating walls arch into blossoming trees, spill onto lush lawns, and unfurl all around you.
“Orly Genger has woven her magic throughout the park,” said Mayor Bloomberg, who spoke at the inauguration ceremony. The large-scale project was installed as the latest chapter of Mad. Sq. Art, a public contemporary arts program presented by Madison Square Park Conservancy that aims to revitalize the park as well as the surrounding community. “[Red Yellow and Blue] is both innovative and environmentally sustainable. It is projects like this that are a big part of what gives New York City our identity and attracts visitors to our city,” said Bloomberg.
Library officials and developers hope to give Boston Public Library’s Philip Johnson-designed branch a facelift, but as the Boston Herald reported, local residents question who these proposed changes will really benefit. Standing besides Charles Follen McKim’s 1895 Beaux Arts masterwork on Copley Square, and across the street from the site of the recent marathon bombings, the mid-century monolith, which was completed in 1971, has been likened by many to a bunker or mausoleum and derided for its “greyness” and “bleakness.” With nearly half of Boston’s library users regularly visiting this branch, some think it’s about time for an upgrade.