When an artist begins,
they try to bury him with neglect.
When he gains a small foothold,
they try to bury him with criticism.
When he becomes more established,
they try to bury him with covetous disdain.
When he becomes exceptionally successful,
they try to bury him with dismissals as irrelevant.
And finally, all else failing
they try to bury him with honors!
This is how James Wines of SITE, quoting Jean Cocteau, accepted his 2013 Lifetime Achievement Award from the Cooper-Hewitt National Design Museum at their National Design Awards. Wines joined a ‘Lifetime Achievement’ group that includes Richard Saul Wurman, Bill Moggridge, Paolo Solari, the Vignelli’s, Dan Kiley, and Frank Gehry.
Last night’s awards program was a special one as the Museum—led by its new director, Caroline Baumann, and an indefatigable team—worked throughout the government shutdown of the least two weeks to put on a spatular gala that gave awards to designers that included Janette Sadik-Khan, Michael Sorkin, Studio Gang Architects, Paula Scher, Aidlin Darling Design, and Margie Ruddick.
Factory Floor, a new pop-up marketplace in Sunset Park, Brooklyn, will open this weekend with the “Maker’s Market” Furniture Showcase. Presented by Industry City at Bush Terminal, in collaboration with BKLYN DESIGNS and the Brooklyn Chamber of Commerce, more than 40 local and independent designers and manufacturers will present lighting, furniture, wall coverings, and home accessories in a 22,000-square-foot space. Design students from the Pratt Institute will also be showing their wares.
2013 Architecture & Design Film Festival
54 Varick Street
“Erecting a building is like making a movie….both processes involve blending light and movement into space and time. A model is like a script: at best it’s a promise and at worst it’s a safeguard. And, as with a script, a moment comes when you have to test your model against reality. You must start shooting the film, start erecting the building.”
—The Interior Passage
We can see these starts when the two art forms come together in the 4th annual Architecture & Design Film Festival at the Tribeca Cinemas where 25 films will be screened through October 20. This year, the trend is toward process films that chronicle movements and initiatives (planning, education, preservation), portraits of buildings more than individuals, and Modernism referenced even when it’s not the direct subject.
Sky High & the Logic of Luxury
The Skyscraper Museum
39 Battery Place
New York, NY
Through April 19, 2014
For Manhattan architecture, the sky has always been the limit. The current trend in super-slender, luxury high-rise residential buildings has excited a niche clientele and captured the attention of skyscraper architects. This October, The Skyscraper Museum explores these ultra slim constructions, from their contextual rise to the modern engineering technologies that have rendered them possible.
New York City Housing Authority (NYCHA) just faced another hurdle in its controversial plan, known as its “infill strategy,” to lease swathes of land in public housing developments to private developers. The deal would allow for the construction of new market-rate apartment buildings, along with a handfull of affordable housing units, in eight projects throughout Manhattan. But New York City Council and a group of tenants filed a lawsuit on Thursday to prevent the plan from moving forward. This past spring, the struggling agency issued a Request for Proposal seeking ideas from developers. The lawsuit slips in right before NYCHA’s November 18th deadline for proposals. The New York Times reported that the plaintiffs said that the agency failed to include City Council on the “decision-making regarding the plan to build on public housing grounds.” And moreover, government officials pointed out that the Bloomberg administration didn’t follow the standard protocol, which requires that agency officials go through City Council for approval.
In a statement to Times, NYCHA said: “It’s unfortunate that the City Council is attempting to block a proposal that would generate significant revenue for the New York City Housing Authority — money that would go directly into developments and repairs for residents.”
Walking along the farthest block of West 34th Street, navigating past queues waiting for MegaBuses going to Boston, Philadelphia, and other cities, is a small white tent behind a chain-link fence. There begins another journey to a world that will exist only until next May. It is the High Line at the Rail Yards, the last stretch of the beloved park between West 30 and 34th streets, still raw before it joins the two completed sections running to Gansevoort Street.
You are first greeted by a dense, green self-seeded landscape, including a tree ripe with green apples. As you gingerly step over battered wooden rail ties and metal tracks, the vista opens up to the portion called the Spur, which runs parallel to the Hudson River with only the West Side Highway in between. Ships pass by, helicopters land, the Javits Center, the Starrett Lehigh Building, and the new Hudson Yards construction site surround you—and then you encounter the first of seven sculptures by Carol Bove sited along the tracks. Read More
Philadelphia‘s Logan Square, home to the Penn Center and much of the city’s cultural district, is now experiencing an influx of commercial and residential development. The city just gave developer Neal Rodin the green light to move forward with his eponymous three-acre mixed-use project, Rodin Square.
It is the end of an era. The New York City Council voted in a favor of a plan to demolish the iconic 5Pointz, the former manufacturing building-turned-graffiti-mecca, in Long Island City, Queens, to make way for a $400 million residential development. The New York Times reported that the Wolkoff family, the owner and developer of the property, will build two residential towers—one of which will climb up to 47 stories—consisting all together of 1,000 units.
Construction has commenced on a new $500 million Elkus Manfredi–designed headquarters for New Balance Athletic Shoes, called New Brighton Landing, located on 14 acres in the Allston Brighton neighborhood of Boston. Besides the 250,000-square-foot world headquarters, the campus will also include additional office space, a sports complex, 175-room hotel, three office buildings, retail space, parking, and a new stop on the Worcester Line commuter rail. The new station will be fully subsidized by the athletics brand. Overall, the new facility will encompass nearly 1.5 million square feet.
On Saturday night, New York’s architecture community gathered in Manhattan’s historic 69th Regiment Armory to celebrate the Architectural League of New York on the centennial of the original 1913 Armory Show. The sold out party welcomed 1,350 design-minded revelers dressed as their favorite “–ism,” the theme of this year’s event, representing everything from surrealism, revivalism, Dadaism, classicism, and brutalism. In all, over $100,000 was raised for the League.
SITU Studio designed an installation to bring scale to the cavernous armory space, working with Renfro Design Group on an integrated lighting scheme. A series of white fabric prisms were suspended from the ceiling, serving to humanize the space while providing an armature for digital projections. Pulsing music built excitement throughout the night, which culminated in a procession of giant vellum marionettes, each controlled by a team of three performance artists, and a troupe of vellum-clad artists wandering through the armory, encouraging attendees to dance.