A group of Midtown residents and concerned citizens, many from the West 54th/55th Street Block Association, have been the leading opponents of Jean Nouvel’s MoMA tower. They have been very vocal during hearings at Landmarks and, just a few weeks ago, City Planning Commission. Now, The Coalition for Responsible Midtown Development, as the group is calling itself, have launched a website, no2moma.com. There, they succinctly recast their previous opposition to the project–light & shadows, traffic & congestion, out-sized & ugly–as well as presenting a six minute documentary that makes the group’s best case yet. Our favorite part is the clip above, where the Nouvel tower rises, Frankenstein-like, from “a lot no bigger than a McDonald’s drive-thru.” The full video is after the jump, but, given statements made by some commissioners during a meeting Monday, all this flash and frustration may be too little too late. Read More
Charles Gwathmey passed away on Monday, but he was fondly remembered by his many colleagues, including Robert Siegel, Richard Meier, Michael Graves, and Peter Eisenman, in our obituary. We invite readers to share their own memories of this “fighter for modernism” in the comments section below. But please, be erudite, as Gwathmey would have had it no other way.
Morris Lapidus’ Fontainebleau in Miami is one of the most recognizable hotels in the United States, thanks in no small part to its frequent appearances in television shows and films, perhaps most notably and intimately in the 1964 James Bond movie Goldfinger. A recent two-year revitalization has brought the old bastion of luxury and class—which had begun to show its wear—back to prime condition. More than just polish up the surfaces, the effort included the addition of a free-standing spa. The designers, Dallas-based architectural firm HKS, selected a blue tinted glass for the spa’s curtain wall. In addition to referencing the adjacent pool’s azure complexion, the glass (1 5/16-inch thick Viracon laminated units with a Vanceva Storm interlayer) meets Miami’s strict large missile impact and hurricane codes. Goldfinger would be proud.
After the recent mixed reviews of his KPF-designed Boston Arch project, local developer Don Chiofaro has been told within the last few days by both state and city officials that his proposal is considerably too large and may take years of regulatory review and planning to get off the ground. No worry, as the infamously forthright developer has taken his project to the people, counting on concerts and blaring signs like the one above to show that it is the mayor and the BRA that are bullying his grand vision and not the other way around.
In today’s “Today’s Pictures” feature over on Slate, Magnum presents photos of a subject near and dear to New Yorkers’ summertime hearts: stoops. Many of the photos, including some by Henri Cartier-Bresson and Bruce Davidson, feature the environs of our fair city. But the one pic that really caught our attention was from Marseilles, where Rene Burri snapped some children at play on the patio of Le Corbusier’s Unite d’Habitation. Modern architecture never looked so fun.
Wednesday night the Guggenheim held a benefit dinner to honor the fiftieth anniversaries of the Wright museum and of the Four Seasons restaurant. During dessert Guggenheim Director Richard Armstrong interviewed Phyllis Lambert and critic Martin Filler about the two architects, though Lambert held sway for most of the conversation. Read More
Ask anyone from Pittsburgh (present company included) what the blinking light atop the Grant Building is, and they’ll quickly respond, “Easy! It spells out Pittsburgh in morse code.” Well, not exactly. Turns out a local grad student who also happens to be a ham radio operator was up on Mount Washington for the annual 4th of July fireworks (of which we have the best, courtesy the great Zambelli family). While he waited for the lights to go off, he was watching the red flashing light atop the Grant Building–the city’s first skyscraper when it was completed in 1929 and a wonderful art deco achievement by Henry Hornbostel–when he noticed something that didn’t belong. Read More
We have covered the East Harlem School a few times, once in a studio visit we did with the architect, Peter L. Gluck & Partners (09_05.21.2008), and once in our 2009 favorite sources issue (specifically here). Now construction on the project has been completed and Gluck has sent us some images of the finished product. According to the architect, who also provided construction management services, the school was built for $330 per square foot. Gluck also reports that his firm returned $500,000 to the client in unused contingencies. See what $330 per square foot will get you in Manhattan when your architect is also your CM after the jump. Read More