Friend of AN and Slought Foundation executive director Aaron Levy sends the following dispatch from his “Repurpose!” event from last weekend:
When the Into the Open exhibition moved in to the National Constitution Center and the Slought Foundation in Philadelphia in July after stints in New York and before that Venice, where it was last year’s Biennale entry (curated by myself, Andrew Sturm, and AN founding editor William Menking), we decided we wanted to do some community outreach in the spirit of the civic activism promoted by the architects and designers in the exhibition. And so, with the help of the National Constitution Center, the Slought Foundation, and the Community Design Collaborative, we presented “Repurpose!,” a one-day community workshop and design competition highlighting the creative possibilities of urban revitalization in the Mantua neighborhood in West Philadelphia. Read More
If you’ve ever left the C or G trains at Hoyt Schermerhorn Station and gotten the urge to dance, we now think we know why. Turns out, that’s the very same station Martin Scorsese chose to shoot MIchael Jackson’s music video for his 1987 hit “Bad.” Well, to honor the deceased pop star (who has gotten a lot of play locally despite few real connections), local City Council rep Letitia James has proposed either installing a plaque or perhaps appending Jackson’s name to the station in some way, reports NYPolitics. But the Post says the MTA has told James “to ‘beat it.’” Undetered—she’s one of the people responsible for holding Atlantic Yards at bay—James is collecting petitions to see MJ through. And if that’s not enough Jackson action, Archinect has extended the deadline for its memorial competition through Wednesday.
Curbed directed us to a travesty in the Village today, albeit an unsurprising one. It appears NYU, in constructing a new building for the law school, damaged the shell of the Provincetown Playhouse, which it had promised to preserve. We say this is unsurprising because, as we recall and Andrew Berman of the Greenwich Village Society for Historic Preservation again confirmed, this is precisely what preservationists feared would happen. Read More
Having lost its political fight to preserve most of Admiral’s Row in the Brooklyn Navy Yard, the Municipal Art Society has hit upon a novel idea and is now focusing its energy on the developers who are vying to redevelop the old naval officers’ houses into a grocery store. The RFP was recently released for the project, and through that process, MAS is hoping to persuade prospective builders where the Army National Guard and the city were not. “We hope that our experience and information will be helpful to responders looking to create an exciting new development at Admiral’s Row that combines both new construction and the preservation of the incredibly-significant historic buildings,” Melissa Baldock, a preservation fellow at the MAS, recently wrote on the group’s blog. The effort seems like fighting a nuclear submarine with cannon balls, but who knows. In these cash-strapped times, a developer might look favorably upon some pro-bono design work and the imprimatur of one of the city’s leading civic groups.
A group of Midtown residents and concerned citizens, many from the West 54th/55th Street Block Association, have been the leading opponents of Jean Nouvel’s MoMA tower. They have been very vocal during hearings at Landmarks and, just a few weeks ago, City Planning Commission. Now, The Coalition for Responsible Midtown Development, as the group is calling itself, have launched a website, no2moma.com. There, they succinctly recast their previous opposition to the project–light & shadows, traffic & congestion, out-sized & ugly–as well as presenting a six minute documentary that makes the group’s best case yet. Our favorite part is the clip above, where the Nouvel tower rises, Frankenstein-like, from “a lot no bigger than a McDonald’s drive-thru.” The full video is after the jump, but, given statements made by some commissioners during a meeting Monday, all this flash and frustration may be too little too late. Read More
Charles Gwathmey passed away on Monday, but he was fondly remembered by his many colleagues, including Robert Siegel, Richard Meier, Michael Graves, and Peter Eisenman, in our obituary. We invite readers to share their own memories of this “fighter for modernism” in the comments section below. But please, be erudite, as Gwathmey would have had it no other way.
Morris Lapidus’ Fontainebleau in Miami is one of the most recognizable hotels in the United States, thanks in no small part to its frequent appearances in television shows and films, perhaps most notably and intimately in the 1964 James Bond movie Goldfinger. A recent two-year revitalization has brought the old bastion of luxury and class—which had begun to show its wear—back to prime condition. More than just polish up the surfaces, the effort included the addition of a free-standing spa. The designers, Dallas-based architectural firm HKS, selected a blue tinted glass for the spa’s curtain wall. In addition to referencing the adjacent pool’s azure complexion, the glass (1 5/16-inch thick Viracon laminated units with a Vanceva Storm interlayer) meets Miami’s strict large missile impact and hurricane codes. Goldfinger would be proud.