The Norton Museum of Art in Palm Beach, Florida has unveiled a new master plan including galleries and public spaces designed by architecture firm Foster + Partners, under the direction of Pritzker Prize-winning architect Lord Norman Foster. The new Foster design will upgrade the museums 6.3-acre, art deco–inspired campus and gardens first designed in 1941 by Marion Sims Wyeth.
For Miami Art Basel this year, food artist Caitlin Levin and photographer Henry Hargreaves teamed up to recreate some of the most architecturally masterful art museums of the world using a very sugary medium. In candy, chocolate, gingerbread, and icing, the New York City–based collaborative pair have molded and modeled highly detailed scale versions of six iconic art spaces. Photographed by Hargreaves in black and white, the dynamic chocolate angles of Yasui Hideo’s Karuizawa Museum and the sweeping icing curves of Frank Lloyd Wright’s Guggenheim almost seem real.
From December 5 to 8—the duration of the annual international art show—the pictures will be exhibited at Dylan’s Candy Bar in Miami.
The cat is out of the bag. An elevated park, covering over an acre of ground at the Word Trade Center site, will ascend 25 feet above Liberty Street in Lower Manhattan. The Port Authority of New York and New Jersey had tried to keep the project—named Liberty Park—under wraps, but last month, Santiago Calatrava, the architect of the new St. Nicholas Orthodox Church, posted images of the building on his website, which also revealed the design of the adjacent park. Continue reading after the jump.
The Cultural Landscape Foundation has released the latest documentary in its ongoing Oral History series, which documents the lives and careers of pioneering landscape architects through in-depth interviews, archival footage, and on-site videography of their most noteworthy projects. The most recent edition focuses on Laurie Olin, recipient of the National Medal of the Arts and one of the nations most esteemed landscape architects.
From Los Angeles to Chicago, city governments across the nation have been following San Francisco’s early lead and popping up parklets on their streets, mini sidewalk-side public parks for rest, small group gatherings, and people watching.
This summer, Boston joined in on the trend, installing its first parklet in Mission Hill in September and another in Jamaica Plain at Hyde Square. While these spaces have seen success in other cities, the Boston Globe reported that the Boston parklets have shown disappointing usage during what should have been their prime season.
Not interested in braving the crowds and the weather in Midtown Manhattan to gaze up at the Macy’s Thanksgiving Day Parade this year? Don’t worry, photographer Navid Baraty climbed to the top of one New York City tower to snap these amazing photos of the iconic parade from way above street level. The difference in perspective makes for a parade experience like you’ve never seen before. Check out a gallery of parade photos below and have a Happy Thanksgiving from everyone at The Architect’s Newspaper!
At the tip of Lower Manhattan, a three-acre green space in the 22-acre Battery Park may soon be home to a field of flower-shaped seats, a sea of brightly colored rocking chairs, or a plethora of pivotable chaise lounges.
Last summer, the Battery Conservancy Americas launched the “Draw Up a Chair” design competition, the first of its kind from the New York City Parks Department, calling for a moveable, outdoor chair to fill the oval lawn of Battery Green. The new park is currently under construction as part of rebuild efforts after last year’s Hurricane Sandy devastated the area. From a previously condensed pool of 50, the Conservancy has chosen the top five proposals, from firms spanning four countries. Each unique design is stackable, weatherproof, and made of recycled materials.
In the same futuristic spirit of its design, One Thousand Museum, the proposed Zaha Hadid-designed condominium building in Miami, Florida, has recently been rendered in hologram form. As anticipation builds about what will be the Pritzker Prize–winning architect’s first residential building in the United States, Zaha Hadid Architects continued the hype with a Miami party and holographic unveiling of the 705-foot condo tower. According to the South Florida Business Journal, the new digital rendering underscores Hadid’s commitment to curvilinear forms, especially prevalent in this sculptural tower that will soon join the Magic City skyline.
In the midst of Greenbuild’s International Conference & Expo, held from November 18–22 in Philadelphia, AN sought out the newest and most innovative sustainable building products. We found attractive new finishes and furnishings, including a new chair derived from carbon polymers, and a plethora of building components that aim to harness the Earth’s energy for optimal building performance.
Xero Flor America
This vegetated green roofing solution (above) rolls out in a mat system for easy application, as well as rapid access for repairs. Each 40-inch wide panel is comprised of a root barrier, drain mat, water retention fleece, growing medium, and pre-vegetated layer of sedum. Also known as stonecrop, each order is grown in one of Xero Flor’s six regional fields, so living roofs are acclimated to the installation environment and contribute to local LEED credits. Read More
In Griffis Sculpture Park near Buffalo, New York, a twisting triangular tower serves more than a purely aesthetic purpose. Designed by architect and assistant professor at the University of Buffalo, Joyce Hwang, the 12-foot-tall sculpture of stained plywood panels is conceptualized as a protective home for bats. Constructed conspicuously but practically, the University reports that Hwang’s Bat Tower is an effort to raise awareness for the recent disease-caused decline of these flying mammals, usually considered pests.
Dante Ferretti: Design and Construction for the Cinema
Museum of Modern Art
The Roy and Niuta Titus Galleries and the Film Lobby
Dante Ferretti: Designing for the Big Screen
The Roy and Niuta Titus Theaters
Through February 9, 2014
When you enter the Film Entrance to the Museum of Modern Art at 11 West 53rd Street, you are greeted by two large lions. No, you are not 11 blocks south at the New York Public LIbrary, nor are you in Venice, Italy. You are entering the world of Dante Ferretti, the 70-year old multi–Academy Award–winning art director of films, opera, exhibitions, and even two New York City restaurants, Salumeria Rosi (design inspired by a scene in Federico Fellini’s Satyricon). Large, muscular, physically confident objects dot the floor—the clock-face from Hugo (Martin Scorsese, 2011), Art Deco chandeliers from Salò, or the 120 Days of Sodom (Pier Paolo Pasolini, 1975), and Arcimboldo figures comprised of vegetables, fruits and flowers (Milan World Expo, 2015). But these are actually lightweight, ephemeral objects made of fiberglass and not meant to last beyond the creation of the film or duration of the event. The clock and chandeliers were on the cusp of being tossed when curators Jytte Jensen and Ron Magliozzi salvaged them.
It has long seemed that Philadelphia’s cultural community was destined to exist forever in New York’s shadow. Though it has had through its history great flourishes of home-grown creativity from Thomas Eakins and Frank Furness, great institutions like The Pennsylvania Academy of Fine Art and collections like the Barnes Foundation and the Annenberg. These were still not enough to overcome its “second city” status to its neighbor up the Jersey Turnpike.
But now Philadelphia seems to embracing its outsider status as an anti-New York where artists and can actually afford to live and start up collective galleries and exhibit spaces.