After a great summer spent in Maine and Canada we are back at the newspaper ready to soldier through the New York media wars. This week we were inspired by our fair city all over again. In case you missed the VMA awards and all the brewhaha about Kanye West, check out Jay-Z’s Empire State of Mind! Jay-Z and Alicia Keys rocked the house. I suggest this as New York’s new City song. It could play on the jumbotron in Times Square and at Yankees stadium. The black and white NYC fly-over images at the back of the stage were incredible. The designer, photographer, videographer should win awards for this. Check it out.
It’s a bit of a tradition for newspapers to issue endorsements in political races, and so when we got wind that an architect was running for mayor, well, who else could we support? It being primary day, if you haven’t voted yet, we recommend you consider casting your ballot for He Gin Lee. According to the bio on his campaign site, He “was named the ‘Architect of the Year’ by New York City” in 2003 and 2004 and “is not your typical politician who sees this mayoral position as a role and opportunity to win fame or satisfy personal ambitions.” A profile in July in City Hall notes that the Korean-American architect has built numerous churches in Queens, many of which can be found on He’s firm’s website. And while our incumbent mayor has much for the design and construction of the city (for better or worse), He told City Hall that is his main reason for running: “I’d like to make a beautiful city. That is my goal.” And were he to win, he’d join some 850 fellow architect-pols nationwide.
SHoP’s new designs for the Barclay’s Center at Bruce Ratner’s Atlantic Yards site has probably gotten the firm more attention than any of its previous ones, including its rather controversial plans for Pier 17 at the South Street Seaport. Today, Develop Don’t Destroy Brooklyn penned an open-letter to the firm, calling out “Mr. Sharples, Mr. Sharples, Ms. Sharples, Ms. Holden, and Mr. Pasquarelli” for signing on to “a very contentious and troubled project that faces widespread resistance from the communities it would impact—and well beyond.” Meanwhile, “Mr. Pasquarelli” sat down with the Observer to, uh, talk shop on the project and defend his firm’s involvement in the project: “We gave serious consideration as to whether we wanted to do it. And I think the thing that convinced us was, after speaking with Bruce, we were convinced he really wanted to make a great building.” SHoP and Barclay’s collaborator Ellerbe Becket will be discussing their new designs at a special hearing in Brooklyn tonight at 6 o’clock, as will DDDB, no doubt—and us. If you can’t make it for the fireworks, we’ll recount them here for you tomorrow. Or follow us on Twitter, where we’ll be live-blogging the main event.
Since My Architect, interest in Louis Kahn’s work has grown exponentially, and many of his lesser-known buildings have received greater care. Among the most endangered was the Trenton Bath House in Ewing, New Jersey. Though it was placed on the National Register of Historic Places in 1984, it’s future was uncertain until 2007 when the Township of Ewing and Mercer County, NJ acquired the property and agreed to restore it, a process you can now follow on a new website.
When Forest City Ratner released new designs by SHoP Architects of the Barclays Center yesterday, it was seen as an effort to right a listing ship. But no sooner had those copper-hewed renderings hit the presses than the city’s Independent Budget Office released a report [PDF] today noting that the arena will cost the city $40 million in revenues over the next 30 years as a result of financial incentives granted to the developer. Furthermore, the city lost a potential $181 million in lost opportunities through tax breaks and incentives provided to the developer, which cost the state $16 million and the MTA $25 million, though the report also notes both will release a net gain of $25 million and $6 million, respectively, if the deal goes through.
Friend of AN and Slought Foundation executive director Aaron Levy sends the following dispatch from his “Repurpose!” event from last weekend:
When the Into the Open exhibition moved in to the National Constitution Center and the Slought Foundation in Philadelphia in July after stints in New York and before that Venice, where it was last year’s Biennale entry (curated by myself, Andrew Sturm, and AN founding editor William Menking), we decided we wanted to do some community outreach in the spirit of the civic activism promoted by the architects and designers in the exhibition. And so, with the help of the National Constitution Center, the Slought Foundation, and the Community Design Collaborative, we presented “Repurpose!,” a one-day community workshop and design competition highlighting the creative possibilities of urban revitalization in the Mantua neighborhood in West Philadelphia. Read More
If you’ve ever left the C or G trains at Hoyt Schermerhorn Station and gotten the urge to dance, we now think we know why. Turns out, that’s the very same station Martin Scorsese chose to shoot MIchael Jackson’s music video for his 1987 hit “Bad.” Well, to honor the deceased pop star (who has gotten a lot of play locally despite few real connections), local City Council rep Letitia James has proposed either installing a plaque or perhaps appending Jackson’s name to the station in some way, reports NYPolitics. But the Post says the MTA has told James “to ‘beat it.’” Undetered—she’s one of the people responsible for holding Atlantic Yards at bay—James is collecting petitions to see MJ through. And if that’s not enough Jackson action, Archinect has extended the deadline for its memorial competition through Wednesday.
Curbed directed us to a travesty in the Village today, albeit an unsurprising one. It appears NYU, in constructing a new building for the law school, damaged the shell of the Provincetown Playhouse, which it had promised to preserve. We say this is unsurprising because, as we recall and Andrew Berman of the Greenwich Village Society for Historic Preservation again confirmed, this is precisely what preservationists feared would happen. Read More