Yesterday was press day at the 2009 U.S. Department of Energy Solar Decathlon in Washington, D.C. The student teams were still scrambling to finish up their installations when Team Archpaper arrived on the scene, but we still managed to talk our way into a hand full of the 20 solar houses that will go head-to-head in open competition. As in past years, the students will be go about the work of every day living—doing laundry, washing dishes, cooking—and will be judged based upon the energy efficiency, as well as architecture, engineering, comfort, and marketability of their houses. While each of the entries evoked aspects of their respective regions, they fell to either side of a line that ran between off-the-shelf affordability and high-tech über-design. Read More
Increasingly becoming home to Boston’s architectural community, pinkcomma gallery opened its third Fall season on with two exhibitions: Heroic and Publishing Practices. Heroic takes a closer look at the material that re-shaped Boston, concrete, and the idealistic architects that used it from 1957-1976. The exhibit consists of a selection of local concrete buildings intertwined with essays by some of the architects who built them, material experts, historians, and voices from a new architectural generation who seek to put this work in context. Heroic, however, boasts a larger and weighty agenda: to educate the public at large on the innovations and ideals of Boston’s concrete architectural legacy to save endangered buildings.
On September 28, the first round in a series of debates on the future of computational design kicked off at Columbia University’s GSAPP. Under the heading Post-Parametric, the first debate was co-chaired by David Benjamin, partner at The Living design studio and director of GSAPP’s Living Architecture Lab, and Michael K. Reed of Columbia’s Department of Computer Science and Blue Sky Studios. Focusing on the subject of data, the event brought Casey Reas to the table with Chuck Eastman, and the result, one might say, was a technical knockout. Read More
In the first months of The Architect’s Newspaper, more than five years ago, we were preparing a story on the possible demolition of a Richard Neutra house in Los Angeles. We figured that Julius Shulman, the famed photograper and chronicler of modern California, would have an image of the project. At the time, I called and spoke with Shulman, whose name was listed in the Los Angeles phone directory. He naturally had several images of the house, and when I asked if we could use one of them for the story, he said, “Sure—it will be $700!” I mentioned that we were a poor startup, and asked if he might cut us a deal. “No,” he said, and promptly hung up. Well, now there is a film, Visual Acoustics, that details just why Shulman was such a commanding figure in American architecture. The film receives its New York premiere on October 5 in the Cooper Union’s new Thom Mayne–designed theater. Director Eric Bricker will introduce the screening, which is a fundraiser for Open House New York, and will be followed by a private reception.
Correction: An earlier version of this post said the movie was screening October 7. It is screening this coming Monday, October 5.
New Yorkers, grab your paint brushes and rollers. That’s the message from Mayor Michael Bloomberg, as he and Mr. Global Warming himself, Al Gore, kicked off NYC Cool Roofs, part of the city’s new service program that gets volunteers to paint city roofs white. A cheaper and less intensive alternative to green roofs, white roofs help keep buildings cool by reflecting the suns rays back from whence they came—though they don’t address stormwater issues like their verdant cousins. Read More
Fifty-one years after his graduation the late Max Bond Jr.’s influence is once again felt in his alma mater, Harvard’s Graduate School of Design. An exhibit and celebration of his life and work opened there on Monday September 14th and will run through October 18th. The exhibit takes a close look at Max Bond’s personal life, his passion for social equity, and his professional design work.
There has been so much talk in recent years over the confluence of fashion and architecture, we won’t attempt to add to the “discourse” accept to note that Fashion Week is ending today and with it a number of cool and interesting installations around town. One of particular note was created by our friends at Bureau V—two Asymptote alums and a former DSRer—who have now made their third installation for designer Mary Ping and her Slow and Steady Wins the Race brand. We’re not exactly sure what’s going on here, as one of the principals sent over this nice photo in reference to a separate email, but Style.com puts it thusly: “[It] uses the idea of the still life to, as Ping puts it, ‘react to the temporality of the pop-up, and go back to an older tradition of talking about objects.’” If you hurry, you can still catch the installation and the objects thereon—some designed by Ping—some merely selected by her, through tomorrow at Saatchi & Saatchi’s ground floor events space at 275 Hudson Street.