Buffalo-based architect Dennis Maher has devised his own version of adaptive reuse – he’s remaking abandoned buildings into sculptures. Inspired by the shrinking Rust Belt city where he lives and works, his sculptures “honor the former lives of these raw materials” in a way that is striking and thought-provoking. The large works of art in Undone-Redone City are complex, and offer us a new way of seeing buildings, or at least their elements. In Maher’s creations, a door and some flooring and a window frame might all mesh together to form a new shape and a new function that the original builders probably never imagined.
Click through for a slideshow of Maher’s sculptures.
At first glance, it seems that the riot of square white panels suddenly appeared on the base of One World Trade, but photos from the past few weeks show that they were going up all along. Closeup shots taken today reveal metal bolts protruding out from the panels. The curtain wall fasteners for the metallic scrim?
The satellite art fair Verge is ruffling a few painted feathers at galleries in Williamsburg. After the announcement last week that the Miami-based art fair was coming to the borough in an event coinciding with the Armory Show from March 3 to 6, several Billyburg gallery owners balked. The event, called Art Brooklyn, would conflict with Brooklyn Armory Gallery Hop, which Williamsburg Gallery Association has held the past seven years. Recently, the not for profit Best of Brooklyn helped hype the annual event through Brooklyn Tourism and smART Brooklyn, an initiative of the Borough President’s office promoting the borough’s gallery districts.
This Saturday, January 15, the Knickerbocker Chamber Orchestra will lift their bows and the ghost of Robert Moses will flood the World Financial Center Winter Garden. Gary S. Fagin composed Robert Moses Astride New York from which the music will be drawn. A vocal performance by Rinde Eckert will accompany the score, but best of all, it’s free.
Each week, AN plays tourist at the World Trade Center construction site. Here’s the latest.
Last night’s snowstorm was a dud when compared to the Boxing Day Blizzard. But a half hour walk around the WTC site reveals just how much extra work the weather can add to a day’s labor. By noon, workers were still shoveling out of the mess, removing snow laden tarps and generally slogging through the grayish black mess.
Following 9/11 many locations around the city were walled-off with Jersey barriers. In the years since, better urban design has sometimes prevailed. Such is the case with the new bollards and security booths that replaced the Jersey barriers at Metrotech in downtown Brooklyn. Designed by WXY architecture + urban design, the prefabricated security booths–six in total–have a subtle, trapezoidal shape that makes them appear thinner than they are. Read More
Isms, isms, everywhere. It would seem that a movement is not validated until it gets an “ism.” This Wednesday “Sustainism” will be launched at the New York Public Library when authors Michiel Schwarz & Joost Elffers discuss their new book, Sustainism is the New Modernism (Distributed Art Publishers, $24.95).
Students enrolled in a sustainable design-build course at Green Mountain College in Poultney, Vermont closed out 2010 by building their own house – a rather tiny house. Covering a mere 96 square feet, the structure cost only $20 a foot for a total price tag well under $2,000. No small feat for a bespoke building, especially considering this tiny house has gone green in a big way.
Dan Rubinstein, editor-in-chief of Surface magazine, is curating a series of lectures at the Museum of Arts and Design evaluating the future of American furniture design. Dubbed “The Home Front: American Furniture Now,” the five-lecture series begins this Thursday, January 13 as leading furniture retailers present their views on the difficulty selling American design. In March, AN‘s own executive editor Julie Iovine will lead a roundtable panel called “Drafted” on the importance of American design for architects and designers.
The line stretched down the block outside of the Center for Architecture last night for the release of High Performance Landscape Guidelines: 21st Century Parks for NYC. The document providing sustainable park guidelines was produced through a partnership between The Design Trust for Public Space and the Department of Parks and Recreation. The manual is the first of its kind in the nation.
An exhibition of architectural photographer Ezra Stoller’s work will open at the Yossi Milo Gallery tonight in New York and runs through February 12. A few of the photos are instantly recognizable, such as a photo of the Guggenheim lobby featuring women in pillbox hats standing in the foreground. But the gems of the show are those taken off the beaten path, like the roof of the Seagram’s Building or a parking garage in Miami.
As there are few visible changes on the facade, this week’s photos focus on the reinforced concrete at the base of the tower. With much media fanfare, the NYPD opposed initial designs for security reasons. The resulting redesign introduced a fortress-like base and core, which is now visible from the street level. Eventually, the concrete will be shielded behind a metallic scrim, not unlike the one seen next door on Seven World Trade. For now though, pedestrians can glimpse the exposed base to get an idea of the tower’s extraordinary strength.