ICFF Walkabout> Foscarini Evolution

East
Friday, May 20, 2011
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Foscarini Evolution in New York (The Architect's Newspaper)

Foscarini Evolution in New York (The Architect's Newspaper)

Italian lighting design firm Foscarini filled their Greene Street showroom with a dynamic, winding installation called Foscarini Evolution during ICFF week in New York. Artist Marc Sadler composed the installation of individual Tress lamps–made of resin-coated fabric strips–connected end to end. The pulsing red strands created a distinctly interactive experience.

“The installation shows how light can convey emotion and form space,” said Veronica Carniello of Foscarini. The showroom will now undergo a renovation and open again at the end of the year. Carniello said the company plans to feature rotating installations featuring Foscarini lighting products so the showroom will take on the qualities of an art gallery.

More from Foscarini after the jump.

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ICFF Walkabout: Spirits Flying High by Ingo Maurer

East
Wednesday, May 18, 2011
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"Spirits Fly High" by Ingo Maurer (Photo by Tom Stoelker)

The star of the show at Ingo Maurer was "Spirits Flying High". They must have been blithe spirits, because this special commission piece was not for sale. (Photo by Tom Stoelker)

The scene at Ingo Maurer was a tad more subdued than the rest of Green Street last Monday night. Could it be because Maurer’s work has a such tactile quality that the space feels more like an art gallery? Showroom hoppers didn’t make an immediate bee line to the bar. How could you when the first thing you see  on entering is the arresting vision of “Spirits Flying High”.  The undulating sheet of light looks a flying carpet about to blow out the door. On closer inspection the 87 inch by 50 inch hanging light fixture is composed of more than 100 LED strips wrapped in a warm milky colored silicon. Don’t ask, the special commission piece is not for sale.

More photos after the jump.

ICFF Walkabout: Wearable Maps

East
Wednesday, May 18, 2011
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Talia Wiener's wearable maps. (Courtesy TaliaSari)

One item that caught our eye at ICFF wasn’t furniture at all.

Every city has certain geographic quirks that people come to identify with a place–Manhattan’s rigid grid, the radial boulevards of Paris–even when viewing a two-dimensional version of it. You Are Here, a collection from Israeli jewelry designer Talia Wiener, was inspired by just such a concept.

Each pendant or brooch incorporates part of the urban fabric of  Rome, Paris, Tel Aviv, Jerusalem, New York City, San Francisco, Barcelona, or London. According to Wiener, her designs play with the notion that there is a certain location-oriented secret shared by a city’s residents while also proclaiming their membership in “a broader, ever-growing urban tribe.”

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ICFF Walkabout> Zaha Hadid′s Genesy Lamp

East
Wednesday, May 18, 2011
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Zaha Hadid's Genesy lamp (Photo by Tom Stoelker)

Zaha Hadid's Genesy lamp (Photo by Tom Stoelker)

Genesy held court in its own VIP area at Artemide’s Monday evening cocktail party. Posed behind red velvet ropes, the floor lamp’s sensuous lines appeared anthropomorphic, with a waist as svelte as that of any Hollywood starlet. Designed by Zaha Hadid, the injection molded polyurethane lamp–featuring direct LED light and indirect (halogen or fluorescent) light–is newly available in the US in polished black or polished white.

Zaha Hadid's Genesy lamp (Photo by Tom Stoelker)

Zaha Hadid's Genesy lamp (Photo by Tom Stoelker)

 

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Guggenheim′s Newest Exhibit to Offer Therapy

East, Newsletter
Tuesday, May 17, 2011
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Pedro Reyes's rendering of the Sanatorium

The stereotypes of New Yorkers are that they’re rude, they only wear black, and they all have therapists. Sanitorium, the first installation of Guggenheim’s new program, stillspotting nyc, explores the smorgasborg of therapies that help the city’s neurotic residents keep their lives together.

Continue reading after the jump.

ICFF Studio: Bernhardt Mentors The Design Stars of Tomorrow

East
Tuesday, May 17, 2011
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Clamp Chairs by Andreas Kowalewski (all images courtesy ICFF Studio)

ICFF wraps up today and, as usual, reviews of the fair seem mixed. Professional but boring! Too safe! Appropriately sober! Practical and market-friendly! Reheated Eames! Now in its sixth year, the ICFF Studio, sponsored by Bernhardt, offers a snap shot of where young designers are looking. Most skewed toward the market-ready, while one designer went in a conceptual direction. The young Dutch designer Andreas Kowalewski’s Clamp Chairs certainly look showroom bound (above).

Continue reading after the jump.

AN Walkabout: Festival of Ideas, UN Studio, and Armani

East, Shft+Alt+Del
Friday, May 13, 2011
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Rem Koolhaas at the Cronocaos exhibit (photo courtesy Dutch Art Events).

It’s time for ICFF and the fair’s associated festivities, but our heads are still spinning from all the architecture and design goings-on in New York City over the last ten days. Among our stops were the Festival of Ideas, sponsored by the New Museum, including a lecture by Rem Koolhaas, a stop by UN Studio’s new pavilion at downtown’s Peter Minuit Plaza, and drink at Armani Casa’s new location in the D&D Building. It all started with Rem…

Continue reading after the jump.

Folks Weigh In On the Future of the Folk Art Museum

East
Friday, May 13, 2011
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American Folk Art Museum (Photo by Michael Moran)

American Folk Art Museum (Photo by Michael Moran)

Apparently the art world hates the American Folk Art Museum building! (Who knew?!) In the wake of the news that MoMA is buying the Todd Williams Billie Tsien-designed building, two of the art world’s more prominent voices both bashed the building and argued it hastened the Folk Art Museum’s decline. The esteemed Times critic Roberta Smith called it “unwelcoming” and argued that the museum’s fate was sealed by “lackluster, visionless leadership; the weak economy; and inappropriate architecture.” Smith’s husband happens to be Jerry Saltz, the pugnacious art critic for New York, who went much further in a piece titled, “Architecture Killed the American Folk Art Museum.” He called the building, “ugly and confining, it was also all but useless for showing art.”

Not everyone agrees!

Continue reading after the jump.

Missoni′s New Mission

East
Friday, May 13, 2011
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Photo by Cindy Yewon Chun

Photo by Cindy Yewon Chun

MissoniHome @ DDC Design Post
181 Madison Avenue
212 685 0800

Missoni, an Italian fashion house famous for its use of colorful fabrics and patterns, has finally launched its first American “lifestyle” showroom inside New York’s DDC Design Post. MissoniHome’s product line had previously been available separately at various locations, but now design-minded consumers can browse towels, rugs, and bedding at one destination. The entire collection is housed inside a 200-square-foot showroom dressed seasonally by the Missoni Studio team.

Continue reading after the jump.

Obit> Ralph Lerner, 1950-2011

East, Shft+Alt+Del
Thursday, May 12, 2011
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Architect Ralph Lerner (photo: Lisa Fischetti).

Ralph Lerner, architect and former dean of the School of Architecture at Princeton University, died in Princeton on Saturday, May 7, following a long battle with brain cancer.

A Fellow of the American Institute of Architects, Lerner resigned as dean at the University of Hong Kong Department of Architecture for health reasons and returned to the United States earlier this year.

As dean of Princeton’s School of Architecture from 1989 to 2002, Lerner set the school on a strong contemporary track with wide-ranging appointments among practitioners, critical historians, and theoreticians including Liz Diller, Jesse Reiser, Mark Wigley, Beatriz Colomina, Kevin Lippert, M. Christine Boyer, and Guy Nordenson. “Ralph very much put Princeton at the center of the architectural map, through the programs, exhibitions, and publications he sponsored as well as by the sheer force of his personality,” wrote Lippert, a 1983 graduate of the School of Architecture and founder of Princeton Architectural Press, in an email. Read More

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Bright Lights, Big Bus Terminal

East
Thursday, May 5, 2011
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The new lighting design as seen from 42nd and 8th Ave. Courtesy GKD-USA/A2aMEDIA

By the end of June, the Port Authority Bus Terminal will be awash in graphics and light when a 6, 000 square foot stainless steel fabric embedded with LED lights wraps its way around the corner of 42nd Street and Eighth Avenue.  The technology, known as Mediamesh, was developed by GKD-USA, a collaboration between a German light engineer firm and an American metal fabric manufacturer. The product is only four years old and allows LED imagery to wrap around buildings without disrupting interior views to the outside. But in the case of the Port Authority, the mesh allows exhaust fumes to escape while masking several giant X-trusses, a facade hasn’t exactly endeared itself to New Yorkers.

Read More

World Trade Center: Got it?

East
Thursday, May 5, 2011
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The memorial grove provides shade for cameras early this morning.

In lower Manhattan, especially  today when President Obama was in town to lay a wreath, the world’s media was fast talking about Ground Zero. Very few call it the World Trade Center. The GZ term is so widely used that few think twice about it.

And yet, just yesterday, a contingent of men and women responsible for rebuilding the World Trade Center braved the cold rain for a conference hosted by the Building Trade Employers Association (BTEA) and found themselves struck on the semantics of just those words. The event brought together the builders and suppliers of the 16 acre site for an update on building progress. Very little was said about the momentous events of the past week or the impending presidential visit, which, like the rain, was going to slow down work. This was a group with a singular focus: rebuilding.

BTEA President and CEO Louis Coletti introduced speakers who in turn discussed a particular aspect of the project. But when one speaker referred to One World Trade as “the Freedom Tower,” Chris Ward, the executive director of the Port Authority grimaced, held up his index finger to signify the number one and said, “It’s One World Trade.”
Read More

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