On Saturday night, New York’s architecture community gathered in Manhattan’s historic 69th Regiment Armory to celebrate the Architectural League of New York on the centennial of the original 1913 Armory Show. The sold out party welcomed 1,350 design-minded revelers dressed as their favorite “–ism,” the theme of this year’s event, representing everything from surrealism, revivalism, Dadaism, classicism, and brutalism. In all, over $100,000 was raised for the League.
SITU Studio designed an installation to bring scale to the cavernous armory space, working with Renfro Design Group on an integrated lighting scheme. A series of white fabric prisms were suspended from the ceiling, serving to humanize the space while providing an armature for digital projections. Pulsing music built excitement throughout the night, which culminated in a procession of giant vellum marionettes, each controlled by a team of three performance artists, and a troupe of vellum-clad artists wandering through the armory, encouraging attendees to dance.
As part of a larger vision a pair of skyscrapers in Manhattan’s Murray Hill neighborhood, JDS Development Group plans to build a new park at 626 First Avenue. The park will be situated alongside two luxury rental towers designed by SHoP Architects. The towers are scheduled to open in early 2016. While privately owned, the tranquil green space will be available for the public to enjoy. It will incorporate ginkgo trees, crisscrossed granite, and limestone paths, bike parking, seating and a water fountain, according to details revealed by JDS.
From October 16th through the 20th, Tribeca Cinemas will serve host to the Architecture & Design Film Festival, the country’s leading film festival for the architecture and design community. The festival will offer 25 film screenings, ranging in length from two to 95 minutes, each offering 15 distinct programs, in addition to panel discussions and book signings with internationally renowned designers and filmmakers. See the full schedule here and check out the full list of films with selected trailers below. Tickets go on sale October 1.
Foster + Partners likes to think of itself as a high-design firm with glamorous projects all over the world. But the banal rendering accompanying this week’s announcement of a new 19-story, “luxury” residential tower, 551 West 21 Street, belies their design skills. Could it be that they have a two-tier design strategy in their office where glamorous cultural institutions get “Sir Norman” and commercial towers get, well, something less?
The 32nd Street corridor at Drexel University in Philadelphia has become a hub for student gatherings, interaction, and events. Situated between Chestnut and Market Streets in the campus center, the corridor’s current design, however, does not serve the social and functional needs of its college population. In March, landscape architecture firm Andropogon released primary renderings and plans for a complete redesign of the space now known as Perelman Plaza. In August, more comprehensive images were revealed, and now the project is underway. Two weeks ago, Andropogon broke ground in Phase One on the site, razing the existing awkwardly angled hardscape to begin construction of a practical design for the coexistence of human traffic and nature.
Join the Institute for Public Architecture for its First Annual Fall Fête, honoring Kenneth Frampton, Ware Professor of Architecture, Columbia University, and Mathew M. Wambua, Commissioner, New York City Department of Housing Preservation and Development (Mar. 2011-Sept. 2013). On October 16 the organization will bring together a lively group of architects, developers, artists, public officials, designers, and writers for a cocktail party and auction, benefitting the IPA. The Fall Fête will be held at the spectacular Tribeca home of Francesca and Stephen Corelli (6 to 8 pm), with an after-party at the Shigeru Ban-designed Metal Shutter Houses (8:30 pm). The IPA is a new organization supporting socially engaged architecture. For Fall Fête tickets and information, please visit http://the-ipa.org/event/fall-fete-2013/.
For 2 weeks, two exhibitions in NY about Corbusier overlapped. In addition to the MoMA retrospective that closed on September 23, Amie Siegel’s Provenance at the Simon Preston Gallery on the LES (through October 6) examines a rather different slice: from the point of view of the furniture created for Chandigarh, the Indian planned city of the 1950s.
The film that forms the core of this installation travels in reverse, de- and re-contexualizing the objects. It starts with Chandigarh chairs, settees, and tables in their new homes in the West from apartments to lofts to townhouses and even yachts seen in slow tracking shots and lockoffs by cinematographer Christine A. Maier. These are perfectly crafted interiors that are pristine, light, airy, signaling the curated good life as seen in Architectural Digest. Peeking out are the inventory numbers, like a Holocaust tattoo or cattle branding. Does it give the furniture a limited-edition cache? The pieces are like adopted children who have been lucky enough to be given a new life, but they are out of their native culture and are isolated from their tribe. Even in their new surroundings with other treasures, one can always pick out the Corbusier piece, with the sharply angled forms—triangles are a distinct feature—and geometric planes, even in their new clothes of reupholstered checks, squares and luxury leather. Questions about preservation, neglect, restoration, reinterpretation, and fetishism arise.
In 1913, the 69th Regiment Armory in Manhattan hosted what was then considered the most shocking art exhibition the public had ever seen. The International Exhibition of Modern Art, which came to be called The Armory Show, introduced modern European art to an East Coast audience. A showcase of -ism art movements then in development and exploration by artists now considered masters of their craft, the event was transgressive; it induced backlash from several publications and from former President Theodore Roosevelt who commented that “the lunatic fringe was fully in evidence.”
Yet, even in his blatant dislike of the artworks displayed, President Roosevelt admitted the importance of the show’s existence, its revelation of the European “art forces that cannot be ignored.” This Saturday, September 28, in a centennial homage of the show that shocked the American world, the Architectural League of New York is hosting their annual Beaux Arts Ball in the same venue. Taking inspiration from a space originally meant for National Guard trainings and military activities, the ball will work with and within the great hall to transform its appearance, shockingly. (And tickets are on sale now!)