Knoll Textiles, 1945–2010
Bard Graduate Center Gallery
18 West 86th Street
Through July 31
A new show at the Bard Graduate Center (BGC) takes a comprehensive look at the history and influence of Knoll Textiles, both as a brand and a company. It also aims to bring to light the importance of textiles in relation to modern design. Curated by a multidisciplinary team (Earl Martin, associate curator at the BGC; Paul Makovsky, editorial director of Metropolis magazine; Angela Völker, Curator Emeritus of Textiles at Vienna’s MAK; and Susan Ward, an independent textile historian) the exhibit features 175 examples of textiles, furniture, and photographs that explore the innovations, from production of materials to marketing, during the 1940s through the 1960s.
Circle of Animals/Zodiac Heads
Pulitzer Fountain, Grand Army Plaza
60th Street & 5th Avenue
Through July 15
Manhattan’s Grand Army Plaza has been overrun with a menagerie of sorts: the installation of Ai Weiwei’s Circle of Animals/Zodiac Heads. This is the first major public exhibition in America for the Chinese artist. This site specific installation is a modern reinterpretation of the 18th century Yuanming Yuan fountain-clock that featured 12 animals of the Chinese zodiac spouting water. With this project, Ai explores the “fake” in relation to the original sculptures (which were ultimately pillaged by French and British troops in 1860; five of the original heads are still missing). In this version, 12 oversized bronze animal heads ring the Pulitzer Fountain, each weighing approximately 800 pounds. While this project explores some rather esoteric themes, it is accessible and “a work that everyone can understand, including children and people who are not in the art world,” said Ai, who collaborated with Herzog & de Meuron on the Beijing National Stadium for the 2008 Olympics.
Domino: Old and New
Tuesday, June 20
Museum of Jewish Heritage (reception following at Skyscraper Museum)
36 Battery Place
Tonight at the Museum of Jewish Heritage, the Skyscraper Museum hosts “Domino: Old and New,” a program on reinventing Williamsburg’s historic industrial waterfront that focuses on the development of the Domino Sugar Factory site.
Principals from the project’s design, engineering, and construction teams will present on development possibilities for the 11.2 acre site (slated to include over 2000 residential units and four acres of public space) and participate in a panel discussion led by AN‘s own executive editor Julie V. Iovine. Further details at the Skyscraper Museum.
Last week the New York chapter of the AIGA held its second annual “Fresh Blood” event, featuring top graduating students from design programs across the region. Ten students were given five minutes each to dazzle the crowd at St. Ann’s Warehouse in Brooklyn with presentations related to their thesis research. Scott Stowell, the evening’s MC, kept things lively, peppering the students with questions about their work and cracking jokes that stoked school rivalries.
All the presentations were excellent, but here are a few that we just can’t stop talking about:
We tried the new East River Ferry service this week and found some of the best views of the biggest projects in town. Though many of the renderings in circulation for developments like Domino Sugar Factory and Hunters Point show views from the river-front perspective, it’s rare that you actually get to see the sites from that angle–until now. We decided to give the ferry service a test-run to check out the viability of getting from an office in downtown Manhattan, such as ours on Murray Street, to Brooklyn and Queens, then completed the loop by heading back the 34th Street terminal.
On our way to the grand opening of the extended High Line last week, we couldn’t help but notice the lights were on at the Dream Downtown, hotelier Vikram Chatwal’s newest luxury outpost. While the soft-opening was reserved for Chatwal friends and family, the official opening later this month is sure to draw out the denizens of New York nightlife.
Inside the lobby, a glass-bottomed pool diffuses light from the building’s interior courtyard, accessed through a lushly-planted sliver at the back of the lobby. In the courtyard, a teak-heavy lounge opens up onto the pool deck complete with its own white sand beach, where Vikram himself was lounging on a plush chaise. On the roof, a still-under-wraps venue–with what the Dream is touting as one of Manhattan’s finest views–is sure to be popular. Among the amenities that will open later this year is Romera New York, which is expected to offer a 12-course prix fixe for $245. The hotel will feature 316 rooms, but some are still being finished up.
Originally designed by Albert Ledner in 1966–the same architect as the neighboring Maritime Hotel and the nearby O’Toole Building–and last used as a homeless shelter, Handel Architects has reclad the round-windowed building in stainless steel, earning the structure the nickname of “The Cheesegrater.”
Completed in 2001, the Viñoly-designed Kimmel Center in Philadelphia seems too old for growing pains, but today it’s certainly going through something of an awkward phase. In late April, KieranTimberlake released plans to revamp the performing arts center and now some of the details are emerging. BLT Architects have shared a few rendering from their renovation of the rooftop garden into an event space.
Since reports surfaced this morning that an architect died on West 13th Street in Manhattan, architects and the media have been wondering who the had suffered this unfortunate fate. Multiple outlets are now reporting that architect Danny Colvin, principal of ColvinDESIGN, an architecture and interior design firm specializing in residential projects, fell from a building in the Meatpacking District. We at The Architect’s Newspaper are saddened by the news and send his friends, family, and colleagues our sincerest condolences.
Presenting to the community board has got be one of the toughest parts of an architect’s job. The mood in the room at last night’s CB2 meeting for St. Vincent’s Campus Redevelopment Project was cantankerous at best. The public scoping meeting, one of the first steps in the review process, gave an overview of the building massing on the site and delved into environmental impacts. Time for community input was scheduled to follow the developers’ presentations, but that didn’t stop the crowd from shouting down Perkins Eastman’s Frank Gunther and FX Fowle’s Dan Kaplan. As Kaplan worked his way through his presentation he was interrupted with shouts of “Soulless architecture for soulless people.” They were no kinder to Gunther, who discussed several details of the O’Toole renovations, including the removal of the ceramic tiles. Gunther said the tiles were not original to the building’s facade, which was concrete.
Lori Bookstein Fine Art
138 Tenth Ave., New York
Through June 25
The architect Louis Kahn drew inspiration from his travels, both in foreign lands and closer to home. A new exhibition brings together drawings, watercolors, pastels, and oil paintings Kahn made between the late 1920s and the early 1950s during trips around the United States, Canada, Europe, and Egypt. From New England churches to Egyptian rock quarries, the collected works offer Kahn’s interpretation of diverse landscapes and cityscapes, like Coastal Village, No. 2, Isle Madame, Nova Scotia (1936), above. In the exhibition, Kahn’s artwork is contextualized with his postcards and other travel ephemera.