Famed architect Frank Gehry enthralled a packed auditorium of students and community members at Pratt Institute yesterday afteroon. Speaking with The Architect’s Newspaper’s own executive editor Julie V. Iovine and Yael Reisner, author of Architecture and Beauty: Conversations with Architects about a Troubled Relationship, Gehry reminded the budding architects in the audience that his job involves more than just sitting around and creating curvy buildings from crumpled paper–it’s about delivering a finished product to a client, albeit a unique one.
More cave-itecture under the High Line. Architecture firm Leong Leong and fashion designer Siki Im have teamed up for the fifth and final installation in the Building Fashion series of pop-up collaborations beneath Chelsea’s High Line Park. Picking up where Snarkitecture and Richard Chai left off, Leong Leong has turned the former Sales Tin for Neil Denari’s HL23 condos into another amorphous cave-like interior—only now you’ll have to take off your shoes before entering. “We wanted to radically transform the interior,” explained principal Chris Leong. “We wanted to breakdown the traditional pop-up experience.” To do this, the firm oriented the store around a parabolic, foam-covered ramp and hung clothes seemingly at random from the walls and ceiling, which were sculpted with the same soy-based spray-foam. Read More
UPDATE — November 10, 2010 — The good news is Moss reopened today after resolving a reported tax bill of around $150,000. It seems that for now the store is safe. The bad news is your credit card may not be.
“Design Hates a Depression“—that was the verdict delivered by Murray Moss, owner of the eponymous store and gallery space in Soho, at the beginning of last year. It seems that he was right. As of Friday morning, the store had been seized for nonpayment of taxes. For now, the arbiter of design retail in NYC and beyond is the property of the State of New York.
Dan Rockhill is best-known in New York as the design father of Studio 804 at the University of Kansas, where he teaches. The studio is among the most successful in the country at actually creating high-quality, sustainable, and LEED-certified buildings produced and built by students. Not only has the studio won many “green” awards for their design-build structures, but they are notable for their high design standards—unusual in sustainability studios. New Yorkers will get a glimpse of the studio’s pathbreaking work on Wednesday, November 10 from 6:00 to 9:00 p.m., when Rockhill delivers a lecture at the Dom showroom at 66 Crosby Street. Read More
While Halloween 2010 is fast fading into blurry memory and rotting pumpkins are heading curbside, these Starchi-Lanterns featuring the glowing smiles of super-personas old and new were too good to pass up. Designers Kyle May of Abrahams-May Architects and Julia van den Hout of Steven Holl put their heads together and came away with these sixteen spooky mugs.
It looks like Zaha and Gehry are having a swell time in the second row, while just above a stern Rem and Prince-Ramus are staring off in opposite directions. Kudos to those who identify all the starchitects in the comments. [ Via NY Observer. ]
Perkins Eastman confirmed today that the global practice is merging with Ehrenkrantz Eckstut & Kuhn and the firms will be consolidating their offices in New York, Washington, D.C., and China. When the merger is complete, the new firm – yet to be named – will have a total of nearly 600 employees, 500 from Perkins Eastman and 85 from EE&K. Steven Yates with Perkins Eastman says no major layoffs have taken place in the past nine months and the company is not planning any layoffs as part of the merger.
Perkins Eastman is the designer behind Times Square’s glowing red stairs and a mega-project in Queens while EE&K has been busy master planning Cleveland’s waterfront. Anyone care to take a guess at the new firm’s name?
My antipathy toward 200 Eleventh Avenue was partly on principle. The 250-foot condo with a garage off every unit—“just like a house in the suburbs,” chimed a spokesperson—seemed a flagrant abuse of the New Yorker code of honor to use public transportation, even if it’s an idling town car. And the stainless steel east-facing facade that houses the vertical parking lot presents a largely blank and uncommunicative face to the city. But a tour with architect Annabelle Selldorf made a quick convert of me, and an entire group of design journalists, as we traipsed through some nearly completed rooms in this 61,000-square-foot condo made for 16 duplex apartments (95% sold). Read More
It’s not all glitz in Midtown Manhattan. One block of 35th Street between 6th and 7th Avenues was awarded the pernicious title of Midtown’s ugliest stretch on the appropriately named “Ugly Streets” walking tour, headed up last Friday by the Municipal Art Society‘s Frank Addeo.
More than four years after opening its Renzo Piano-designed expansion, The Morgan Library & Museum has given its 1906 McKim, Mead & White building a loving restoration, expertly executed by Beyer Blinder Belle. In addition to cleaning the mosaics and marbles, the Museum has opened two new spaces to the public, Pierpont Morgan’s vault and the serene North Room, formerly the director’s office. The renovation allows more of the museum’s permanent collection to be displayed, and allows curators to better display those objects, thanks in large part to the exacting lighting design by Renfro Design Group. Read More
The rumors about Gordon Bunshaft’s landmarked Manufacturer’s Hanover Trust Bank building being transformed into a big-box retail store have been flying around for a while now. In March, Vornado Realty Trust reportedly entered talks to buy the five-story building at 510 Fifth Avenue. Now, we’ve turned up a rendering by 3-D illustration firm Neoscape showing the building as the type of landmark only your high school daughter could love: a Forever 21.
But wait, it gets worse. Until this month the building has been occupied by Chase Bank, and while the changes made to the building for security reasons were lamentable, at least we could rest easy knowing that its site-specific Harry Bertoia sculpture—a 70-foot screen composed of 800 bronze plates—was safe. But not anymore. An AN tipster clued us in today: “Half of it is laying on the otherwise vacant 2nd floor. So far, all I’ve got from Chase is an assurance ‘it’s not going in the dumpster.’”
We confirmed the awful truth: