There’s a tempest brewing at the Trump Soho, which isn’t towering quite so high over Manhattan these days. The Real Deal reported this week that developers behind the luxury hotel-residence, Bayrock/Sapir, have filed a lawsuit against the building’s architects, the Rockwell Group. Among the allegations are too-small bathtubs and closets that can’t fit hangers. But the fight started much earlier with a complaint from the architect.
The month of May saw three ExpoTENtial labs open around Manhattan. Curated by Laetitia Wolff/futureflair, the multi-dimensional platform/festival delves seeks insights on how design can help innovate city living. Addressing everything from urban composting with worms, to using the everyday streetscape for exercise through parcours, Wolff and team stirred up traditional notions of living in NYC by encouraging visitors to think “off the grid.” In the Par Corps Lab, the crew uses video collage to ponders the manner in which design can promote physical activity and social interaction. Multipurpose bike racks anyone? Today and tomorrow will be the last chance to check it out at the Center for Architecture. Wolff is currently attempting to raise funds for the next seven labs.
It happened suddenly, as if out of nowhere: NYU’s Gallatin opened Global Design/Elsewhere Envisioned, an exhibition that comes with two symposia, is described as an initiative, and some hope might just morph into a new school of architecture.
With summer weather quickly approaching, it’s the perfect time to kick back and dream about a sweet bungalow by the beach… in Queens. Endangered bungalows throughout New York City have been on the radar for some time now, but documentary filmmaker Jennifer Callahan has focused on the fight to preserve the few bungalows left on the Rockaway Peninsula in her film Bungalows of the Rockaways, which will be screened tonight at Tenement Talks at the Tenement Museum.
Sustained resistance from their Village neighbors has not thwarted NYU’s 2031 expansion plans; they’ve just looked to other neighborhoods. The university has leased 120,000 square feet at Brooklyn’s MetroTech Center and also retained Kohn Pederson Fox to design a 170,000-square-foot campus on their hospital grounds along First Avenue. This is not to say that they’ve abandoned expansion plans in the Village or wooing the neighbors. A storefront gallery space called NYU Open House designed by James Sanders & Associates invites the public in to view new 3-D models of revamped plans for the Silver Towers and Washington Square Village.
When talking to Florent Morellet, don’t call it the Meatpacking District. For the eponymous owner of now-closed diner/bistro Florent on Little West 12th Street, it’s the Meat Market. Well before SoHo House and long before Pastis, there was Florent, the subject of a new documentary by David Segal, Florent: Queen of the Meat Market. I found out about the New York opening of the film while showroom hopping on Green Street last week. At Kartell, the perfectly bouffant-ed Darinka Chase encouraged me to try out Philippe Starck‘s Magic Hole. Before slinging chic plastic, Chase spent twenty years as hostess at the downtown den of dining debauchery. She vividly recalls how preservationists met at the restaurant in an effort to preserve the district. “At the time people did think it was kind of nuts, like landmarking the city dump,” she said.
While many of you –our loyal readers–were partying it up in New Orleans at our AIA New York State party, we were being honored in New York! The Historic Districts Council presented the paper with its Friend in the Media Award at their 12th annual Grassroots Awards in the spectacular in the garden of the Plymouth Church of the Pilgrims in Brooklyn Heights. I was honored to accept the award for our very hardworking staff on Murray Street.
Meanwhile, Ibex, AIANY, YKK, and the Ceramic Tiles of Italy hosted their shindig in New Orleans…
If you’re in DUMBO this week and catch a glimpse of a shirtless man hanging off a tree, don’t freak out. VAMOS Architects has curated an installation of photographer Robert Holden’s series The Treehouse, as part of New York Photography Week. The large-scale photographs depict semi-nude members of a rainforest commune, set against industrial buildings, rooftops, and scaffolding in DUMBO.
Italian lighting design firm Foscarini filled their Greene Street showroom with a dynamic, winding installation called Foscarini Evolution during ICFF week in New York. Artist Marc Sadler composed the installation of individual Tress lamps–made of resin-coated fabric strips–connected end to end. The pulsing red strands created a distinctly interactive experience.
“The installation shows how light can convey emotion and form space,” said Veronica Carniello of Foscarini. The showroom will now undergo a renovation and open again at the end of the year. Carniello said the company plans to feature rotating installations featuring Foscarini lighting products so the showroom will take on the qualities of an art gallery.
The scene at Ingo Maurer was a tad more subdued than the rest of Green Street last Monday night. Could it be because Maurer’s work has a such tactile quality that the space feels more like an art gallery? Showroom hoppers didn’t make an immediate bee line to the bar. How could you when the first thing you see on entering is the arresting vision of “Spirits Flying High”. The undulating sheet of light looks a flying carpet about to blow out the door. On closer inspection the 87 inch by 50 inch hanging light fixture is composed of more than 100 LED strips wrapped in a warm milky colored silicon. Don’t ask, the special commission piece is not for sale.
One item that caught our eye at ICFF wasn’t furniture at all.
Every city has certain geographic quirks that people come to identify with a place–Manhattan’s rigid grid, the radial boulevards of Paris–even when viewing a two-dimensional version of it. You Are Here, a collection from Israeli jewelry designer Talia Wiener, was inspired by just such a concept.
Each pendant or brooch incorporates part of the urban fabric of Rome, Paris, Tel Aviv, Jerusalem, New York City, San Francisco, Barcelona, or London. According to Wiener, her designs play with the notion that there is a certain location-oriented secret shared by a city’s residents while also proclaiming their membership in “a broader, ever-growing urban tribe.”