On View> Meeting Bowls in Times Square

East
Thursday, August 18, 2011
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Meeting Bowl Times Square (Courtesy Times Square Alliance)

Meeting Bowl Times Square (Courtesy Times Square Alliance)

The Times Square Alliance has partnered with Spanish collaborative mmmm… as part of an experiment in urban furniture design. The result, Meeting Bowls, is a series of three over-sized semi-spherical capsules that provide seating for up to eight people. Over the course of the next month, these exaggerated forms will invite engaging social interactions along Broadway Boulevard in Times Square. Inside the bowls, there is a feature which allows one to record and share their dialogue via smartphones or laptops. Meeting Bowls will be open from 8:00 a.m. to midnight daily through September 16th.

images after the jump

9/11 Memorial Plaza: How It Works

East, Newsletter
Tuesday, August 16, 2011
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(all images courtesy Peter Walker Partners)

A decade after the 9/11 attacks, the public will soon be able to visit the site, much of which has been fully transformed into the 9/11 Memorial Plaza. While many were dispirited by the years of revisions to and deviations from the Libeskind master plan (which itself had many detractors), AN‘s recent visit to the plaza, crowded with workers laboring toward the anniversary opening, revealed a vast, contemplative space that we predict will function well as both a memorial and a public space. Next week AN will take a look at the design and offer a preview of the what the public can expect from the space, but, first, a look at how the highly engineered plaza works.

Continue reading after the jump.

On View> Lyonel Feininger: At the Edge of the World

East
Monday, August 15, 2011
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Lyonel Feininger, Bauhaus, March 26, 1929. Gelatin silver print. Harvard/Busch-Reisinger Museum.

Lyonel Feininger: At the Edge of the World
Whitney Museum of American Art
945 Madison Ave. at 75th St.
New York, NY 10021
T 212-570-3600

“The ultimate aim of all artistic activity is the building! Let us desire, conceive, and create the new building of the future together. . . [and it] will one day rise towards the heavens from the hands of a million workers as the crystalline symbol of a new and coming faith,” Walter Gropius boldly declared in his 1919 “Bauhaus Manifesto,” laying the foundations for a new architecture and a modern approach to design. Seeking to reunite the artist and artisan together, the founders of the Bauhaus looked to medieval guilds as a model for a new design school that would combine the arts and design under one roof.

To illustrate the manifesto, Gropius selected a woodcut by American-born German artist Lyonel Feininger, titled, “Cathedral,” an abstracted depiction of a late Gothic church. This collaboration marked Lyonel Feininger’s first involvement with the Bauhaus—he would be later hired to teach printmaking—that would continue until the school was closed under pressure from the Nazis in 1933.

Continue reading after the jump.

Hysteria on Coney Island

East
Friday, August 12, 2011
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The old Child's Restaurant has been home to Coney Island USA since 1980.

The old Childs Restaurant has been home to Coney Island USA since 1980. (AN/Stoelker)

It’s almost time to face the mid-August blues, that moment when the back-to-school copy books hit the drug store shelves. Well, there’s still time to cram in a few summer day trips. One item at the top of the list should be a visit the recently landmarked Childs Restaurant building, better known as the headquarters for Coney Island USA.  There, the freak shows still reign and Zoe Beloff’s small show on toy theater dioramas has an extended its run till mid-September.

Continue reading after the jump.

Altschul Atrium at Barnard College

East
Friday, August 12, 2011
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Altschul Atrium (Courtesy common room)

Altschul Atrium (Courtesy common room)

In collaboration with New York-based common room architects, students at Barnard + Columbia Undergraduate Architecture (b+c a) designed a temporary installation to transform student space at the school’s Altschul Atrium.

The Altschul building, a modernist structure built in 1969, sits on the northwest corner of Barnard’s campus facing east towards the Weiss/Manfredi-designed Diana Center, which opened in January 2011. The new center houses undergraduate architecture, studio art, and art history departments and has brought increased movement to the center of campus, including students looking for space to sit, read and socialize between class.  This addition to the campus has also brought attention to the unused atrium space at Altschul, which houses faculty offices and labs. The the idea behind the atrium installation is to encourage a more interactive relationship with the Altschul space as well as with other neighboring buildings on campus. Students and faculty of b+c a have envisioned an installation that accommodates multi-use programming and one that focuses on the importance of flexibility and function.

Continue reading after the jump.

Pictorial> Loew’s King Theater in Brooklyn, Before

East, Newsletter
Thursday, August 11, 2011
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An old curtain falls within the proscenium. (AN/Stoelker)

There’s an old expression that perfectly describes the current condition of the Loew’s King movie palace on Flatbush Avenue: “regal rot.” There’s beauty in the decay, yet no one wants to see the the rot take the upper hand. At the moment the dank smell foretells the considerable work that lies ahead for the Houston-based ACE Theatrical Group, the developer selected by NYCEDC and Borough President Marty Markowitz to restore and operate the 1929 building.

Check out the gallery (and a video) after the jump.

Inverted Adjmi

East, Newsletter
Tuesday, August 9, 2011
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Looking down Lafayette at Adjmi's designs for the southwest corner of Great Jones Street. (Courtesy Morris Adjmi Architects)

Morris Adjmi seems to be on something of an inversion kick as of late. His design proposal for a building on Walker Street, which was approved by the Landmarks Preservation Commission (LPC) in June, used an inverted bas relief effect that made the concrete facade seem as though a cast iron building was pressed into a large piece of clay. The new proposal for the southwest corner of Lafayette and Great Jones Street uses a similar technique, but in aluminum sections. But at a public hearing on Tuesday LPC put the breaks on the Lafayette proposal, saying the architect needed more depth and detail. “In general, they asked for the addition of more variety, depth and articulation of the facade, particularly the long facade,” Landmarks spokesperson Elisabeth de Bourbon wrote in an email.

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On View> Talk to Me at MoMA

East
Monday, August 8, 2011
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Hello World!, Bernhard Hopfengärtner (Courtesy MoMA)

Hello World!, Bernhard Hopfengärtner (Courtesy MoMA)

Talk to Me
Museum of Modern Art
11 West 53rd St.
Through November 7

Talk to Me explores the subject of communication between people and their environment, highlighting the role of the designer in imagining and establishing these connections. Through a diverse selection of objects and conceptual work, the exhibition examines designs that engage users, including information systems, visualization design, communication devices, and interfaces, like the QR code mowed into a field in Bernhard Hopfengärtner’s project Hello World!, above.

Continue reading after the jump.

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Obit> Lauretta Vinciarelli, 1943-2011

East
Friday, August 5, 2011
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Lauretta Vinciarelli, Night #6, 1996; architectural drawing; watercolor and ink on paper. (Courtesy SFMOMA)

Lauretta Vinciarelli, an artist, architect, and professor, whose water color paintings were deeply rooted in architecture, died Thursday in New York City. In the forward to her book Not Architecture: But Evidence That It Exists Brooke Hodge wrote of how “Vinciarelli’s work shows, indeed, how inextricably bound together art and architecture are for her and should be for more of us.” Her art crossed borders architectural form and space with an interest in light. “The paintings are of spaces I know that look nothing like what I paint,” Vinciarelli told Hodge.

Continue reading after the jump.

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New York’s Summer Streets Begins This Weekend

East
Friday, August 5, 2011
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Summer Streets. (Courtesy Transportation Alternatives)

Summer Streets. (Courtesy Transportation Alternatives)

Beginning tomorrow, August 6 in New York City, grab your bike or jogging shoes and run out into traffic. Summer Streets, the program that shuts down a portion of the city’s thoroughfares to anything with a motor, is back for three weekends in August and the event is not to be missed. Described by Transportation Alternatives as “a cyclist’s dream, a pedestrian fantasy and most definitely New York City’s greatest car-free event,” there’s no exaggeration in saying you’ll never experience the city’s public spaces like strolling down the middle of Park Avenue without the dangers, sounds, or smells of the city’s notorious traffic.

Summer Streets will be barring autos from seven miles of Manhattan roads on August 6th, 13th, and 20th from 7:00a.m. until 1:00p.m., so wake up early and tell your friends!

Check out the route map after the jump.

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A Garden for Pondering in Philadelphia

East
Friday, August 5, 2011
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The Rodin Museum Garden with The Thinker beyond. (all images courtesy OLIN)

OLIN has completed a renovation of the gardens at Philadelphia’s Rodin Museum, which houses the largest collection of Auguste Rodin’s sculptures and objects outside of Paris. The renovation is a piece of a larger refurbishment of Benjamin Franklin Parkway, which is also being overseen by OLIN, as a part of the Philadelphia Museum of Art’s Master Plan.  Read More

Montgomery Monument Returns

East
Thursday, August 4, 2011
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ICR's senior conservator Amanda Trienens takes in the teams work. (AN/Stoelker)

Amidst the flurry of activity surrounding the World Trade Center another monument is nearing completion, though this one is not exactly brand new. By the end of this week restorers of the Montgomery Monument at Trinity’s St. Paul’s Chapel will be securing the last arrow tip and guttae to the nation’s first monument.

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