One of the most sought after awards for emerging architecture firms was announced today. MoMA PS1 selected finalists for the 2011 Young Architects Program. The plum prize is an opportunity to design the garden space for MoMA PS1 in Long Island City, Queens. For the next three months the firms will finalize their designs and the winner will be announced in February. Past winners have included Hernan Diaz Alonso, MOS Architects, OBRA, So-Il and Work AC. This year’s firms include three from Brooklyn, one from Boston and a Brit. From Brooklyn the firms are FormlessFinder, Interboro Partners and Matter Architecture Practice. MASS Design Group comes from Boston and IJP Corporation Architects are based in London. See work from the other finalists after the jump.
Peter Cook–the real one from England, not the Hampton socialite architect impersonator–was in town last week and showed us some of the work from his firm Crab. Sir Peter was here to appear on a panel at Pratt Institute for the new book by Yael Reisner with Fleur Watson, Architecture and Beauty: Conversations with Architects About a Troubled Relationship. Cook and fellow beauticians including Will Alsop, Gaetano Pesce, Lebbeus Woods, KOL/MAC, and Hernan Diaz Alonso all took the subject head-on, and proved they think about aesthetics and form up front in the design process, though they seldom will admit to it. They did nothing to dispel Reisner’s thesis that even though, since the advent of modernism, only principles of rationalism are allowed to be used in explaining the building arts, architecture is still primarily a formal practice in the spirit of Einstein, who said that for him “visual imagery occurred first and words followed.” Read More
Aging is a universal theme. ANCHISES, a new performance premiering at the Abrons Arts Center in New York tonight, explores that amid a striking set from design firm Harrison Atelier (HAt), who are also billed as co-collaborators with choreographer Jonah Bokaer. Central to this latest version of the Greek myth is Anchises’ struggle to salvage memories from the burning city of Troy. This is reflected in the set design, where, according to HAt’s website, “the set creates an environment that scripts the dance.” Blocks, representing both the old and new city, are a central part of this multi-generational performance, and a recent New York Times review championed their use of medical tubing to subtly hint at the struggle of growing old.
Is NYC’s next architectural adventure shaped like a pyramid? Maybe, if one of the groups competing for usage space in Brooklyn’s historic Tobacco Warehouse has its way. The recently stabilized structure is currently under the purview of the powers-that-be at the new Brooklyn Bridge Park, which sees the Warehouse as “most compelling public spaces” in the city’s quest to spruce up the Brooklyn waterfront.
Haters of kitsch rejoice! No longer will visitors to the New Museum be greeted by Ugo Rondinone’s glowing, rainbow affirmation. Hell, Yes! has been replaced as part of the museum’s ongoing Façade Sculpture Program. In its place, Rose II, a far subtler work by German artist Isa Genzken. Growing from the first tier of SANAA’s ethereal Bowery building, the sculpture, a 28-foot tall rose, was created in 1993 and reprised in 2007. Read More
On the corner of Washington and Charles streets in Greenwich Village, a modular home has been plopped down in a vacant parking lot. It may seem an unlikely sight—or site for that matter—but what distinguishes this home from most of its tony neighbors is its eye-catching price tag: $35,000. Read More
Famed architect Frank Gehry enthralled a packed auditorium of students and community members at Pratt Institute yesterday afteroon. Speaking with The Architect’s Newspaper’s own executive editor Julie V. Iovine and Yael Reisner, author of Architecture and Beauty: Conversations with Architects about a Troubled Relationship, Gehry reminded the budding architects in the audience that his job involves more than just sitting around and creating curvy buildings from crumpled paper–it’s about delivering a finished product to a client, albeit a unique one.
More cave-itecture under the High Line. Architecture firm Leong Leong and fashion designer Siki Im have teamed up for the fifth and final installation in the Building Fashion series of pop-up collaborations beneath Chelsea’s High Line Park. Picking up where Snarkitecture and Richard Chai left off, Leong Leong has turned the former Sales Tin for Neil Denari’s HL23 condos into another amorphous cave-like interior—only now you’ll have to take off your shoes before entering. “We wanted to radically transform the interior,” explained principal Chris Leong. “We wanted to breakdown the traditional pop-up experience.” To do this, the firm oriented the store around a parabolic, foam-covered ramp and hung clothes seemingly at random from the walls and ceiling, which were sculpted with the same soy-based spray-foam. Read More