It’s been a couple of weeks since we stopped by the WTC site. The most striking aspect from the street remains the speed with which glass surfaces begin to rise. It seems like only yesterday that three stories of glass wrapped around Tower One. Now with ten stories completed, the quartz-like surfaces start to take shape. At the Memorial Museum, Snohetta’s glass has flown up in what seems a matter of days. The facade already reflects the grove, whose trees continue their own march toward West Street.
Microsol Resources’ Tuesday night presentation of Z Printers at Cooper Union was notable for scale of output, both small and large (very large). The 3-D printers produce a powder-based model where all unused excess material gets recycled within the machine. The copier makes tiny models with extraordinary precision. The prices run from $15,000 to $65,000. But a panel of four presenters said the printer’s primary advantage is speed, allowing for new models to be created within 24 hours.
Two firms made notable presentations. Xavier De Kestelier, an associate partner at Foster + Partners, veered from the script a bit when he showed a video of a cement printer being developed at Loughborough University in the UK. That hanger sized 3-D printer makes modular units that can be adapted as building components. Then, Wesley Wright, a designer with Pelli Clarke Pelli, brought the conversation back to the Z Printer, which he said has become an integral part of the firm’s design process.
The firm has four machines operating round the clock. Sketching right onto the models during the review process is not uncommon. In a video, no less than the maestro himself, César Pelli, intones on the importance of model making in general and on 3-D printers in particular. Wright has graciously, and exclusively, shared his video with AN. We nabbed the Foster/Loughborough video from YouTube.
The Gowanus Canal has been in the news a lot lately, with its superfund designation and sunken schooner. The canal and surrounding neighborhood have long fascinated architects and urbanists, and has been the subject of numerous architecture school design studios. A new ideas competition looks to develop that fascination into a series of proposals for the site, which would improve connectivity across and around the polluted waterway and take better advantage of the area’s unique history, character, and economic potential.
I assumed he would be articulate as all OMA graduates are, and I’d heard he was as intellectually entertaining as only those TED Talk types can be, but I was surprised that Bjarke Ingels, the Danish architect recently taking the city in a storm of media, could also simply converse. And he did so with ease last night in a Q&A with The Architect’s Newspaper as part of a Design Trust for Public Space council member drive at the oh-so-private Core Club. The theme was “New York After Bloomberg,” which frankly scares some people, especially architects, as the mayor has been a practically unprecedented supporter of the building arts and enlightened zoning throughout his three-term tenure.