You could literally smell the champagne aroma at Tuesday night’s gala reopening of New York City Center. Row upon row of glasses were poured just before the doors opened to reveal Ennead’s $56 million renovation of the beloved hall. Backstage, wide-eyed dancers and musicians rushed with palpable pre-performance angst. Duncan Hazard, Ennead’s partner in charge of the restoration, gave us a whirlwind tour before the curtain went up.
Modernism in Miniature: Points of View
Canadian Centre for Architecture
1920, rue Baile
Through January 8
Modernism in Miniature examines the relationship between architectural model-making and photography, spanning the years 1920 to 1960. It posits model photography as its own genre, exploring the evolution and visual methods used to capture these miniature architectural representations. Focusing on the encounter between media and architecture, the exhibition investigates the link between design and mass media with themes such as “Object and Image” and the “Art of Simulation.” Models by architects including Mies van der Rohe, Oscar Niemeyer, Le Corbusier, and Carlo Mollino (his model for a San Remo apartment, above) illustrate the changing architectural expression and visual representation of mid-century modernism.
Rather than add a few hundred more words to the tens of thousands already devoted to praise the Diller Scofidio + Renfro / FXFOWLE renovation of the Julliard School and Alice Tully Hall, I think today that I will remember the original architect, Pietro Belluschi (1899-1994). As a young faculty member at the University of Virginia, I got to know his work a bit. He designed the UVA School of Architecture. The building was muscular, had clear structure, and well expressed the late 1960s/early ‘70s last gasps of Brutalism.
Even though Hurricane Irene blew through on August 27th without flooding the subways, which were rendered prophylactically still and silent for a day, a pesky summer storm in 2007 dumped so much water onto the M and R lines that they were forced out of service. Governor Spitzer took immediate action to mitigate the problem, and boldly mobilized the Metropolitan Transportation Authority and the Department of Transportation to do something about it. Solving a range of engineering problems while at the same time providing a streetscape element with some wit and whimsy, Rogers Marvel Architects created banks of raised stainless steel grates that rise up into an undulating wave of slats and hammered speckled side walls.
If Bjarke Ingels‘ ascension into starchitecture hasn’t been dramatic enough, the Danish architect is again moving up in the world. On Friday, Ingels’ firm BIG threw a party to christen their new office space in Manhattan. BIG has expanded its Chelsea presence, moving up from the third to the twelfth floor of the Starrett-Lehigh Building. A press preview of the new space preceded the party a couple floors above. Among those in attendance were Crown Prince Frederik and Princess Mary of Denmark, who earlier this month awarded Ingels the $90,000 Culture Prize—the MacArthur of Scandinavia—for his emerging work in architecture.
Now it looks like Ingels’ October has just been getting started. The Wall Street Journal Magazine will declare the Danish architect among its inaugural Innovators of the Year. Read More
It felt a bit like the Decoration & Design Building at the Architecture and Design Film Festival last night for the U.S. premiere of Lioness Among Lions: The Architect Zaha Hadid, thanks in part to a smattering of East Side stylings in the crowd at the Tribeca Cinemas and the clever addition of Potterton Books to the festival. Waiting for the theater doors to open, we swigged wine provided by event sponsor Resource Furniture and perused shelves filled with a fantastic collection of both old and new books; Loos and Gio Ponti pressed up against Studio Gang. As we raved about Van Alen’s new bookstore, Potterton’s book buyer Beth Daugherty admitted she still mourns the loss of Urban Center Books.
Building of the Day #20: 41 Cooper Square
The Cooper Union for the Advancement of Science and Art
New York, NY
Often “stats” and awards are known well before the public appreciates a new building’s urban role. Cooper Union’s 41 Cooper Square, designed by Thom Mayne, FAIA, of Morphosis Architects with Gruzen Samton as Associate Architect, is more than a volume for a multi-disciplinary academic building with a co-generation plant, cooling and heating ceiling panels, low V.O.C. materials, green terraces, and “Fit-City”-worthy vertical circulation. While these stats did help the client claim the first LEED Platinum-certified academic laboratory building, Cooper has also revived a former traffic triangle and extended its identity southwards along the new Bowery. At a time when both NYU and Columbia’s building goals face sharp scrutiny, it pays to have a tough skin. Make that a gritty double skin!
A rainy day couldn’t dampen the spirits of the fourth graders that we met playing hoops in the brightly lit gym of the East Harlem School. It looks to me that there are two geniuses behind this wonderful building: Peter Gluck, the acerbic and seasoned architect/builder and Ivan M. Hageman, co-founder and Head of School.
Gluck led the tour, but Ivan was ever-present—in the cafeteria leading an appreciation of the chef and servers, and in the reception area meeting with parents. He welcomed us into his office, which is perched at the east end of the building with a clear glass open view up 103rd Street to the Public School embedded in the nearby housing project. Jane Jacobs eyes on the street.
Photographs by Andrew Moore
Queens Museum of Art
Flushing Meadows Corona Park
The Queens Museum of Art (QMA) presents the powerful photography of Andrew Moore from his three-month visit to Detroit from 2008 to 2009. Moore’s photographs are a tragic yet beautiful glimpse into the decline of a city that was once the twentieth century industrial heart of America. Michigan Central Station (above) stands empty, the organ screen at the United Artists Theater is crumbling, and bright green moss covers the floor of the former Ford Motor Company Headquarters. “Moore’s exquisitely realized visions of architecture overtaken by vegetation remind contemporary viewers that our own familiar culture is subject to the forces of entropy and the eternal strength of nature,” says a statement from QMA.