For a long time in the West there has been a common misgiving that aid is about patronage. The Cooper Hewitt’s latest exhibition, Design with the Other 90% : Cities, which opened this weekend at the United Nations Visitor’s Center, rebukes this notion by spotlighting communities in the southern hemisphere who are taking the initiative, harnessing local resources to solve their own problems. In the show, designers and architects are tapping into existing currents of change.
Attention Frank Lloyd Wright fans! You can satisfy two Wright cravings with this one event. Head over the the Solomon R. Guggenheim Museum to catch a screening of Kenneth Love’s lush new documentary Fallingwater: Frank Lloyd Wright’s Masterwork with Reflections of Edgar Kaufmann Jr. The film, which was supported by the James Marston Fitch Charitable Foundation, the Estate of Edgar Tafel, and the Laurel Foundation, will be screened in the museum’s New Media Theatre on October 21 and 28 and November 4 and 18 at 1:00 and 3:00 pm. The screenings are free with the price of admission to the museum. It’s the perfect marriage of content and container. Wright would approve.
The Metropolitan Tower is the wedge-shaped, Darth Vader-like all black glass monolith next to Carnegie Hall. Rising a tidy 716 feet in 77 stories of offices in the low-rise portion and residences in the high rise, the AIA Guide to New York City tells us that its developer Harry Macklowe claimed to have designed it himself. Not true! Schuman, Lichtenstein, Claman & Efron (now SLCE Architects) get the credit for the 1987 tower.
Next time you are in Times Square, don’t be shy when you see a spotlight– no matter how lame your dance moves are, you are guaranteed an explosive roar of applause from an invisible, enthusiastic crowd of people as long as you are moving. (What a refreshing departure from the notorious American Idol jury.) This location-appropriate spotlight installation is an interactive public art work by Adam Frank, an installation artist and a product inventor, whose body of work “represents an ongoing investigation of light and interactivity.” His shadow-casting oil lamp, LUMEN, is one of the MoMA Store’s best-selling items.
With buses running from the Lever House on Park Avenue, the Noguchi Museum was flush with Manhattanites last night for the opening of Civic Action: A Vision for Long Island City. The show of ideas by local artist teams—led by Natalie Jeremijenko, Mary Miss, Rirkrit Tiravanija and George Trakas—fleshes out urban dreams for the mostly industrial area. In anything but an autocratic manner, the show—the first ever at the museum to include contemporary artists and not Noguchi—encourages dialogue between large institutions, government, and the public.
When is a Center really a center? Well first of all it’s got to have a center, don’t you think? The Betances Community Center has a splendid gym holding strong in the middle of the plan, full of warm, white light modulated by the south-facing glass block wall and monitor side walls of Kalwall. Originally intended to house a boxing ring and bright orange bleacher seating, the space is now multi-purpose with the bleachers accordioned to the walls; the famous boxing program moved elsewhere. Even without the ring, the architecture packs a wallop of clarity, modesty, attention to detail, and programmatic resolution.
Yesterday, the Appellate Division of the State Supreme Court denied a request by the city and Vornado seeking to dismiss Justice Lucy Billings’ ruling which allied a protected natural resource with an urban landmark. In ruling that the Citizens Emergency Committee to Protect Preservation (CECPP) and Pratt professor Eric Allison had legal standing for their petition, Billings cited Save the Pine Bush v. Common Council City of Albany, a case addressing the protection of a forest Upstate under the State Environmental Quality Review Act. In deciding against the appeal, the court effectively said that they won’t hear the Manufacturers Hanover case in piecemeal. The case returns to Justice Billings’ courtroom next Wednesday where CECPP is asking for everything from reams of email correspondence between Landmarks and Vornado, to the new tenant’s lease and rental terms.
Just after 4:00p.m. Sunday afternoon, cryptic messages visible for miles around Manhattan were written in the sky, spelling out, among other things, “Last Chance.” Out of context to millions in the streets below, the messages were slightly unnerving and deliberately vague. Curious speculation as each giant letter was traced into the sky led many to wonder what the message actually meant: An ad? A terrorist’s warning? A persistent marriage proposal? It turns out the display was part of an art project by Kim Beck called The Sky Is the Limit/NYC and sponsored by the Friends of the High Line.
It’s been a while since we did the once around the super block that is the World Trade Center site. We held off on WTC Updates until the Tenth Anniversary news fest subsided. Now that all eyes are on the Zuccotti Park and Occupy Wall Street, we figured it’d be a good time to take another walkabout. From an urban planning standpoint, the Privately Owned Public Space (POPS) status of Zuccotti Park has stirred up quite a bit of interest.
As the 9/11 Memorial opened only last month—and remains a highly controlled space—the only way to navigate around the site is to walk through a series of interior and exterior POPS. Right now Occupy Wall Street’s takeover of the Brookfield-owned park is getting the lion’s share of attention, but elsewhere there are little known gatherings in other POPS around Lower Manhattan that happen every day.
550 West 18th Street
New York, NY
The IAC Headquarters is Frank Gehry’s first building in New York. Neither a symphony hall nor an art gallery clad in riveting titanium that creates its own economic system, it is rather a diminutive swell of faceted glass with a graded white frit. Compared to most big-name office buildings, the IAC is built at a much more personal scale. Built as-of-right and opened to little in the way of the usual starchitect fanfare, some might notice it’s hard to find the front door. What you may not know, however, is how bird friendly the building is.