Amidst the event saturated month of Archtober and the holiday hubbub that followed, the Center for Architecture‘s fall show, Buildings = Energy, got a bit lost in the shuffle. But there’s still time to check it out through January 12. Earlier this month Margaret O. Castillo took AN on a tour of the exhibit, the last under her tenure as AIANY chapter president. The show drives home several green points that Castillo has been hammering at all year, primarily the fact that buildings consume energy–a lot of it. Eighty percent of greenhouse gas emissions come from buildings, and in New York City alone they use 94 percent of the power. The exhibit takes a holistic approach focusing on the amount of energy needed to extract and make materials, to the energy used to build, and the energy consumed by the completed structure.
Before all eyes and ears were focused on the mayor’s announcement about Cornell and their EDC project upriver, AN was downtown for a much quieter opening of yet another EDC project. Without fanfare, the SHoP-designed Pier 15 opened to the public today. With the exception of another photographer and a family visiting from Spain, we were the only ones at the pier when the security guard unhooked the chain.
Rem Koolhaas has been thinking about the United Nations since his early Delirious New York days. Earlier this century, he even made a bid to design a new Secretariat. While that project didn’t pan out, the Dutch architect is joining a team of countrymen and women to “reconceive” the North Delegates Lounge in the Conference Building. In addition to OMA, the team will include designer Hella Jongerius, graphic designer Irma Boom, artist Gabriel Lester, and “theorist Louise Schouwenberg.”
Urban design historian Grahame Shane weighs in on the controversial project tracing MVRDV’s explosive imagery to its source in research.
When Ole Scheeren departed from OMA Beijing with the MahaNakhon Bangkok tower to found his own office in 2010, he had the idea to connect tower and urban village, marking a key moment in a very Dutch delirium that moved beyond OMA’s CCTV tower. In the Bangkok tower the developer’s website claims this skyscraper “melds with the city by gradually ‘dissolving’ the mass as it moves vertically between ground and sky.”
Last night, Peruvian artist Grimanesa Amorós presented her newest lighting sculpture at the Frank Gehry-designed flagship of Issey Miyake in Tribeca. Entitled Uros, the piece is one in a series inspired by the Uros Islands, a group of floating islets made by the pre-Incan Uros tribe using the tortora reeds native to Lake Titicaca.
In a surprise move Stanford University announced today that they are withdrawing their bid to build a tech campus on Roosevelt Island. In a statement, the university said that several weeks’ worth of negotiations prompted the Board of Trustees to determine that the East Coast expansion was not in their best interest. “We are sorry that together we could not find a way to realize our mutual goals,” wrote Stanford president John Hennessy.
The $200 million proposal with a master plan by Ennead was largely considered a front runner until this afternoon. The campus developed in a partnership with City College was to build more than 1.9 million square feet on the site now occupied by the Goldwater Hospital that would have brought housing for 200 profs and 2,000 students. While president Hennessy promised an accelerated launch—and a pledge of $1.5 bllion from a ten-year capital campaign—back in October, the plan seems to have fizzeled under pressure from students.
“I applaud the mayor’s bold vision for this transformative project and wish the city well in turning that vision into a reality,” said Hennessy. “Stanford was very excited to participate in the competition, and we were honored to be selected as a finalist. We were looking forward to an innovative partnership with the city of New York.” The San Jose Mercury News noted that “Hennessy had cautioned that unless Stanford could get guarantees that it could build what it needs to build, plans will be abandoned.”
In a flurry of statements that followed, both the city and City College looked for the silver lining. City College noted that the two institutions established a “strong on-going relationship during this process.” And Julie Wood from the mayor’s office essentially added that the show must go on. “We are in serious negotiations with several of the other applicants, each of whom has a game-changing project queued up. We look forward to announcing a winner soon.” That leaves the Cornell proposal with a team led by SOM as the only other contender for the Roosevelt Island site.
542 West 22nd St.
Through February 11, 2012
Dating back to the 17th century, Mobilier National is the institution specifically dedicated to decorating the French Republic’s official palaces and residences, at home and abroad. For the first time in America, Demisch Danant presents more than 20 rare commissions realized in the 1960s by the Atelier de Recherche et Création (ARC), a program launched by Mobilier National to promote a distinctly French contemporary style in decorative arts and design. With research and design development subsidized, these pieces were meant to be commercially produced in limited quantities. Many of the ARC creations have become icons of modernity, including Pierre Paulin’s famous designs for President Georges Pompidou’s private apartments at the Palais de l’Elysée and the President’s Desk (1968) by Henri Lesêtre (above).