The latest Shigeru Ban paper tube building has opened at IE University in Madrid, Spain. Elsewhere, Ban built the paper tube Nomadic Museum in New York City on a Hudson River pier in 2007, a Camper retail store in New York’s Soho neighborhood, and now in Christchurch, New Zealand he is constructing an A-Frame cathedral out of the temporary, eminently efficient material. The Madrid University building took only two weeks to build, is based on sustainability objectives, and there was a requirement that it be a temporary construction. It is made of 173 paper tubes held together by timber joints that rest on paper columns.
Oklahoma City just cannot tear down its architectural landmarks fast enough! The city and its developer community have been trying to do away with John Johansen‘s famous Mummers Theater and now David Box, a local developer, wants to get rid of a unique geodesic dome built in 1958 on Route 66. The developer—who claims among other things that the roof leaks and “you can’t just call a normal roofer and say hey we got a geodesic dome here can you fix it”—will give anyone who wants the dome a $100,000 bonus to take it off his property so he can fill it in and “make it safe.” The structure was originally built to house a bank and has been declared eligible to be listed in the National Register of Historic Places in 2002 and was designed by local architects Bailey, Bozalis, Dickinson, and Roloff based on Buckminster Fuller‘s patented dome.
Here at AN we have been hearing from the many fans of GA Global Architecture about the passing of its founder and creative force Yukio Futagawa. His long career as a publsiher had many highlights but it was as a architectural photographer that many feel he was most distinguished. William Stout Books, the great San Francisco architecture bookstore, has posted a tribute to Futagawa who worked with the store for many years. The store staff—a group that gets to see all the best architecture books—writes that he along with Julius Shulman were the two great “masters” of the craft of photographing buildings, particularly in black and white. They point out that the “quality of light in his work was truly unique because of his use of natural light,” particularly in his older books; The Essential Japanese House + Wooden Houses + Japanese Temples: Sculpture, Painting, Gardens and Architecture. The contrast in the black and white photos is really stunning,” they believe, and not unlike that of Aaron Siskind.
A sad but touching note today from Steven Holl informed us that Yukio Futagawa, the founder and impresario of GA Architecture magazine, passed away in Japan on March 5, 2013. Futagawa was 80 years old and was best known as the founder and director of GA Architecture Publishing Group. GA is recognized for seeking out the world’s best architects and projects and presenting them in elegant and intelligent formats (GA Houses, GA Documents) that crossed magazines with book publishing.
It is understandable that GA would be such a powerful and distinguished publishing house since Futagawa was a much respected architectural photographer and, as Holl writes, “a cultural force for fine architecture globally [who] understood that we must think beyond the provincial beyond the national.”
GA will continue to operate under the new leadership of Yukio’s son Yoshio. The family held a private funeral service for Futagawa in Japan on March 10, but if you are in Beijing, Holl will hold a tribute toast for him at the Opposite House Penthouse on March 17 from 7:00 to 8:00 pm.
Lessons From Modernism is the smartest and most compelling exhibition ever mounted in New York (and maybe anywhere) on the influence of nature and the environment in architectural design. This Cooper Union exhibition looks at and analyzes 25 iconic modern buildings from architects like Le Corbusier, Paul Rudolph, Jean Prouvé, and Oscar Niemeyer. Conceived and curated by Cooper Union Professor Kevin Bone, Lessons From Modernism brilliantly demonstrates how these and other important modern architects integrated environmental concerns into their designs and “explores the extent to which these practices have produced environmentally performative and distinctive architecture.”
The Storefront for Art and Architecture is bringing Aircraft Carrier, the 2012 Israeli pavilion at the Venice Biennale, to New York. The exhibit—one of the most pointedly political statements at the biennale—confronts the influence of the United States and its foreign policy in the Middle East and how it has affected Israeli architecture. The pavilion points to the year 1973 and the OPEC oil crises as a watershed in global capitalism when American strategic interests helped enable a new level of corporate architecture in Israel. The resulting reflected glass skyscrapers set against the optimism of Tel Aviv’s White City could not be more a poignant modernist image.
The exhibition is accompanied by a catalogue published by German publisher Hatje Cantz and edited by the curators, which contextualizes the phenomena in larger transformative processes. The book include texts by Milton Friedman, Justin Fowler, and Eeva-Liisa Pelkonen and visual works by participating artists Florian Holzherr, Nira Pereg, Jan Tichy, Assaf Evron, and Fernando Guerra.
Exhibition Opening: March 7, 2013, 7PM
Exhibition: March 7 – April, 29 2013
One of the most important components of any architecture school is its semester-long lecture series. It’s a chance for schools to bring in voices from outside their building and communicate to students a broad range of approaches and ideas percolating in the culture and profession. Many schools send out posters of these lectures to other schools across the country to announce their programing and these are posted on hallway walls for all to see even if they are thousands of miles away on another coast.
But now City College of New York’s Spitzer School of Architecture has taken the next step and is simulcasting its lectures live online for the public to view. Old lectures will be archived and viewable any time. This semester City College is focusing its lectures on Rethinking Kahn and have scheduled a distinguished line up of Louis Kahn scholars including Stanislaus von Moos this Thursday, February 28 speaking on Kahn’s urban projects. On March 7, Ken Frampton will be speaking on monumentality in Kahn’s work. March 21 will feature Gina Pollara who will lecture on New York’s FDR Memorial on Roosevelt Island and its construction. After that Robert Twombley and William J.R. Curtis will lecture. On the Friday after William Curtis’ lecture, there will be a discussion between William Curtis and George Ranalli and Rethinking Kahn.
A Fifth Avenue apartment designed by Paul Rudolph in 1970 has been sold to a private owner for $26 million according to the the New York Observer. Commissioned by Claire & Maurits Edersheim for whom Rudolph also renovated a Larchmont New York house and a Smith Barney office, the apartment, according to the Paul Rudolph Foundation, “features many of the characteristic elements of Rudolph’s interior architecture from the mid-Sixties through the Seventies: extensive use of mirrors and reflective surfaces, plastics and other synthetic materials, curvilinear geometry, painterly use of color, and experimental lighting.”
While it is not known if the new owners will retain any of the classic Rudolph interior, the Observer noted that the owners plan to combine the unit with another to create a larger duplex, which could mean Rudolph’s details will be lost. The interior currently has a series of Rudolph’s typical small, highly-designed spaces which look perfect for a dry martini!
Philadelphia and the University of Pennsylvania have been at the forefront of the education of American architects since the late 19th century. This past weekend, the University’s School of Design held a two day conference, Architecture Education Goes Outside Itself, on the evolution of architecture education in the past century-and-a-half from the first “school”—a correspondence course created in nearby Scranton, PA.
A group of young scholars selected, and perhaps inspired, by Penn professor Joan Ockman (whose important new book, Architecture Education: Three Centuries of Educating Architects in North America, thoroughly covers the subject) presented papers on America’s always-evolving efforts to initiate and rethink the education of architects.
It has just been announced that the Shenzen Biennale will be jointly curated by former NAi head Ole Bouman who will serve as Creative Director and American Jeffrey Johnson and Chinese scholar Li Xiangning, who will act as Academic Directors. The theme of the biennale which opens in December 2013 will be urbanization “outside the mainstream” and will take place in multiple sites around the region.
Bouman will be responsible for curating the exhibition, “focusing on forward-looking design practices, and large-scale works” while Li Xiangning and New York-based Jeffrey Johnson will be responsible for a curatorial review and theoretical research. The last Shenzen Biennale (2011) was curated by Terence Riley and was one of the most interesting architecture exhibitions of the year.