The Brooklyn Navy Yard is home to New York’s most spectacular collection of industrial buildings, warehouses, and 19th century dry docks. The Yard is normally closed to the public, but this Saturday Open House New York will open the gated industrial park to the public and many of its artisans, designers, and fabricators will be on hand to conduct tours of their studio spaces. The Navy Yard has just opened Building 92 with a spectacular museum of the facility’s history and an adjacent exhibition space featuring an exhibit of the collected steel dies (called hubs) of Mathew Lewandowski who was tool and die maker based in the Yard. The hubs on display represent 30 years of Lewandowski’s production and are beautiful objects in their own right as well as being tools for mass production. This Saturday is supposed to be beautiful weather so join Open House for a day in the Yard and its after party with the artists and artisans on the tour.
In a city known for specialized districts—diamonds, finance and garments to name only three—the Brooklyn Navy Yard is perhaps the most unique. The “Yard” is home to nearly 170 design related businesses like industrial designers, fabricators, artists, and architects and as a former ship building facility it is gated and closed to the public. But on May 12 Open House New York will open the former navy facility to the public from 12:00 to 5:00 p.m. and may of these creative studios and work spaces will open their studios for self guided tours. It will be an amazing day and AN will publish a full list of participating studios later in the week, but contact Open House to purchase a ticket for the tour which includes a drinks party at the Yard’s new Building 92.
The Venice Biennale is staged in an enormous old Arsenal building and in an urban park a few blocks away that houses 30 national pavilions. The first of these pavilions opened in 1907 and several were designed by famous architects like Josef Hoffmann (Austria), BBPR (Canada), Alvar Aalto (Finland), and Sverre Fehn (Nordic). The United States pavilion was designed by William Adams Delano. There have been very few buildings built in the garden since James Sterling designed the biennial book store in 1991, but just behind the U.S. pavilion the Australians are building a new exhibition space designed by Denton Corker Marshall. The Australian architects describe the pavilion as a simple structure or “a white box contained within a black box.” The pavilion will open in 2015 for the 56th art biennale and its $6 million price tag will be paid for with private funds.
The Woolworth Building just a few short blocks from Zuccotti Park—the spiritual home of the Ocuppy movement—was itself bathed in radical red last night to celebrate the iconic “red” work of Barbara Krueger and Bernard Tschumi. The two celebrated figures were being honored by the Storefront for Art and Architecture at their annual Spring fundraiser.
There are perhaps three–maybe four–design hubs in New York City. These hubs are places with high concentrations of architects and allied designers who are attracted by relatively large, light-filled spaces and the camaraderie of like-minded designers next door. These hubs are know mostly in the “cool” borough of Brooklyn (The Brooklyn Navy Yard, Dumbo and Red Hook), but the originally and still most “designer” dense is near Hudson Square, on Varick Street between Houston to Canal. Last month The Architect’s Newspaper collaborated with Open House New York (ohny.org) and had a hugely successful Saturday afternoon in Dumbo where over 35 architects opened there offices to the public.
Now we are doing second Open Studio on Varick Street, and the public will have the opportunity to visit some of the most high profile and active architects offices in the city. The event will take place on Saturday, March 31, 2012 from 1:00p.m. to 5:00p.m., and you can make a reservation to attend the day at OHNY’s website. The day will conclude with a drinks event at a local spot for all those participating in Open Studios.
Come by and say hello.
We have written about the Universität Stuttgart’s Institute for Lightweight Structures and Conceptual Design before, but they keep pushing the boundaries of exciting new building technology. On April 16 they will introduce the “world’s first adaptive shell structure spanning 10 meters by 10 meters (to a scale of 1:1.), ” and the shell will be “exposed to hydraulic drives that produce movements at the support points in order to specifically reduce loads and deformations caused by externally applied loads.” Check back in on April 17th to see the test results!
Presidential candidate Mitt Romney has been attacking Barack Obama lately for trying to bring European Social Democracy to this country. A new book on 44 urban transformation projects in European Union makes us wish “if only!”
The book details some well known projects—the Novartis campus in Basel, the new Bilbao Metro, and Strasbourg’s car park by Zaha Hadid architects—but it also features many lesser known projects that make Europe seem like the most interesting testing ground for transforming aging cities into new livable ones. Developed from a 2010 exhibition by Architecture Workroom Brussels, the book does not have a distributor in this country, so we are loathe to review, but it turns out that the book is designed by New York City-based Project Projects, and they are hosting a launch of the book on Sunday, March 11 from 4-6pm at their office at 161 Bowery on the second floor.
AN is headed out to California for the third year running for one of our favorite architecture events: Palm Springs Modernism Week (February 16-26). Palm Springs–and its surrounding towns, spas and arid California landscape–is home to what the organizers call “desert modernism.” The city is an extraordinary gridded landscape of modern car-ported flat-roofed houses and dozens of iconic homes, shops, and landscapes. The 11-day celebration focuses every year on an outstanding example of residential modern architecture, and this year it will highlight Sunnylands, the A. Quincy Jones-designed mansion (interior by William Haines) for the Annenbergs in nearby Rancho Mirage. The estate is surrounded by an art garden, labyrinth, private nine-hole golf course (currently being restored), and a new visitors center designed by Frederick Fisher. Read More
Tour New York’s design hot spots! Open House New York (OHNY) opens up scores of the city’s most important building for public tours every year, and now it’s doing the same for architect’s offices. OHNY will open a variety of offices for self-guided public tours in four of the city’s most creative design centers: DUMBO, The Brooklyn Navy Yard, Varick Street, and Red Hook.
The first tour of Dumbo (also sponsored by Two Trees Development, the DUMBO Improvement District, and The Architect’s Newspaper) is schedule for Saturday, February 25 from 1:00 to 5:00 pm. You will gain unprecedented access to some of the most creative design firms in New York, but you must sign up on the OHNY website. The day will end with a reception at a Dumbo design space with the participating architects. To see a full list of participating firms and to register, click here.
Anne Tyng, the Philadelphia architect and design professor, passed away on December 27. Born in 1920, Tyng was best known as a close collaborator—and even muse—of Louis Kahn, but she herself was an extraordinary figure. She established her career with theoretical writings that reflected a deep interest in mathematics and design, themes that she explored in Simultaneousness, Randomness and Order, her Ph.D. dissertation at the University of Pennsylvania, and pursued throughout her professional life.
Anne Tyng: Inhabiting Geometry, an exhibition that opened last year at the Institute of Contemporary Art in Philadelphia, was an elegant summation of her theoretical research on design and of her professional and academic career. Several of Tyng’s geometric designs from the ICA show were later exhibited at the Graham Foundation in Chicago, a longtime supporter of her work.
The Architect’s Newspaper will publish a more extensive obituary written by Srdjan Jovanovic Weiss in our next issue.